Tiny repairs of gold glint along the rim of this misshapen wan-gata bowl from the Utsutsukawa tradition of Nagasaki. The bowl comes with a silk pouch enclosed in an old wooden box. There is a kutsuki on one side, where it adhered to something else in the kiln. The bowl is 12 x 10.5 x 6.5 cm (4-3/4 x 4-1/8 x 2-1/2 inches) and is in overall fine condition, dating from the 19th century.
Utsutsukawa-yaki originated in Nagasaki in the late 17th century. It is said it began when Tanaka Gyobus...

Chinese Tang Dynasty Sancai Glazed Pottery Lady with Oxford TL Test

This elegant pottery figure of a lady was made during the Tang Dynasty (AD 618 - 906). The lady wears flowing robes and stands alert with hands clasped together across her chest, her head looking very slightly to her left. It is made from a cream-coloured pottery that is relatively highly-fired. The body is coated in finely-crackled green and amber glazes while the head and face have been cold painted with black and white pi...

Pair of 11 1/2" tall Chinese Qing dynasty standing porcelain ducks decorated in iridescent yellow, green, and aubergine susancai enamels. 19th century. Excellent overall condition. Well modeled with fine details to the head, feathers, and webbed feet. From the Phoenix, Arizona collection of a woman in her 90s.

Fine Chinese Tang Dynasty Sancai Glazed Pottery Groom Figure (Published & with Oxford TL Test)

This fine pottery figure was made during the Tang Dynasty (AD 618 - 906) and represents a foreign male attendant or groom. It is "heavily-potted" and made from a cream-coloured pottery that is relatively highly-fired. The body is coated in very finely-crackled green and amber glazes.

Tang glazed items such as this are usually referred to as "sancai glazed" pieces. "Sancai" refers to three colo...

Contemporary Japanese glass obidome (sash ornament) with multiple rods depicting various flowers. Obidome is worn on an obi cord that holds the obi sash together, it is the only type of jewelry worn by Japanese women on formal occasions, and could serve as netsuke as well. Beautiful design, superb quality glasswork, very pleasant finish. Metal fixture with two loops on the back for an obi cord. Diameter 1.07 inches.

A genuine large old Rajasthani storytellers scroll of the Pabuji legend. Hand painted on thick cotton. Estimated to be early 20th century or earlier. 240 x 92 cm. Can be viewed in central London.

Large Chinese Ming Dynasty Blue & White Porcelain Dish (with Mark)

This impressive porcelain dish dates to c.1540 - 1620, from the late Jiajing reign to the Wanli reign. It has a foliated rim and is decorated in underglaze blue of good colour. The central decoration features a flower blossom surrounded by four be-ribboned Buddhistic lion-dogs. Surrounding the central roundel, around the cavetto, is a scrolling leaf scroll, with the flat upturned rim decorated with a wavy floral scroll. The u...

Rare LARGE Chinese Song Dynasty Stoneware Granary Jar & Cover with Oxford TL Test

This very rare and unusual stoneware jar, complete with its original elaborate cover, was made during the Song Dynasty (AD 960 - 1279). Both cover and jar have architectural elements; they represent a granary with a raised tiled roof. The jar has applied decoration representing a tiled roof and a pair of doors. On either side of the doors as well as on the "back" of the jar, are incised patterns that seem to re...

Tall Chinese Kangxi Blue & White Porcelain Vase from Shipwreck (30cm)

This very attractive porcelain vase was made during the Kangxi reign (1662 - 1722) of the Qing Dynasty. The surface is profusely decorated in underglaze blue of good colour, the decoration comprising four large panels containing various trees and flower blossoms as well as smaller panels containing chrysanthemum blossoms, together with geometric patterns. This vase is complete with its cover.

This vase bears a paper la...

Large Chinese Neolithic Machang Painted Pottery Jar (c. 2300 - 2000 BC)

This large pottery jar was made over 4,000 years ago during the Machang Phase (c. 2300 - 2000 BC) of the Majiayao culture, also known as the Gansu-Yangshao culture, from present day Gansu or Qinghai province. It is quite "heavily-potted" and made from a yellowish-brown pottery that has been relatively highly-fired. It is a well-made jar of good proportions. At the waist of its wide body are two sturdy loop handles. At t...

Small Satsuma earthenware incense burner in the shape of a cricket cage. Technically complex openwork work with results that are still uncertain, the fine bars of the cage have survived the test of fire without damage, then that of handling for more than 100 years. Today the object is in excellent condition. Below the mark of the Satsuma and the name Hattori who was one of the best ceramic painters of his time., allowing a precise dating. We can, on request, find out who it is. Height 14cm.

Small pink rock crystal teapot. It is carved with 5 dragons cut with a grinding wheel in high relief. One of them serves as a handle, another as a pouring spout and a third as a gripping fretel. The last two are flanked on either side of the teapot. The 5 dragons have a strong cultural significance in Chinese art. Wooden base, finely crafted with stylized dragons. Chinese work from the 20th century, probably from the 1960s. Good condition. 16cm x 12cm

Lovely double gourd, Dehua porcelain small vase, circa late Qing or Republic Era.. Please note the third enlargement the surface appears to be smudged, this area originally had a handle that broke of and has been polished down. H: 11.3cm/4.4in and D: 6.8cm/2.9in. A simple well balanced elegant piece, suitable for a sing rose. Basic stand included.

Lovely Iban woman’s skirt from the Kapit region in Sarawak, circa 1940-1950. The broad center field is woven from handspun cotton and natural dyes. The red use in this is particularly rich. The narrow bands on the side are made of commercial thread and dye. This has a Bangit fruit pattern, which signifies “abundance”. There are a few minor frays and inevitable “pinholes”, but IMO the condition is good. L: 102cm/40in and W: 52cm/20.5in. Bought this about 20 years ago in Kuching. ...

Chinese Qing dynasty ink and color on paper painting executed in three sections to represent the protectors of Heaven, the world of humans, and the earth. The top features three Buddhas seated cross-legged on lotus thrones among clouds with their hands held in various mudra positions. The midsection holds four Bodhisattvas. On the left are Puxian holding a ruyi scepter astride an elephant and Wenshu holding a sutra scroll atop a lion. On the right riding mythical creatures are Guanyin holding a ...

Finely woven Iban women’s kain skirt, circa 1940 with “eye of the green pigeon” and bamboo pattern, from the Kapit area, Sarawak, Malaysia. Fine and tight weaves like this, indicate that owner was from a high status. There is one repair noted in enlargements. This ikat is made from all handspun and natural dyes while the colored bands are commercial thread. L: 115cm/42.5in and W: 57cm/22.5in.

Korean Joseon dynasty lacquered wood hinged scholar’s document box with brass edge brackets and brass lockplate. One shelf to the interior. 19th century. 14 3/8” long x 7 5/8” wide x 7 1/2" high. Very good, solid overall condition with great patina and typical wear and soiling from use. Ink stains and unreadable ink calligraphy are evident on the underside of the lid. There is a split in the bottom and one small chip to the interior corner of the inner shelf. A tiny pin is missing f...

Bronze vase with reddish-brown patina, oblong shape with small hemmed neck and rust-colored marks.
Unidentified signature under the vase.

Japan – Meiji era (1868-1912)
Height: 8.1 in. (20.5 cm) – diameter: 6 in. (15 cm)