A Japanese bronze and ivory Tokyo School Okimono depicting a Geisha dancing with fans. The Geisha is portrayed in a dance pose, with fans open around her, creating an atmosphere of movement. Her smiling face expresses serenity, while her eyes shine with joy and grace...

Bronze okimono depicting a study of a puppy playing with a ball. The puppy has a playful and curious expression as he interacts with the ball. The ball the dog plays with is also sculpted with lifelike detail, the patina of the bronze surface creating a subtle shine that reveals the sculpted details with even more clarity. This bronze okimono is signed Masayuki. Origin: Japan Period: Meiji second half of the 19th century. Dimensions: 13 x 18 x 13 cm...

A pair of Japanese bronze standing birds on the stand with artist sign.

Age: Japan, Showa Period, Early 20th Century
Size of birds only: Height 10.7 - 13.1 C.M. / Width 5.2 - 6 C.M. / Length 13.4 - 14.3 C.M.
Size of stand: Length 35.8 C.M. / Width 22.4 C.M. / Thickness 3.4 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost...

Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). Typically, black or green glazes are applied to the bodies of these works and light-colored windows are created using feldspar. These high-contrast areas then act as a canvas upon which abstract, minimalistic, and often naturalistic themes are painted...

A wooden okimono depicting a lying horse, finely carved down to the smallest details. The muscles, hooves and mane are rendered with care and artistry, capturing the vitality of the horse in a static form. The excellent patina that envelops the okimono gives the horse a subtle shine that reveals the sculpted details with even more clarity. Origin: Japan Period: Meiji end of 19th century. Dimensions: 12 x 6 x 6.5 cm State of conservation: Very good

A mesmerizing piece of ceramic art, this exquisite tenmoku tea bowl embodies the rich traditions of Japanese craftsmanship that are inspired by over a millennia of Chinese artistry. With its distinctive deep red glaze, reminiscent of brilliant sunsets, red chili peppers, and festival colors; its presence creates an enchanting visual allure. The bowl's form is elegantly simple, with a gently flared rim that invites contemplation...

A spectacular large vase by Kashima Aya featured at the “Ceramic Synergy Exhibition” held at the Kyoto Kyocera Museum of Art in late 2023. In fact, the initial form is created, then a thin layer of ceramic is made separately, dried, then cracked, and the individual pieces are applied like mosaic to the prepared form. The space in between the tiles is then abraded, the tiles glazed with color and the space n between glazed with iron...

Old Japanese Olive Green Cloisonne Silver Vase with Biwa (Loquat) - Unsigned so Attributed to Gonda Hirosuke

It is 9.84 inches (25 cm) tall by 7 inches (17.8 cm) wide. It is 2.9 Lb.

It has small dents at the silver bottom's rim, tarnished silver, and surface wears and scratches (as seen in the photos).

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Stoneware chawan with beige cracked glaze. The decoration represents bamboo and plum blossoms. Attributed to Aoki Mokubei (1767-1833). Width: 12 cm Height: 7.5 cm. Period: 19th century.

STONES IN THE BEDS

Stones are from Tsugaru coast in Western Aomori area, Northern Japan, with smooth feeling of touch as its features. Beds are made of pottery. approx...

PHALLUS DOLL

Traditional Obata folk clay doll from Shiga, Japan. Showa period, 20th century. H 27 x W 10 x D 9 cm (10.62 x 3.93 x 3.54in).


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A large basket handmade of bamboo strips. In excellent condition except for a minor break, however no problem for use. 20th century. Diameter:43.5cm, H:17cm

A protective deity is carved into this Piece of a pillar from Himeji Castle dating from the Meiji period restoration of the Tenshukaku (main tower). It is branded with the Yaki-in which reads Himeji Jo Ko-zai-in (Brand of the old wood from Himeji Castle). It has long been a method of raising funds in Japan to offer replaced pieces of a historical building to those who donate to the restoration...

A pair of boro tabi (socks) made of indigo dye cotton and thick cotton cloth for soles. It has fine sashiko for reinforcement on insteps. Metal claps are lost in one of the pair. The first half of the 20th century. W:10cm, L:21.5cm

Meisen haori (jacket) with dots pattern, which are double kasuri. Both warp and weft kasuri yarns are stencil-resist-dye. It has hand-braided cords in front. Mid 20th century. Generally, in good condition except for a few stains in the white silk lining. W:123cm, L:90cm

This is his Tsutsugaki item, which is impressive with its very surreal pine and bamboo designs drawn in Tsutsugaki during the Edo period. The young pine tree in the center of the picture is drawn in an unbelievably large and surreal manner, and the bamboo, which is also impossibly deformed, is drawn in the background. This is quite an unconventional item among the indigo-dyed items of the Edo period...

A handle surmounts the peak of this beautifully rendered vase by Myagawa (Makuzu) Kozan enclosed in the original signed wooden box titled Seiji-yu Sometsuke Te-oke-gata Kabin (Celadon Handled Bucket Shaped Vase with Blue and White Design). It is 16 cm (6 inches) diameter, 32.5 cm (13 inches) tall and in excellent condition...

A large white Tea Bowl by Kashima Aya enclosed in the original signed wooden box. The technique is deceptively complex. In fact, the initial form is created, then a thin layer of ceramic is made separately, dried, then cracked, and the individual pieces are applied like mosaic to the prepared form. The space in between the tiles is then abraded, the tiles glazed with color and the space n between glazed with iron. Each piece requires a great amount of painstaking dedication to complete...