Mid-18th Century, Japanese Mixed Materials Three-case Inro, Kyoto ware Ojime, and Manju Netsuke This is Mid-18th Century, wonderfully carved Three-case Lacquered Inro inlaid with Porcelain. The inro is contained within a dark brown frame. The porcelain is inlaid in a Mokume bacground, and it depicts the figure of Lao-Tze on the front, and a couple of sages on the back. The white and brown Kyoto ware ojime depicts Daikoku, and is impressed with the seal of Eiraku Tokusen...

Antique Japanese hand carved wooden temple carving of a dragon amongst the swirling clouds. Beautifully carved of heavy keyaki (zelkova elm) wood with nice original details. The large dragon clasps the sacred wish-granting pearl in one claw. Around him are billowing rivulets of clouds. Gold and ink detailing can be seen for the eyes.
In Japan, they are thought to be tide gems, which cause the sea to ebb and flood, and are one of the primary treasures of Ryujin’s palace...

Antique Japanese Samurai meadate (samurai helmet decoration) of a gilt dragon made of hand carved wood with dry lacquer with metal details on tail/whiskers. Whimsical flowing hair and long eye lashes. Mounted on a custom antiqued bronze metal/walnut stand for presentation.

Age: Mid Edo period (1603 - 1868)

Dimensions: 11″ High x 4 1/2″ x 4 1/2"

Crystal standing six sided obelisk. Custom mounted with a brass and walnut base.

Age: Contemporary

17" High x 3" wide x 2 1/2" deep Points and obelisks have strong healing properties just because of their shape. They increase vitality, can make pain disappear...

Wonderful pair of bronze roe deer with small horns, standing in a naturalistic pose. Roe deer are indigenous to Europe, from Scotland to the Caucausus. Very good detail, delicately rendered and condition with dark patination.

Circa 19th century, 1900s

Each measures 26" High x 26" Long x 7" Deep

Antique Japanese gunbai, war fan belonging to a high ranking samurai officer. Made of lacquered wood with shell inlay and with 2 large cut outs. This fan would have been used to shade from the sun and to signal troops. Though this shape of fan was not used as a weapon, it could have come in very handy in battle and there are legends of samurai heroes fighting with nothing but their war fans. The art of fighting with a war fan is called tessenjutsu...

Mounted antique Japanese 16th century carved hardwood temple fragment from Japans old growth forests. Depicting a pair of herons, king fishers, sparrows, fish, and front sitting amounts the blooming lotus flowers at waters edge. Mounted and ready to be enjoyed. Excellent original condition with patina consistent of age.
The herons symbolizes long life and is considered a sacred animal...

Wooden netsuke of a standing Dutchman figure with his mouth open, leaning forward. He is wearing a long curly wig, a ruff and a long coat tied at the waist...

Ivory netsuke of a man wearing a wakizashi (short sword) on his left side and an inrô with his netsuke on his right side. His hairstyle is a chonmage and he is wearing a kimono with the lucky kanji kichi (吉) on the back.

In the feudal system that prevailed until the Edo period, the buke (武家) class corresponded to the warrior nobility. The man shown here belongs to this class and has the privilege of wearing the wakizashi, a highly regulated item...

An antique Japanese large Choba Tansu (merchant chest) made of Keyaki (Zelkova) and Sakura (Japanese Cherry) woods. Four large drawers for merchant textile storage on the left and seven utility drawers with 2 sliding doors and a hinged door hiding 2 small drawers on the right side. All original hand forged iron hardware including the Hikute style handles...

A pair of rare Michel Ducaroy's three seat sofa in original Violet Alcantara. Both are in very good condition with little ware. These are easy to clean and stain resistant. The rich dark violet purple alcantara is soft and supple.
May be sold individually @ $6,575 Each
Michel Ducaroy's born Nov...

Sculpture carved out of the root section of a keyaki tree. A fox looking back. The roots that grew downwards form the legs, a small root growing horizontally forms the tail. The base section was originally the hollow trunk, filled in with an oval piece of keyaki (zelkova) wood. Wood polished.

Japan, Meiji era, early 20th century.

H 12 x W 18 x D 13.5 in.

Fabulous condition

Japanese limited edition woodblock print by French artist Paul Jacoulet (1902-1960) titled "Old Ainu Lady. Chikabumi. Hokkaido. Japan" (Vielle Aino) published October 28, 1950. A full page color illustration of this print is on page 35 (plate 109) of “The Prints of Paul Jacoulet” by Richard Miles, 1982...

Stoneware banko teapot depicting the Seven Gods of Happiness with rattan handle.

The Seven Gods of Happiness are skillfully arranged, combining iconographic and physical characteristics of the teapot.
The lid features Jurôjin, god of longevity and wisdom, depicted as on old man. His moustache is used to grip the lid. The pointed cap of Ebisu, deity of peach trees and agriculture, serves as the spout. To his right, Hotei, deity of commerce and good health, is shown bald and sm...

Biwa-shaped kobako box in gold and silver hira maki-e lacquer.
In the center of the biwa, a bachimen (pick-guard) decorated with a temple in a pine landscape and fake resonance holes in the shape of crescent moons (hangetsu). Back and interior in nashi-ji lacquer.
Literally translated as ‘little box’, kobakos are often decorated with harmonious scenes inspired by Japanese flora and fauna. Japanese artists play with materials and shapes with a precision and meticulousne...

Oblong brown lacquer kobako box imitating a cherry branch. The lid is decorated with cherry blossoms in gold takamaki-e lacquer. The inside is in brown lacquer.

Japan – Meiji era (1868-1912)
Length: 8.3 in / 21 cm – Width: 2.5 in / 6.5 cm

GHOST UNDER THE WILLOW TREE

Hand-drawn Japanese yurei-ga ghost painting on silk mounted to hanging scroll (paper). Early 20th century. Length 143 cm x Width without roller ends 37 cm (56.29 x 14.56in). Creases, worm holes, and some damages due to age as is as seen.


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The deity is presented standing with his hands together in a position probably of prayer. It is carved in a piece of solid wood, lacquered in black and gilded with gold leaf. The crown and jewels are in cut and embossed copper, there are traces of mercury gilding in inaccessible places. Glass paste beads hang from the crown. The eyes are made of rock crystal, mica or glass. It is difficult to date these Japanese sculptures because the styles have to little evolved for centuries. For this Kwann...