A Japanese excellent ivory netsuke depicting a group of three mushrooms. The green patina is of excellent quality with finely engraved and crafted lamellae. Every detail has been carefully taken care of, from the shape of the cap to the roots at the base. Origin: Japan Period: Edo 19th century Dimensions: 2 x 6 x 4,7 cm. State of preservation: Very good

This cup is covered yellow glaze by ashes and green glaze by oxide copper, amazing color. YouTube movie: https://www.youtube.com/watch?v=hgo8DbZbxnw Size: 6.8cm(D)5.5cm(H) Accessary: wooden box signed by artist

Brilliant green "Oribe glaze" sake cup. YouTube movie: https://www.youtube.com/watch?v=0OfaOxZKfkw Size: 7.0cm(D) 5.0cm(H) Accessary: wooden box signed by artist

This sake cup is made as a miniature of red raku chawan made by Honami Koetsu in 17th century. YouTube movie: https://www.youtube.com/watch?v=DkIc18gBIkk Size: 6.7cm(D)5.3cm(H) Accessary: wooden box signed by artist

Sadamitsu Sugimoto recently has completed new raku technique not to use lead for glaze, so he can make a black raku sake cup. It's seemed just like a miniature of black raku chawan. YouTube movie: https://www.youtube.com/watch?v=noTNWuglDHI Size: 7.7cm(D) 5.5cm(H) Accessary: wooden box signed by artist

The size of Kutani Dog: 7" High x 4 1/4" Wide x 5" Deep.
This is beautiful and adorable Japanese Kutani Dog
from 1970's to 1980's about 50 years old
vintage Okimono. It has flowers, butterfly and ribbon on neck design.
The Dog is made from crackle glazing semi porcelain body.
Bottom of Dog Okimono has some kind stain. It has four felt circles,
preventing scratch when placing on the wooden top.
The condition of dog excellent...

Vivid yellow streaked with glassy Oribe green glaze highlights the sculpted middle of this exquisite covered jar by important artist Hayashi Shotaro enclosed in the original signed wooden box titled Oribe Mizusashi. It is entirely sculptural, with a refinement of glaze only this artist can create. Spectacular is all that comes to mind when viewing this groundbreaking artists work. The piece is 7 inches (18 cm) diameter, 6 inches (16 cm) tall and in perfect condition.
Hayashi Shotaro (b...

Japanese sosaku hanga woodblock print titled in pencil at the lower margin "Haniwa (7)" by Kiyoshi Saito (1907-1997). Signed in white ink and with the artist's red seal at the lower right corner on the back. Circa 1950s. Paper size: 14 3/4" x 9 3/8” (image size: 11 1/8" x 5 7/8”). Very good overall condition. There are some horizontal soft creases in the paper, primarily within the margins, that are visible in the main image...

Seto Kuro Oribe (black oribe) kutsugata (shoe-shaped) chawan with a rounded brim, made in the late Edo Period around 1850. This rare type of tea bowl was made from light, coarse, unrefined Mino clay which contains some iron oxide and and a rich black glaze (made from ground up Kamagawa stones) which partially obscures the white designs on the side. The Chawan fits nicely in your hands and looks great filled with bright green matcha...

Gold pinstripes glimmer beneath the yellow glaze of this striking pitcher by Ono Jiro enclosed in the original signed wooden box titled Yuri Kinsai Suichu. The vessel is expertly crafted, with the title Suichu being open ended, so that it may serve for serving Japanese sake, tea or any other liquid. It is 21 cm (8 inches) tall and in excellent condition. In the first photograph it is shown with a sake cup made by his wife Emi, the cup is not included...

NARA-PAINTING

Samurai warriors on Horseback. 'Narae' (lit. 'Nara picture') as the Japanese traditional popular illustrations for the use of scrolls and books painted by 'Ebusshi' (Painters who specializes in Buddhist art) belonging to the large temples in Nara area through the late Muromachi - Edo period. Frame: 39.5 x 30.5cm (15.55 x 12.00in), Painting: 21.5 x 14cm (8.46 x 5.51in)...

MINIATURE ANTHOLOGY

‘Hyakunin Isshu’ (ref. https://en.wikipedia.org/wiki/Ogura_Hyakunin_Isshu) as the classical Japanese anthological card game of 100 Japanese waka poetry by 100 poets, and this one is unusual tiny version with woodblock printing dated back to the late Edo period (though incomplete with 90 picture cards and 90 letter cards). 2.5 x 3.5cm (0.98 x 1.37in) each. Some wormholes and slightly bended as generally...

Antique Japanese ranma (transom). Carved from hinoki wood on both sides with a scene of a twisting pine tree. Framed in natural, unfinished hinoki wood. The carving is unusually detailed. This architectural detail would have been built into a Japanese home usually over a door or window.

Age: Meiji/Taisho Period (earl 20th century)

Dimensions: 84 1/2" long x 17" high x 2 1/4" deep

Antique Japanese ranma (transom). Carved from sugi wood on both sides with a scene of a twisting pine tree and stalks of bamboo. Framed in black lacquered hinoki wood. This architectural detail would have been built into a Japanese home usually over a door or window.

Age: Meiji/Taisho Period (earl 20th century)

Dimensions: 65" long x 14 3/4" high x 1 1/2" deep

Antique Japanese ranma (transom). Carved from sugi wood on both sides with a scene of a blossoming plum tree and stalks of bamboo. Framed in black lacquered hinoki wood. This architectural detail would have been built into a Japanese home usually over a door or window.

Age: Meiji/Taisho Period (earl 20th century)

Dimensions: 65" long x 14 3/4" high x 1 1/2" deep

Ohara Shoson (Koson)
Egret on Snow-covered Willow Tree at Night
Size: Koban. Approximately 7.25 x 5.0 inches.
Date: 1930s.
Shoson seal lower right.
Made in Japan stamped on verso.
Reference: AS.10 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Medium: Japanese woodblock print.
Condition: Excellent. Paper at top back corner.

Japanese woodblock Shunga print. Good condition. Unsigned like most Shunga but confidently ascribed to SHUNCHO active 1780-1800. Paper size 25.5x34.5. Can be viewed in central London and shipped worldwide.

Thick molten ash drivels over the shoulder of this fabulous 17th century Shigaraki Tsubo storage jar showing all the great attributes of Shigaraki ware. It has a large open ware (pronounced wa-ray) crack down the front, which does not go through to the inside, and the fire blasted front surface is shot with fine heat cracks. A large Kutsuki to the lower let shows where it adhered to something else in the kiln during the firing...