An exquisite pair of 19th century Sometsuke porcelain bottles decorated with butterflies among seasonal flowers. The winged creatures float effortlessly among the bamboo, Chinese bell flower, wild chrysanthemum and other seasonal flora. Each bottle is peaked by a simple rounded wooden bung, and they come enclosed in an age darkened wooden carrying box with hand forged iron handle. They are roughly 15 cm (6 inches) tall each and in excellent condition...

A Ko-Seto-yu Chaire Tea Container by Teishitsu Gigei-in Suwa Sozan I wrapped in a chord bound silk pouch enclosed in the original signed wooden box tied with deer leather, the box bearing the seal of the Imperial Art Academy. It is 5 cm (2 inches) tall and is in perfect condition.
Sozan I (1852-1922) was born in Kutani country, present day Ishikawa prefecture, where he initially studied before moving to Tokyo in 1875...

Japanese Silver and Gold Helmet Presentation Bonbonniere Box by Miyamoto Shoko

It is 2.95 inches (7.5 cm) tall by 2.95 inches (7.5 cm) wide. It is 92.5 gram.

It is tarnished and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...

1900's Japanese Makuzu Kozan Studio Porcelain Unusual with Handles Koro Censer in Chinese Style Marked

It is 4.7 inches (12 cm) tall by 4.4 inches (11.2 cm) wide. It is 0.9 Lb.

It has surface wears (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...

On a fundame lacquer base, the decoration, on one side, black and red, of a rooster, hen and chicks under bamboo with the sea in the background and on the other side a fisherman's hut by the sea in front of the imposing presence of Mount Fuji. The lacquer work is particularly subtle in hira and taka maki-e. The interior of the compartments is nashiji lacquer. The ojime is made of malachite. Signed: Nikkosai. Height: 8.4 cm.

TOOL OF INDIGO DYEING CRAFTSMAN

Unique handmade tool made of newspaper used as a rubbing pad for pressing (like a "Baren" for printing from wooden block), 1970s, Japan, D 11 x H 10 cm (4.33 x 3.93in).


selected by Jinta




* Please understand that EMS shipping fee is additionally charged, and also confirm our Sales Policy before purchase, since your order will be assumed to have fully acknowledged our Sales Poli...

HANGING FLOWER BASKET

Japanese hanging 'Hanakago' (Flower basket) made of bamboo so-called 'Kake-hanaire', late 19th - early 20th century, H 26.5 x D 13.5 cm (10.43 x 5.31in). Attached with a glass 'otoshi' (inner cylinder for the use of fresh flower arrangement)...

SAMPLE BOOK WITH KNITTINGS

Japanese school girl's handmade sample book with the actual 20 knitting works and each written description by the right page. Showa period, 20th century. Book: 28 x 19 x 8 cm (11.02 x 7.48 x 3.14in). Once untied its binding string for the photo shooting...

An antique Japanese Buddhist family altar called Butsudan in 2 sections. All lacquer finish with gilt lacquer interior. Exterior doors open to inner sanctum doors. Upper transom was hand carved with religious figures meditating in a wooded forest. The altar features a centerpiece dragon with 3 flying Phoenix birds above each compartment. Hanging ornaments on each side...

Antique Japanese Butsudan, Buddhist shrine for a home. This butsudan is in two sections. The top section has four folding doors that open to a shrine interior: An multilevel altar with carved details, gold leafed silk and columns. There is a small storage compartment closed by carved sliding panels. The bottom section has two storage drawers...

Antique Japanese tansu with original deep-red lacquer finish. The top portion of the chest has three full-width drawers and locking bar. The lower portion of the chest has two medium sized drawers with a locking bar on the left hand side, a safe box on the right. The safe box door has heavy iron work and opens to reveal 3 small interior drawers. Other iron hardware includes warabite drawer pulls, extensive corner bracing and handles for carrying...

A beautiful contemporary ceramic vase by Katsushi MORI. High, oblong, squarish vase with geometric, abstract patterns in grey, beige and silver transfer technique...

Kawase Hasui
Dawn Over Lake Shoji
Size: Approximately 8.75 x 7 inches.
Date: 1935. First and only edition.
Publisher: Watanabe Shozaburo for a calendar commissioned by Japan Government Railways...

Ohara Koson (Shoson)
Redstarts on Flowering Cherry Branch
Size: O-tanzaku. 13.5 x 7.25 inches.
Date: 1910s
Koson signature and seal at lower right.
Publisher: Daikokuya.
Medium: Japanese woodblock print.
Reference: K26.5 in Koson catalog.
Condition: Top back corners have paper residue.
- This print features lovely woodgrain.

A Japanese Porcelain Figure of Guan Yin/ Kannon. Signed Aoki, Mokubei (木米), Circa, 19th Century. Aoki Mokubei 青木木米 (1767-1833). Aoki Mokubei was born in the Gion district of Kyoto as Aoki Sahei. From childhood, he was a disciple of the well known artist and Confucianist Kou Fuyou, who had a strong influence on his upbringing. When he visited Kimura Kenkadou of Osaka, he found among his book collection a book written by the Chinese Shuryuutei called “Guide to Ceramics”, whi...

Traditional Japanese art tends to be timeless and inspiring in form, however, occasionally lacking in diversity and innovation. That is why artists who can incorporate centuries of experiential knowledge and technique into producing new and interesting forms are oh so valued. Though this Bizen jar fits into the category of mizusashi, a vessel central to tea ceremony that holds fresh water, it seems to transcend this narrow category and stands as an independent art object all its own....

Japanese inlay ceramics (zōgan) are created by making incisions on the surface of a clay body which are then filled with various colored clays, creating a pattern. After the pattern is finalized, an overglaze is applied and the piece is sent to the kiln to be fired. As can be seen here, the results are quite striking and produce unique patterns that cannot be replicated through painting alone. Inlaying as a technique is thought to have originally derived from practices in metal and ...

Written on the box in Japanese script are the words “Awai Sakura Yu” translating to English as “Pale Cherry Blossom Glaze”—amply describing the appearance of this unique and frankly stunning work of Kutani pottery by artist Nakata Kazuo. Reminiscent of pieces by well-known artist Ōno Hakuko, there are striated lines of silver leaf running vertical below the surface of the glaze, interrupted in places, allowing the eye to wander across the entire surface. Soft and inviting,...