Large Chinese Ming Dynasty Blue & White Porcelain Dish (with Mark)

This impressive porcelain dish dates to c.1540 - 1620, from the late Jiajing reign to the Wanli reign. It has a foliated rim and is decorated in underglaze blue of good colour. The central decoration features a flower blossom surrounded by four be-ribboned Buddhistic lion-dogs. Surrounding the central roundel, around the cavetto, is a scrolling leaf scroll, with the flat upturned rim decorated with a wavy floral scroll. The u...

Rare LARGE Chinese Song Dynasty Stoneware Granary Jar & Cover with Oxford TL Test

This very rare and unusual stoneware jar, complete with its original elaborate cover, was made during the Song Dynasty (AD 960 - 1279). Both cover and jar have architectural elements; they represent a granary with a raised tiled roof. The jar has applied decoration representing a tiled roof and a pair of doors. On either side of the doors as well as on the "back" of the jar, are incised patterns that seem to re...

Tall Chinese Kangxi Blue & White Porcelain Vase from Shipwreck (30cm)

This very attractive porcelain vase was made during the Kangxi reign (1662 - 1722) of the Qing Dynasty. The surface is profusely decorated in underglaze blue of good colour, the decoration comprising four large panels containing various trees and flower blossoms as well as smaller panels containing chrysanthemum blossoms, together with geometric patterns. This vase is complete with its cover.

This vase bears a paper la...

Large Chinese Neolithic Machang Painted Pottery Jar (c. 2300 - 2000 BC)

This large pottery jar was made over 4,000 years ago during the Machang Phase (c. 2300 - 2000 BC) of the Majiayao culture, also known as the Gansu-Yangshao culture, from present day Gansu or Qinghai province. It is quite "heavily-potted" and made from a yellowish-brown pottery that has been relatively highly-fired. It is a well-made jar of good proportions. At the waist of its wide body are two sturdy loop handles. At t...

Small Satsuma earthenware incense burner in the shape of a cricket cage. Technically complex openwork work with results that are still uncertain, the fine bars of the cage have survived the test of fire without damage, then that of handling for more than 100 years. Today the object is in excellent condition. Below the mark of the Satsuma and the name Hattori who was one of the best ceramic painters of his time., allowing a precise dating. We can, on request, find out who it is. Height 14cm.

Small pink rock crystal teapot. It is carved with 5 dragons cut with a grinding wheel in high relief. One of them serves as a handle, another as a pouring spout and a third as a gripping fretel. The last two are flanked on either side of the teapot. The 5 dragons have a strong cultural significance in Chinese art. Wooden base, finely crafted with stylized dragons. Chinese work from the 20th century, probably from the 1960s. Good condition. 16cm x 12cm

Lovely double gourd, Dehua porcelain small vase, circa late Qing or Republic Era.. Please note the third enlargement the surface appears to be smudged, this area originally had a handle that broke of and has been polished down. H: 11.3cm/4.4in and D: 6.8cm/2.9in. A simple well balanced elegant piece, suitable for a sing rose. Basic stand included.

Lovely Iban woman’s skirt from the Kapit region in Sarawak, circa 1940-1950. The broad center field is woven from handspun cotton and natural dyes. The red use in this is particularly rich. The narrow bands on the side are made of commercial thread and dye. This has a Bangit fruit pattern, which signifies “abundance”. There are a few minor frays and inevitable “pinholes”, but IMO the condition is good. L: 102cm/40in and W: 52cm/20.5in. Bought this about 20 years ago in Kuching. ...

Chinese Qing dynasty ink and color on paper painting executed in three sections to represent the protectors of Heaven, the world of humans, and the earth. The top features three Buddhas seated cross-legged on lotus thrones among clouds with their hands held in various mudra positions. The midsection holds four Bodhisattvas. On the left are Puxian holding a ruyi scepter astride an elephant and Wenshu holding a sutra scroll atop a lion. On the right riding mythical creatures are Guanyin holding a ...

Finely woven Iban women’s kain skirt, circa 1940 with “eye of the green pigeon” and bamboo pattern, from the Kapit area, Sarawak, Malaysia. Fine and tight weaves like this, indicate that owner was from a high status. There is one repair noted in enlargements. This ikat is made from all handspun and natural dyes while the colored bands are commercial thread. L: 115cm/42.5in and W: 57cm/22.5in.

Korean Joseon dynasty lacquered wood hinged scholar’s document box with brass edge brackets and brass lockplate. One shelf to the interior. 19th century. 14 3/8” long x 7 5/8” wide x 7 1/2" high. Very good, solid overall condition with great patina and typical wear and soiling from use. Ink stains and unreadable ink calligraphy are evident on the underside of the lid. There is a split in the bottom and one small chip to the interior corner of the inner shelf. A tiny pin is missing f...

Bronze vase with reddish-brown patina, oblong shape with small hemmed neck and rust-colored marks.
Unidentified signature under the vase.

Japan – Meiji era (1868-1912)
Height: 8.1 in. (20.5 cm) – diameter: 6 in. (15 cm)

Dark brown wooden netsuke of a rat on a radish, horn eyes, holding a seed between its paws.

In Japan, the term "nezumi" refers to both the mouse and the rat. They are considered the messenger of Daikokuten, the deity of trade and wealth. In the Chinese zodiac, which has been adopted by Shintoism in Japan, the rat (or mouse) is the first of the twelve animals, a position which, according to the many legends telling the story of the twelve animals and their election, is due to its cun...

Shino Yunomi shape tea cup made by the Hayashi Shotaro, one of the top names of contemporary Shino ceramics. The cup is covered in irregular and thick bands of Shino glazes in white, blue, pink, russet iron and lavender colours. Measurements: H 9,5 x 8, 5 cm. Signed at the bottom and inscribed and signed tomobako storage box; the documentation paper and stamped cloth are also included. Perfect condition. Hayashi Shotaro (b. 1947) learned first pottery under his older brother Kotaro and in ...

Pair of amusing maki-e lacquered wooden spoons with an insect motif on the spoon, a cicada and a butterfly. Handle with braided rope pattern. Label on the back : 坧耒 ? (uncertain transcription).

Japan – 20th century
Width: 1.38 in. (3.5 cm) – length: 6.57 in. (16.7 cm)

Celadon tea cup with corded patterns glazed in the Jômon zogan style made by Tatsuzô Shimaoka (1919-2007, Mingei school). Developed by himself, this style is inspired by ancient processes such as the Jômon string-printing technique (ca. 13,000 – 800/300 B.C.) and the Korean process of the Joseon period (1392-1897) of adding white slip with decorative indentations. The salt gaze was imported from Europe.

Accompanied by its original transport box with signature and seal of the ce...

Wooden suzuribako decorated with two hares with red eyes in gold and silver lacquer surrounded by grass.

The interior is made of negoro-nuri lacquer. This is an ancient technique, developed in the Kamakura period (1185-1333) at the Negoro temple in the ancient province of Kii (now Wakayama prefecture). It is characterized by vermilion color, made from cinnabar and showing natural brush marks. These irregular patterns are typical of the wabi-sabi aesthetic which relies on simplicity ...

Wooden sculpture of a hare with coral eyes. In Japanese, the hare and the rabbit are designated by a single word: usagi. The hare has an important place in Japanese legends and superstitions. Like many other animals, it is supposed to reach a fabulous age and become blue at five hundred years. Japan – Meiji era (1868-1912) Height: 7.28 in. (18.5 cm) - width: 6.5 in. (16.5 cm) - depth: 13.58 in. (34.5 cm)