The teapot is cast in bronze. The body has the shape of a melon and the spout that of a stylized bird. The handle supports have a typical shape for this period. The handle, which has now disappeared, must have been made of perishable materials, probably braided bamboo fibre. It is exceedingly rare to find a Chinese bronze teapot from this period. It is functional and perfectly pours the tea without uncontrolled drips. Good condition, the lid is crack (see photo), no restoration. Original antique...

The vase is cast in one piece. Inspired by archaic Chinese bronze ritual vessels, it bears a Taotie mask decoration. This decoration is reduced to two narrow bands instead of occupying more space as usually on the bronzes of the Ming period, this more austere character, the slender shape and the patina with a much more antique aspect allows us to think so. older, probably from the Song period or earlier. The base split on one side as shown in the photos. No welding, no hammering, no restorati...

PHALLIC TALISMAN AND OLD HAND-COPIED SUTRA

Set of wooden charm with Somin Shorai's name (ref. 'Somin Shorai' - https://en.wikipedia.org/wiki/Somin_Sh%C5%8Drai) and the sutra with myriads of 'Hail Amitabha Buddha' in Japanese, originally acquired from the dealer from Tohoku region. Early-mid 20th century, Japan. Charm: H 20cm (7.87in), Sutra: 41 x 16.5cm (16.14 x 6.49in). Aged deterioration as is.


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This is a Japanese antique tsutsugaki big furoshiki indigo dye cotton. The traditional and very auspicious design of bamboo, plum, and scales is very beautiful and impressive.There are 5 pieces of cloth sewn together. Natural indigo dyed hand spun cotton. Recommended for wall decorations and bedspreads. There are light stains due to aging and two small repair marks. Age::1800-1868 Size::Length 157 cm (61.8inch) / Width 161 cm (63.3inch)

A rare antique Japanese Kuruma Tansu (wheeled chest) made of Keyaki (Zelkova) wood. All original hand forged iron hardware including the Warabite handles and bottom rope pull rings. Horizontal wood slats on all four sides provide strength and age old beauty. Two large sliding doors open to a spacious storage area with a storage shelf. Below are two side by side drawers for additional organization and storage needs. Constructed using Japanese double and single through mortise and tenon joine...

A beautifully sculpted image of a pheasant by Ogawa Yuhei enclosed in the original signed wooden box. It is 37 cm long and in excellent condition.
Yuhei Ogawa (1885-1945) was born in Takamatsu, Okayama prefecture an came to pottery a bit later than most. In 1923, while working part time at the Naval Hydrographic Department, he was deeply moved by seeing the solo exhibition of ceramic sculptor Kazumasa Numata. This gave him impetus to begin sculpting in his free time. Although he started...

An antique Japanese Kansai Mizuya Tansu in 2 sections made of Hinoki (Cypress) and Keyaki (Zelkova) woods. Upper section features two sets of sliding doors with a set of 5 side by side drawers. Bottom section has 2 large sliding doors that open to a spacious storage area behind. Constructed using Japanese mortise and tenon joinery. Drawer handles are Hikute style made of hand forged iron.

Age: Meiji Era (1890-1900).

Dimensions: 71 3/4" Wide by 67 1/4" High by 19 3/4" Deep

Cast bronze vase of square shape. Beautiful casting and fine detailed chasing. Taotie mask decoration. The handles in the shape of birds'heads Fine finish. Archaic style but Qing period. Good condition. Nice old patina. Height: 41cm Weight: 7,5kg

Kawase Hasui
Terajima in the Snow
Date: 1930s.
Image size: 6 x 4.125 inches.
Publisher: Watanabe Shozaburo.
Reference: Hotei Hp-69.
"Made in Japan" stamped on verso.
Hasui seal at lower left.
Woodblock print is attached along its top edge to original 1930s card.
Condition: Excellent.

