A striking yellow incense burner with archaic designs in a burnt orange belt by Living National Treasure Tokuda Yasokichi I enclosed in the original signed wooden box. It is 6.7 cm square, 8.5 cm (3-1/2 inches) tall and in perfect condition.
Tokuda Yasokichi I (1873-1956) was born into a family of textile dyers in Ishikawa prefecture, but entered the ceramics world under the tutelage of his Brother Matsumoto Sahei, specializing in the Yoshidaya decorative technique of Kutani ware in 1890....

An exquisite carved lacquer cylindrical incense container enclosed in the original signed wooden storage box titled Nuri-ko-tsutsu and signed Chikusem. It is 12 inches (30 cm) long and in excellent condition, signed in a carved seal on the side. This comes from the Sanuki lacquer tradition of Kagawa prefecture on the Island of Shikoku. The production of lacquer-ware in Kagawa (Shikoku) was encouraged by the feudal lord Yorishige Matsudaira (1622-1695) and many artisans took up residence in th...

A small porecelain plate by Kato Yoshiyasu enclosed in the original signed wooden box titled Reversi-plate. The flat surface is covered in glaze, while the reverse is raw kalium clay. The base is pierced with multiple holes, each uniquely cut by the artist, so no two plates are the same. It is 10 cm (4 inches) diameter and in perfect condition, directly from the artist. Perfect for a small hors d’oeuvres or salt/condiments.
Born in Aichi Prefecture in 1985, Kato Yoshiyasu graduated fr...

Described as a “Tsuki-no-Umi” (Ocean of the Moon) sake cup we can see immediately the inspiration for this recent work from Kurokawa Daisuke. Fashioned from glass, the smooth and luminous interior starkly contrasts; yet, oddly compliments the textured and crater-marked exterior that refracts light in a brilliant kaleidoscopic display. A wonderful addition for the serious sake drinker or collector of modern fine art.

Born in Fukuoka in 1982, Kurokawa graduated from Ch...

Japanese late Meiji to early Showa period cast iron sake kettle (choshi) with the characteristic flattened spout decorated around the full body in a bas-relief hailstone pattern. The copper handle stands upright. The lid also appears to be made from thin copper sheet and has a small round finial. Three small bosses on the base serve as feet. These iron kettles were used to heat sake during the cold winter months. Early 20th century to possibly late 19th. 5 1/8" to the top of the handle and...

Japanese late Meiji to early Showa period cast iron tetsubin decorated with a hailstone pattern in bas-relief around the upper half of the body. Bronze lid with a round openwork finial. The lid is inscribed with a bank name. The handle stays upright. Early 20th century to possibly late 19th. About 8 1/8” high to top of handle x 7 1/4” across. Very good overall condition with some typical rust in the interior from use. There are a few scratches on the underside of the lid.

A Japanese silver bowl with lobed edge, worked in kebori and repoussé with three kirin in relief, finely chiseled and adorned with gilding that emerges from the waves and embraces the entire surface of the bowl, signed Murasaki No Miyako Nemoto Zo (made by nemoto) with the Junjin brand. Work published in the volume “Selezione 2023“. Diameter: 21 cm Meiji, c. 1880

A pair of bronze vases with shishiaibori and iro-e takazogan inlays in relief in gold and silver and worked in kebori depicting two dragons, both embracing the vases with Nogawa company brands. The upper part has geometric decorations in relief in shibuichi and shakudo enclosed within reserves. Work published in the volume “Selezione 2023“. Height: 21 cm Meiji, c. 1880 Founded in Kyoto in 1825, during the Meiji era the Nogawa company exhibited at major international exhibitions betwe...

A group of 7 different old hand drawn Indian charts and drawings. Inks on paper. Largest 32x23 cm. Undated, estimated to be 19th century or earlier. Can be viewed in central London and shipped worldwide.

A group of 6 different old Indian circular hand drawn yantras. Coloured inks on paper. Largest 34x24 cm. Undated, estimated to be 19th century or earlier. Can be viewed in central London and shipped worldwide.

STAND ASHTRAY

Iron leg and aluminum tray. Showa period, 20th century, Japan. H 58.5 x 17 x 17 cm (23.03 x 6.69 x 6.69 in). Age-related wear and deterioration, as seen.


selected by titcoRet




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LARGE SIZE KAMIDANA

Sophisticated wooden 'kamidana' (https://en.wikipedia.org/wiki/Kamidana), Meiji-Taisho period, early 20th century, Japan. 63 x 46 x 16 cm (24.80 x 18.11 x 6.29 in).


selected by Jinta




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POJAGI, Indigo blue

Traditional Korean folk patchwork textile (Pojagi or Bojagi) made from various scraps of hemp fabric. Mid-20th century. Approx. 108 × 106 cm (42.51 × 41.73 in). Stiff texture. Some expected minor fraying, discoloration, and small holes due to age, but overall in beautiful vintage condition, as is as seen.


selected by kikue




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Japanese large Signed Cranes scroll. Meji period,19th century

A majestic Japanese hanging scroll (kakejiku) depicting a pair of red-crowned cranes resting gracefully on an old pine branch. Executed with mineral pigments and ink on silk, the work showcases exquisite brushwork and subtle texture. In Japanese symbolism, cranes represent longevity and fidelity, while pine trees signify steadfastness and endurance. Together, they form a timeless emblem of harmony and auspiciousness.