The great master Sadamitsu Sugimoto has been challenging to various kinds of pottery, Iga, Shigaraki, Raku, Ido, Kohiki, Shino, Oribe, Kiseto so on, And he has accomplished Celadon works. This piece has abstract pattern with copper glaze under the celadon glaze. Size: 9.3cm(D) 3.0cm(H) Accessary: wooden box signed by the artist.

The great master Sadamitsu Sugimoto has been challenging to various kinds of pottery, Iga, Shigaraki, Raku, Ido, Kohiki, Shino, Oribe, Kiseto so on, And he has accomplished Celadon works. This piece has abstract pattern with copper glaze under the celadon glaze. Size: 9.3cm(D) 3.0cm(H) Accessary: wooden box signed by the artist.

A ghostly white crackle-glazed chawan by Living National Treasure Shimizu Uichi enclosed in the original signed wooden box titled Hakuyu Chawan (White Glazed Tea Bowl). It is 12.5 cm (5 inches) diameter10 cm (4 inches) tall and in excellent condition. It comes wrapped in a silk crepe pouch and retains the original artists shiori.
Shimizu Uichi (1926-2004) was born in Kyoto the son of a ceramic dealer...

This piece is made of copper glaze called "oribe". At first , it is covered with feldspar and painted with iron and next it is covered with copper glaze. It is firing into burning charcoal in the kiln, so there are complicated atmosphere, oxidation and reduction. The oxidation atmosphere makes the copper glaze red, the reduction atmosphere makes it green and the mixture atmosphere makes complicated color. Size 6.0 cm (D) 6.3cm (H) Accessary : wooden box signed by the potter.

This piece is made of copper glaze called "oribe". At first , it is covered with feldspar and painted with iron and next it is covered with copper glaze. It is firing into burning charcoal in the kiln, so there are complicated atmosphere, oxidation and reduction. The oxidation atmosphere makes the copper glaze red, the reduction atmosphere makes it green and the mixture atmosphere makes complicated color. Size 6.0 cm (D) 5.7cm (H) Accessary : wooden box signed by the potter.

Antique Japanese carved wooden ranma (decorative transom). Beautifully carved with blossoming lotus flowers on a background of swirling water. The lotus flowers range in different stages of blossoming, a Buddhist symbol for the different stages of enlightenment. Carved of keyaki (zelkova Japanese elm) wood and framed in brown and gold lacquered wood.

Age: Meiji Period (1868-1912)

Dimensions: 8 1/2" high x 46 1/2" wide

Japanese seto ware ceramic chawan (tea cup). Made of dark brown stoneware with round body and small round foot. Appealing greenish glaze with drips. Artist's mark on the bottom. With tomobako.

Age: Taisho Period (early 20th century)

Dimensions: 2 7/8" high x 5 1/4" wide

Antique Japanese oribe ware chawan (tea cup). Buff color stoneware with reddish brown translucent glaze. Two areas of thick white crackle glaze with black brushwork motifs give this cup it's traditional oribe appearance. Satisfying weight and shape. Lovely drips and depth. With tomobako.

Age: Taisho Period (early 20th century)

Dimensions: 3 1/4" high x 4 3/8" wide

Vibrant red glaze is dribbled randomly across the scored and scarred light glazed body of this magnificent Chawan by Yamada Kazu enclosed in the original signed wooden box titled Kaku-yu Oribe Chawan. The form is slightly belted, to allow the bowl to settle comfortably into the palm. The very traditional silhouette however has been paddled and graffiti structures scratched into the surface. Over this has been applied an overall white glaze, with black and red ladled out on top of that...

An antique Japanese chest called Tohoku Kasane Tansu made of Kirinoki (Paulownia) wood. All original hand forged iron hardware including the Kakute style handles. Good luck symbols on the handle backplates showing the Sho Chiku Bai motif (longevity, tenacity and beauty). Four large drawers for spacious kimono storage and a hinged door behind which are two small drawers where valuables were hidden away...

Japanese kappazuri stencil print by the artist Yoshitoshi Mori. Mori developed his distinct style using the kappazuri print technique and grew to fame, exhibiting his work around the world. His distinct style shows how he was influenced by his work as a textile designer and dyer of kimono fabric, a job he had when he first graduated from art school. This print shows figures under a row of lanterns on Nakamise Street in Asakusa. Signed in pencil and unframed...

An antique Japanese display chest known as a Cha Tansu made entirely of Kirinoki. Used in Japan as an all purpose cabinet used to store tea serving accessories for guests as well as serving as a display chest where seasonal or special occasion accents can be shown for all to enjoy. Original bronze hardware. Two large sliding doors hide a large spacious storage area and 5 drawers are used for organizing and additional space. Beautiful curved top corners with dovetail joinery work...

Japanese Edo period woodblock print kakemono (vertical diptych) of a full figure samurai walking in an elegant kimono by Utagawa Kunisada (1786-1865) published by Sanoya Kihei between 1844-1845. Signed Kochoro Kunisada at the lower right corner with the publisher's seal and Tanaka censor seal beside it. The assembled size is about 28 1/2” x 9 9/16" (top sheet: 14 1/8" x 9 1/2"; bottom sheet: x 14 9/16" x 9 9/16." Very good clean overall condition...

Okimono in bronze of a frog.
Seal of the founder or of his factory on its belly, not identified.

The frog (kaeru) is associated with luck and wealth. Kaeru means both "frog" and "coming home" in Japanese. This extension of meaning is due to the ability of the frog to return each year to the pond of its birth. A gong in the shape of a frog can thus sometimes be used as a door hammer or to protect a house.

Japan - Meiji Era (1868-1912)
Height: 0.9 in...

Okimono in bronze of a frog.
Seal of the founder or of his factory on its belly, not identified.

The frog (kaeru) is associated with luck and wealth. Kaeru means both "frog" and "coming home" in Japanese. This extension of meaning is due to the ability of the frog to return each year to the pond of its birth. A gong in the shape of a frog can thus sometimes be used as a door hammer or to protect a house.

Japan - Meiji Era (1868-1912)
Height: 1.4 in...

Wooden toad with long legs. In the Japanese bestiary, the toad has a special place, carrying positive values. Both the toad and the frog, called kaeru (蛙) return every year and regardless of the distance to the pond where they were born. The word kaeru is a synonym for "coming home". It is the protective animal for travelers and the symbol of hospitality...

Hitotsusage tabacco pouch with a netsuke. Unlike the tabako-ire, there is no kiseru case.

Netsuke of kagamibuta type, made of two parts: a silver plate with peonies decoration and an ivory bowl.
Leather snuffbox (pouch) with menuki (metallic decoration) of a silver dragon. On the pouch, painted decoration of a Hôô phoenix surrounded by flowers. The phoenix and the dragon represent the imperial couple.

Japan - Edo period (1603-1863), 19th century
Net...

Bronze sculpture of a giraffe beetle (Prosopocoilus girafa). The top of the abdomen is raised, revealing a perfume burner. The lucanus, in Japanese kuwagata mushi, is highly valued for its playfulness and aesthetic value.
Insects (mushi) have a very important place in Japanese culture. Insect hunting is a popular pastime, especially among children. Using nets and cages, they catch cicadas, beetles and other insects to observe them. Mushi can indeed be seen as familiar animals, playing a ro...