A delightful metal Japanese hair kanzashi, mix metal. Some parts brass, others gilded, silver and yet more plated with silver to give a wonderfully rich feeling to this traditional Japanese hair accessory. The tiny coral beads used at the center of the flowers, as well as between the bira-bira dangling, add to the feeling of richness. The Hoo bird (Chinese phoenix), with its long tail feathers, flying across the paulownia leaves is a symbol of a peace and prosperity. 9 1/2 inches long...

This type of fukusa is a cover placed over a gift at the time of a gift-giving ceremony such as "Yui-noh" which is prior to a wedding. It has a peaceful, ordinary outside view seen through an elegant blind (shown at the top) and a silk room divider (left side) which are both remainders of the Heian Court (794-1160). Cranes and plums represent longevity, harmony and women’s beauty along with their strength...

Kesa was originally made from old scraps of material donated to the priests. The scraps became finer and quite luxious in time. People who gave to Buddhist institutions were often keen to give very expensive items, so some fabulous kesas were created from wonderful silk brocades. This also could mean that the wealthier temples end up collecting the better fabrics or are able to send out for the expensive custom made kesas...

Beautiful hand painted (dyed) iris on soft 100 percent silk. Some designs are dyed to be matched for the wider width. This is probably from mid Showa, 40 to 60 years old, no color loss. The spots and the design that run sideway are part of the woven design. Full roll and good quality silk. I will get the measurement.

Beautiful peonies on a soft pure silk (sho-kinu, 100 percent silk) kimono roll. Hand dyed design (Yuzen zome) went through to the reverse side. The fabric (marked as Tango chirimen) is treated with some new chemical for easier maintenance, wrinkle free, washable (?), etc. Some designs are dyed to be matched for the wider width. Gentle, pale (smoky) purple color, 14 1/2 wide, full roll (enough to make a kimono).

Finely hand carved Japanese Obidome in the shape of a Hannya Noh mask with horns and shiny metal eyes. A Hannya mask in Noh represents a mad woman who turns into a demon out of jealousy. She is vicious and haunts the “other woman” to death. The term, 'Hannya' is used today by a husband who happens to come home late without good enough excuses...

Old Japanese teppo (pistol) style candle holders which appear to be made from old pieces. Each piece is 21 inches long and quite heavy. These will probably work well along the wall of a country style room.

Elegant old lacquer towel rack, makie on black lacquer. The dimensions are 25" across at the top, 20 1/4" at the bottom and 22 1/4 inches in height.

An exquisite old Japanese hair comb, lacquered on wood (kiri, boxwood?), practical yet ornamental with make design of wisteria like flowers. It is almost like new, never been used condition. The shape of this comb is unusual, irregular from one side to the other side. The shape is called Shin-bashi shape/style. Shinbashi is located in Minato-ku in Tokyo. The shape came out in early Showa period (end of 1928 to beginning of 1986). 4 1/2"

Old Japanese clay doll, a lovely standing girl with a flower bouquet, 14" tall from early 1900s. This doll is signed and dated (the date that sold or given to) at the bottom, March of the third year.

This type of clay dolls are somehow all originated from the Fushimi clay doll of the Kyoto area. Fushimi dolls were originally sold as souvenirs to the pilgrims on the road of Fushimi Kaidou from Kyoto to Fushimi Inari Shrine in the early Edo period (1600-1868)...

Japanese folk art, farmer's clay doll: This man is Ninki Danjyo, the villain of the Kabuki play. The more awful the villain is, the lovelier the princess looks and the nice guy more angelic especially in Kabuki plays. Danjyo, with his magical power, is trying to transform himself into a rat...

Japanese makie lacquer sake wine Dishes with an auspicous design of Sho-Chiku-Bai (pines,plums & bumboos). This design is a happy ceremonial symbol for the gold taka-makie (raised design) designs with kirigane (small gold leaf squares) on brownish red (with purple tone) lacquer. Each piece is very thin and light and in new condition. There is no wear to the gold and lacquer except one small repair on one dish. This type of set is often used as a set of three...

Japanese folk art, farmer's clay doll: 13"h x 13 1/2"

This type of clay dolls are somehow all originated from the Fushimi clay doll of the Kyoto area. Fushimi dolls were originally sold as souvenirs to the pilgrims on the road of Fushimi Kaidou from Kyoto to Fushimi Inari Shrine in the early Edo period (1600-1868). By the end of 19th century, these dolls were made all over Japan...

Japanese folk art, farmer's clay doll: 11 1/2"h x 5 3/4"w

All the clay dolls are somehow originated from the Fushimi clay doll of the Kyoto area. Fushimi dolls were originally sold as souvenirs to the pilgrims on the road of Fushimi Kaidou from Kyoto to Fushimi Inari Shrine in the early Edo period (1600-1868). By the end of 19th century, these dolls were made all over Japan...

This is a Japanese clay doll, Mingei folk art of Japan. Samurai Warrior doll in armor for the Japanese Boy's Day in May. 9 inches high and 6 inches wide. Signed at the bottom. Circa 1930 to 1950.

Japanese clay doll, Kabuki doll with a dragon. 13"h x 9 1/2" at the widest.

This type of clay dolls are somehow all originated from the Fushimi clay doll of the Kyoto area. Fushimi dolls were originally sold as souvenirs to the pilgrims on the road of Fushimi Kaidou from Kyoto to Fushimi Inari Shrine in the early Edo period (1600-1868). When the hina dolls were still very limited to a few wealthy people in early 1900s, these clay dolls were for the regular people...

Japanese folk art, farmer's clay doll: Ooishi Kuranosuke, a historical hero as a leader of the 47 Ronin (samurai without their master) who avenged their master's death and then all committed Seppuku suicide...

Japanese farmer's folk art, clay doll from early Showa: 10 3/4"h x 6"w Artist's signature on her back, dated in the 15 years of Showa Period (1940). Excellent condition.