Bronze sculpture representing an owl on a tree stump covered with ivy. The owl, detachable from its base, has shakudo eyes. It is certainly an Ryûkyû scops owl (Otus elegans), present in the south of Japan in Ryûkyû Islands.
Red fabric glued to the base of the trunk to protect the base and the pedestal (not original).

The owl (fukurô, 梟) symbolizes good luck and protection from hardship. By homonymy, fukuro mean « good fortune coming » (福来郎) or « without diffi...

Polychrome bronze statuette of a group of mice around a pumpkin and a pomegranate. The five mice have a dark brown patina, while the hollowed-out gourd is dark brown and the split pomegranate is dark red.

Written in a cartouche on one of the pumpkin slices, "Shôsai Foundry" (正齊鋳, shôsai-chû).
Japan – Meiji era (1868-1912)
Height: 6.4 in. (16.3 cm) – width: 7.8 in. (20 cm) – depth: 7.3 in. (18.5 cm)

Fine Large Chinese Western Han Dynasty Painted Pottery Ding Tripod (206 BC - AD 8)

This fine example of a painted pottery ding was made during the Western Han Dynasty (206 BC - AD 8). It is a large example of its type, made from a fine-grained grey pottery and relatively highly-fired, having a distinct ring when tapped. The lower part stands on three long curved legs and has two curved square-cup handles on opposing sides. The upper part is adorned with three moulded appliqués (horses with ...

Fine Large Chinese Han Dynasty Painted Pottery Hu Jar & Cover

This pottery jar with cover was made during the Western Han Dynasty (206 BC - AD 8). It is made from a fairly high-fired fine-grained grey pottery that has been elaborately "cold painted" in various coloured pigments, including blue, a colour rarely seen on Han pottery. The pattern comprises a geometric design around the neck and a swirling cloud pattern around the waist, between wide bands.

Height 33 cm (13 inches). This is a...

This is a genuine, archaic Chinese nephrite axe or Gui scepter. The surface has the expected smooth, "waxy" feel to it. The end is sharpened (which leads me to think it was made as a prestige axe as opposed to a scepter, although the literature seems to view pieces such as this one as either/both an axe and a Gui scepter; e.g. Rawson in Chinese Jade - I've included photos of the pieces listed there for reference). The piece is made from a pale celadon nephrite with darker inclusions and some are...

Lilian May Miller (1895-1943)
A Japanese Garden
Date: 1927.
Size: Approximately 5.625 x 3.75 inches.
From the book, Grass Blades from a Cinnamon Garden.
Monogrammed within the image.
Medium: Japanese woodblock print.
Condition: Light crease at lower right corner.

Lovely old Burmese lacquer box with a finely woven lattice work, insert lid (I assume to keep the flies off your “tiffin”) or used to sieve. Circa 60-90 years old, it is very thin and lightweight and the body is constructed of bamboo., I acquired this in a Pagan, lacquer shop about 20 years ago. Excellent original condition with minor lacquer loss at the bottom’s edge as to be expected from a genuinely old piece. D: 30.5cm/12in and H: 16cm/6.2in.

Good representation in the style of Lin Rongqian’s cursive calligraphy, as a Mandarin: Fu Lu/Cantonese: Fuk. This is a gift given to someone to congratulate them and wish them financial success in their career. This is a scroll mounted painted meant to be hung horizontally. There are small tabs in the upper side with which to do so. Mounted- L: 150cm/59in and W: 60cm/23in.

An exquisite Tenmoku tea bowl by veteran potter and master of the form Miura Shurei enclosed in the original signed wooden box titled Tetsu-yu Chawan. It is 12 cm (5 inches) diameter, 8 cm (3 inches) tall and in excellent condition.
Miura Shurei was born in 1942, and trained in the ceramic styles of both Arita and Kyoto. At the age of 23 he established a studio at the foot of Mt. Fuji in Yamanashi prefecture creating ceramics from local clay, and established the Shurei kiln in 1971. He...