Japanese antique okimono of a group of 3 frogs. The younger frog sits on a larger frog's back while one frog is separate. Carved of sugi (cryptomeria) wood with reverse painted glass eyes.
Frogs are considered symbols of luck in Japanese culture and are used widely in poetry and art. The word for "frog" (kaeru) in Japanese also means "return" which is why small sculptures of frogs are sometimes carried by travelers as a way to make sure they return home safely from their journeys...

An antique Japanese Choba Tansu (merchant chest) made of Keyaki (Zelkova) and Aka Matsu (Red Pine) woods. Beautiful original hand forged iron hardware and Urushi lacquer finish. Two full width drawers and sliding doors with horizontal slats that hide three small drawers on the right and a business books and records storage area on the left. Upper drawer features a lucky treasure bag lock plate with a stylized Mt Fuji lock plate below...

Antique Japanese bronze shokudai (candle stick for a Buddhist shrine) in the form of a crane standing on a turtle's back. In it's beak, the crane holds a lotus stem with blossoms, buds and unfurling leaves. The different aspects of a lotus symbolize the stages of the Buddha's life. The crane and turtle together symbolize longevity as well as the opposites of Heaven and Earth. This shokudai has especially intricate details...

Rhymes and Life Scenes of Japan. Calendar for 1903 (28 pp. inc. covers)
Date: Published in 1902.
Publisher: T Hasegawa Publisher & Art-printer,Tokyo.
Size: 6.0 x 4.0 inches.
Medium: Japanese woodblock prints.
Condition: Back cover has bent corner, stains, and indentations (which carry through to a few of the pages)...

COCOON BAG

Bag made of washi Japanese paper used to contain silkworm cocoon balls so-called Mayubukuro, Showa period, 1940s, Japan, approx. 145 x 80cm (57.08 x 31.49in)


selected by Jinta




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A spectacular orb hearkening to the Sputnick era created by Hasegawa Isamu and exhibited at the 11th Nitten in 1955, enclosed in the original signed wooden box. The circular form is cleft with two equal but opposite dimples, offering both a futuristic and archaic dimension. It is 38 cm (15 inches) Diameter and in excellent condition.
Due to size the cost of shipping will be accrued separately.
Hasegawa Isamu was born in 1925 in Kyoto, son of famed porcelain artist Hasegawa Hakuho...

Helen Hyde
Day Dreams
Date: 1901
Size: 12.125 inches in circumference.
Signed in pencil by the artist.
Edition of 200.
Reference: Mason catalog #37.
Condition: Trimmed margins and laid to board. Some fading.
Note: If desired, we will ship the scuffed circular frame in which the print was found.

Japanese cast Iron Tetsubin, Iron Tea pot, with Bronze Top, 5" high include top knob, 8 1/2" with handle upright position, 6 1/2" wide- widest part include spout, brown rust inside the pot, pebble sandy finish outside. The condition is good.

The size of Tea Cup : 3 1/2" D x 2 3/8" H This is lovely fine quality 5 pcs Japanese Blue and White Porcelain Tea Cup Set by artist name "Shoka"　with Tomobako, wooden box. Each Cup has the design of Karako, Chinese Boys with pine tree, flower and butterfly which is famous subject. It is done with hand painted with some Inban work on motif design in detail works. Each cup bottom has the artist name on bottom cup. This is finely made cups...

Ohara Koson
A Hawk on a Snow-Covered Pine Tree
Date: ca. 1910
Publisher: Matsumoto Print Works.
Size: Ko-tanzaku. Approximately 8.875 x 3.875 inches. 20 x 9.5 cm.
Koson signature and seal at lower left.
References: Matsumoto #109(tag on back)...

Japanese blue and white ceramic jar.

Age: Japan, Showa Period, 20th Century
Size: Height 29.8 C.M. / Width 45.7 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

This is a very nice Edo period cotton indigo dyed cotton kimono for children. This is yokote Kasuri.Patterns such as bangasa (umbrella), turtles,willow. There are some stains and some repair marks on the shoulder ridge. However, it is an unused / stored item. The color and scent of indigo dye remains firmly. Size::length:84cm (33.07inch) / Sleeve-to-sleeve width::81cm (31.8inch)

Antique Japanese pair of shokudai (candle sticks) for butsudan. Made of bronze and decorated with unusual silver crest. Each with small animal head handles on either side. Nice weight and patination.

Age: Meiji Period (1868-1912)

Dimensions: 11" high x 4" wide each

A rare example Japanese zunari kabuto (samurai helmet) made all of iron with a mixed metal (gold & silver) design of a dragon amongst swirling clouds. The eyes and whiskers of the dragon are inlaid gold and it's body coils all the way around the hachi (dome). The mabizashi (visor) is edged in bronze and decorated with more wisps of clouds. The underside of the visor shows traces of original red lacquer. The shikoro (neck guard) has five layers and shows traces of black lacquer...

Antique Chinese celadon bowl. The rim is flared and accented with incised concentric rings which repeat several times closer to the center of the bowl. The widest band and the reserve at the bottom of the bowl are incised with subtle designs possibly floral. The outside of the bowl is thickly glazed with lovely drips and overall crackle. The foot has been left unglazed.

Age: Song Dynasty (960–1279)

Dimensions: 10 1/2" wide x 3 1/4" high

Antique Japanese gunbai, war fan belonging to a high ranking samurai officer. Made of lacquered wood with shell inlay and with 2 large cut outs. This fan would have been used to shade from the sun and to signal troops. Though this shape of fan was not used as a weapon, it could have come in very handy in battle and there are legends of samurai heroes fighting with nothing but their war fans. The art of fighting with a war fan is called tessenjutsu. This fan comes with a custom metal stand. ...

An example of some of the finest porcelain modern Japan has to offer. According to Wakao Kei, the artist who crafted this piece, it took him years of trial and error to perfect these stunning translucent glazes and associated techniques such as getting the right flowing consistency and pooling effect around the base. The unglazed portions at the foot of the bowl seen here in pictures was created by the artist's fingers as he plunged the vessel into the glaze while holding firmly to the porcelain...