The material of vase is crackle glazed eathenware. It is more Satsuma type body but not small crackle as Satsuma. Nice Gold design with the panoramaic landscape painting over the two section of vase. The vase itself is in square shape, but the two handles are located on the corner on each end which make more unique. Well design with the gold works with beaded and moriage gold. It is all handpainted. The backside of vase is with plain finish which give you for the change. The condition of vase is...

A Stunning combination of works by mother and son Koyama Kiyoko (1936-present) and Koyama Kenichi (1961-1992), both in the original signed wooden boxes. The Tokkuri, by Kiyoko, is of bulbous form decorated with slips of green glaze used sparingly around the neck. The terracotta body is fired to a deep amber on one side, the bright orange clay indicative of Shigaraki showing through on the other. It is 4-1/2 inches (11cm) tall, 3-1/2 inches (9cm) diameter and is signed by the artist on the bas...

An actor portraying a samurai admiring himself in a mirror in a scene from the kabuki theater by Toyokuni III (also known as Kunisada). Signed "by special request of the publisher." Published by Kinjudo between 1847-48. Standard "oban" size panels measuring roughly 15"V x 10"H. Possibly from a triptych. Excellent color with vibrant yellow and green in the background. Good overall condition with no tape stains, toning or tears. The baren marks and image are clearly visible on the back. Not...

Ming Dynasty (1368-1643) Chinese blue and white porcelain baluster form vase with wide trumpet mouth decorated with a blue prunus motif. 9 1/2"H. Excellent condition. The irregular edge of the base is the typical result of the removal of the vase from the kiln. It is not a condition problem.

Chinese Tang Dynasty (618-906) Changsha ware pale yellow glazed ewer decorated with light brown-splashed glaze over relief molded leaf-form foliage designs on opposing sides beneath each of two loops. 9 1/4"H. This particular shape first appeared in China in the 8th century and was used for hot water. Very good overall condition. A few small glaze losses to one handle and a few small, fairly unnoticeable repairs to the body. See color illustration #10 in "A Handbook of Chinese Ceramics" by ...

13"H buff-colored earthenware Yangshao type funerary urn decorated on the shoulders with bold black and red geometric designs. The symbolic significance of this decoration is apparently unknown. Ovoid form with a wide body extending to its widest girth at the mid-section and tapering to a narrow base. Two strap handles at the sides. Neck ending in an everted rim with evenly spaced tiny holes. Machang type (circa 2200 B.C.) of the Majiayao culture, Gansu Province. Machang type wares are nam...

Large 17 1/2"H lidded jar finely painted in the Kangxi style in sapphire blue on a white porcelain ground. The decoration features a pheasant on a rocky outcropping surrounded by flowering plants which extend around the circumference of the vase and up to the neck, where a second bird perches on a flowering branch. A blue foo lion finial tops the domed cover. The base is encircled by a band of crested waves. The shoulder panel decoration features lotus flowers on a mosaic ground. The shape ...

Japanese blue and white glazed imari plate with dove on peony branch, Edo Period (19th century, two very minor cracks at rim, beautifully painted. 11 3/4" wide x 1 3/4" high.

Japanese blue and white glazed Imari plate with scrolling vine motif and sho-chiku-bai (three friends of winter: plum, pine, and bamboo) motif, signed with 4 characters on back, one very minor crack near at rim otherwise great condition, Edo Period (18th century). 11 1/4" wide x 2" high.

Tall (17 1/4"H) Chinese transitional period wucai gu beaker vase decorated around the circumference in underglaze blue and overglaze polychrome pigments and black outlined highlights with figures, phoenix birds and a crane in a garden setting. Three continuous vignettes are interspersed with flowers, rockery and clouds. The top rim features a "cracked ice" motif in underglaze blue within a decorative band. Excellent condition. A similar pair sold at auction in New York through the William Do...

Chinese yellow crackle-glazed pear-form porcelain vase with an everted rim and an underglaze blue double-ring at the base. Dates from the 18th century. 9 1/4"H. There are small scattered green glaze spots and interesting irregularities of the glaze application at the neck. Fine quality restorations have been made to the neck which are not visible to the eye. The vase was acquired from a Southern Arizona estate.

Kangxi Period (1662-1722) Chinese blue and white porcelain export covered jar decorated on one side with the "one hundred antiques" motif and on the opposite side with figures in a landscape. Auspicious symbols decorate the lid. The 4-character hallmark on the base appears to translate "record of beauty, benevolence and profit." 8 1/2"H and diameter. Finial replaced. Numerous old chips to the cover and base.

Original India botanical by the famous Japhur-naturalist artist Neerja featuring a native medicinal plant. The works of this 19th century community of talented Indian painters are desired for their brilliant jewel-like quality and fine detail. This botanical is a wonderful example featuring a hand colored flowering exotic plant with roots, watercolor on parchment, pink, gold,and brown tones with green leaves, artist signed "Neeraj", India. Rich burlwood frame; measuring 19 7/8 x 13 7/8 approx. ...

Chinese Qing Dynasty solidly potted baluster-form vase decorated on the body with patterns of rosettes and vines incised into a thick, white glaze (with a faint ivory to grayish tint, depending upon the lighting). The neck features geometric and leaf patterns created with a combination of incised and relief techniques. Two finely detailed, moulded lion's mask handles are at each side of the shoulder. 12 1/2"H. 18th to early 19th century. What resembles a crack in the interior neck is actual...

Old Japanese theater mask of "tengu" in a fierce grimace sporting a prominent proboscis. The "tengu" were mythical creatures, half-bird and half-man, who were tricksters living in pine trees in the forests. I am uncertain of the dating of this mask but estimate it was crafted in the early to mid-20th century. It may be older. It has signs of age and use. There are scattered chips on the underside of the chin and nose and at the edge of the mask and eyes. The chips reveal plaster or gesso b...

Large Chinese Jin Dynasty (1125-1234 AD) Honan brown glazed truncated meiping vase decorated with cut glaze concentric circular designs on the shoulders. Two strap handles flank both sides of the short neck. 11"H x 11 1/2" diameter. Very good overall condition. There are a few scattered small pit holes, which are original production imperfections (see enlargement 3). Some scratches in the glaze are evident as is typical for a piece of this age.

Large Chinese Han Dynasty (206 BC - 220 AD) high-fired gray-black pottery bottle-form vase with geometric incised designs of unusually fine form. 11 1/2"H. Very good overall condition with minor wear. One thin old chip to the foot.

Japanese cloisonne vase of globular form with elongated neck, beautiful light green color with design of 2 white herons in flight, minor cracks on bottom not visible from front, Meiji/Taisho Period (very early 20th century). 9 3/4" high x 4 1/4" wide.