1930's Japanese Awaji pottery Green Glazed Vase with Geisha

It is 9.9 inches (25.2 cm) tall by 6.3 inches (16 cm) wide. It is 3.1 Lb.

It has a firing crack at the foot , mild skip glazes, surface wears and scratches (as seen in the photos).

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Vintage Japanese uchikake (wedding kimono) embroidered in gold and white flying cranes set against a brilliant red background with black and white flowers. Mid-20th century. The lining is a shimmery red. Very good overall condition. Measures about 6 feet in length by about 4 feet across. From a Casa Grande, Arizona collection.

A pair of Japanese porcelain blue and white charger dishes.

Age: Japan, Meiji Period, 19th Century
Size: Diameter 46.8 C.M. / Thickness 6 - 6.2 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Oribe glaze has been liked as traditional glaze since 16th century in Japan. It's made of copper, makes green in reducing atmosphere and red in oxidized air. It makes interesting pattern mixed green and red. It is also possibly used as a small vase, not only as a sake sever. Size: 8.0cm(D) 15.8cm(H) Accessary: none

Oribe glaze has been liked as traditional glaze since 16th century in Japan. It's made of copper, makes green in reducing atmosphere and red in oxidized air. This piece also has traditional pattern by iron glaze. It is also possibly used as a small vase, not only as a sake sever. Size: 8.7cm(D) 19.0cm(H) Accessary: none

The size of Each Makie Hibachi: 10 1/4" Dia x 7 5/8" High. The pair of Japanese Kiriwood(paulownia) Hibachi with Makie(lacuqer) works. Each Hibachi is made from single Kiri wood. Each Hibachi has Makie(lacquer) works on front as well as on the back. The design of Botan(peony) and bamboo fence works are done carved then lacquers. There is nashiji work as well as moters pearl powderd works on the leaves. Hibachi came with copper container inside to hold...

Kawase Hasui
Ikegami Honmonji (Honmon Temple, Ikegami)
Date: 1931.
Size: Oban. Approximately 15.25 x 10.5 inches.
Publisher: Watanabe Shozaburo.
Watanabe round 6mm seal, indicating a lifetime edition printed 1946-57.
Signed and sealed within the image.
Medium: Japanese woodblock print.
Reference: Hotei #245.
Condition: Lightly toned paper at back and margin. Tape residue at back margin.
Note: One of Hasui's most loved snow scenes.

This plate is made of Shigaraki clay and covered with ash glaze, it's shaped just like as dynamic wood block. The one part is repaired by gold , it's called "Kintsugi". Size: 34.0cm(length) 35.5cm(width) 9.0(height) Accessary: none, wooden box signed by artist is available with extra charge.

An antique Japanese Kusuri Tansu (herbal medicine chest) made of Kaki (Persimmon) and Kiri (Paulownia) woods. All original hand forged iron hardware with each pull ring decorated with a Chrysanthemum back plate. Some of the drawers still retain label remnants of the contents that it held. Constructed using hardened wooden nails and straight dovetail joinery. Consisting of 35 drawers.

Arai Yoshimune
Suma Beach
Date 1910s. Printed 1938-1960.
Size: Chuban. 10.75 x 8.0 inches.
Sealed by the artist at lower left.
Publisher: Hasegawa/Nishinomiya Yosaku. From the famous "Night Scenes" series. Hasegawa catalogue No. 1252.
Nishinomiya publisher's seal at left margin.
"Made in Japan" stamped on verso.
Medium: Japanese woodblock print.
Condition: Excellent.
Note: The figures on the beach are gathering salt.

One of the most beautiful pieces I have ever seen by this pioneering Shino artist, a spectacular Mizusahi by Okabe Mineo enclosed in the original signed wooden box titled E-shino Mizusashi. It is 17 cm (6-3/4 inches) diameter, 16 cm (6-1/2 inches) tall and in excellent condition.
Okabe Mineo (1919-1990) was born the first son of important artist Kato Tokuro, however the relationship with his father was volatile...

Cast bronze candlestick. Finely chiseled decoration of tao tie masks and stylized cicadas in the archaic Chinese style. The cast is perfect without the slightest defect. The carving is precise without error. The object has a very elegant atypical shape. Below a mark of 6 characters must announce the name of the artist who is necessarily excellent. Very beautiful object absolutely unique. In a perfect state. Wear of multi-secular use. Japan Edo period. Height about 25cm.

A rare set of Tokkuri by important artist Okabe Mineo enclosed in the original signed wooden box titled Seto-te Tokkuri. The shapes are twins, one in E-shino style with iron decoration under white feldspar, the other in austere Oribe green glaze. The flaring mouths are both ulled slightly creating a perfect pouring spout. They are 13 cm (5-/4 inches) tall, 7 cm (2-3/4 inches) diameter and in excellent condition...

This piece was fired for 10 days with red pine firewood in Anagama along ancient style without artificial glaze, This small style of water container "mizusashi" has been liked in Japanese tea ceremony scene. YouTube: https://www.youtube.com/watch?v=X9CBtpPl7X8 Accessary: lacquered lid, wooden box signed by artist. Size: 12.7cm(D/mouth) 15.8cm(D/body) 14.5cm(H)

Ancient Iga pottery works had been made for a few decades since last Momoyama period from early Edo period. They were fired over 1250 degrees Celsius for 10 days and repeated 3 times and more with no glaze, they has natural glaze that is consist of melted ashes, burnt deposits and scarlet by fire. They are well known as dynamic style and loved by many tea ceremony master like as famous Oribe Furuta...

Elegantly balanced on a slenderly proportioned foot, this piece by Bizen native Kondo Masahiko displays a surprising level of skill for a potter still in the process of making a name for himself. With swirling ash glaze and a dazzling ceramic landscape, this piece is perfect for tea practitioners and collectors alike.

Born in Okayama prefecture in 1971, Kondo fashions his Bizen pieces in a traditional wood-fired kiln in the township of Ushimado...

Sugimoto Sadamitsu (b. 1935) is one of the most important Shigaraki potters alive today and continues to create master works into his old age. Originally a resident of Tokyo, at the age of 33 he moved to Shigaraki and started creating high-quality tea-ware implements, most notably, fine tea bowls in the style of early Raku masters...

A veteran of Bizen pottery, Mori Tōgaku has been perfecting his style for close to seven decades now with most of his important work having been done in the last 35 years. Using a self-built large climbing kiln measuring 53 meters—one of the largest of its kind—he utilizes a number of interesting techniques including mixing different types of clay into one work to produce pieces like the mizusashi (fresh water jar) shown here...