A fine woman's ceremonial skirt from Lampung Sumatra, woven in two parts. The striped cotton fabric sumptuously decorated with couched gold- and silver wrapped thread work and sequins, showing a row with birds. Condition: traces of age and usage, faded, few stains and missing sequins. Dimension: c. 118 cm x 119 cm.

Burmese wooden disciple holding bowl standing on a lotus base with gilded gold.

Age: Burma, Shan Period, 18th Century
Size excluding black stand: Height 48.3 C.M. / Width 12 C.M. / Depth 10.4 C.M.
Height including stand: 61.8 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost...

Large single panel ikat from Jepara, Java, Indonesia. L: 2.9meters x 1.2 meters. The bright yellow and blue thread are chemical dyed commercial cotton, but the rest is handspun threads and vegetable dyes. This was made in the late 1980s and perhaps it would have been made into several sarongs or a commercial arts and crafts export. Very dramatic pattern. Supple cloth.

An oval black lacquered box with gilt relief decoration, in so-called "thayo" techique. Made of woven bamboo, the interiors of the base and the lid are decorated in red lacquer. Dimension: 11.8 cm high x 20.8 cm x 18.6 cm wide. Condition: rims with small lacquer losses, few tiny chips.

Burmese wooden Buddha sitting in Mara Vijaya (calling the earth to witness) posture on a base with gilded gold.

Age: Burma, Mandalay Period, 19th Century
Size: Height 33.3 C.M. / Width 31 C.M. / Depth 22.5 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Burmese wooden Buddha sitting in Mara Vijaya (calling the earth to witness) posture on a base with gilded gold.

Age: Burma, Shan Period, 17th Century
Size: Height 38.5 C.M. / Width 22 C.M. / Depth 14 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Burmese wooden Buddha sitting in Mara Vijaya (calling the earth to witness) posture on a base with gilded gold.

Age: Burma, Shan Period, 17th Century
Size: Height 48.3 C.M. / Width 29.5 C.M. / Depth 16.5 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Burmese wooden Buddha sitting in Mara Vijaya (calling the earth to witness) posture on a base with gilded gold.

Age: Burma, Shan Period, 18th Century
Size: Height 39.6 C.M. / Width 21.3 C.M. / Depth 17.5 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Burmese alabaster Buddha sitting in Mara Vijaya (calling the earth to witness) posture on a base, with original lacquer, inlay of colorful glass pieces on the headband and borders of the robes.

Age: Burma, Mandalay Period, 19th Century
Size: Height 59 C.M. / Width 51 C.M. / Depth 30 C.M.
Condition: Nice condition overall (some expected degradation due to its age)...

Burmese wooden Buddha sitting in Mara Vijaya (calling the earth to witness) posture on a base with gilded gold.

Age: Burma, Shan Period, 17th Century
Size: Height 49.8 C.M. / Width 24.3 C.M. / Depth 14 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Two old Khmer coins. Type A is dated 1847 (Pre Colonial), silver, ½ Fuang 2 Pe and type B is dated 1880 (Post Colonial) ,copper, ½ Fuang 2 Pe. Both have Garuda. See scale in enlargements.

An authentic tribal necklace from New Guinea, using a series of naturally curved boar’s tusks. Each tusk is tightly secured with hand-woven fiber cordage, forming a striking crescent shape designed to be worn as a symbol of strength, status, and ceremonial power.

Age: Early 20th Century

Dimensions: 9" x 7 1/2"

A pair of framed Thai zodiac fortune telling manuscripts (Phrommachat). Each accordion folded paper manuscript is a series of painted images and text. Animals of the lunar cycle are represented in groups of four, representing each quarter of the year along with writing describing the characteristics of the person born in each of those quarters. Also represented is the "mascot" figure and tree/plant of each year...

Unusual Mahakala mask made in wood, with an elaborate cap and a fierce expression. This mask was never worn but was installed inside a household for protection against evil spirits. Burma, 19th century. Height: 28.2 cm. Some abrasion, otherwise very good condition.

Antique 19th century Thai bronze figure of Buddha seated on the lotus throne in vajraparyankasana, the hands held in dhyanamudra or 'Meditation Position', wearing loose robes draped around the shoulders and open revealing the bare chest, the face set with a contemplative expression, His eyes inlaid with rectangular silver plaques flanked by pendulous ears, the hair arranged in tight curls surmounting by the flaming finial ushnisha...

An unusual Burmese Buddhist Kamavacca. Estimated to be late 19th century. 50x10cm Unlike the majority of these manuscripts which have a textile or vegetable base this one is on metal. It comprises 9 leaves and 2 thick wood decorated covers. Condition good with some losses to corners but nor affecting text. Purchased in London from Henry Brownrigg in 1992 and now fresh to the market after being in one collection for 33 years.

An Isfahan Floral Rug very fine weave of wool and cotton. Colors of indiago, light blue, orag,e green, white, and yellow with golden mandela. They serve as a visual aid for meditation, helping practitioners to visualize the cosmos and their own spiritual journey.

Age: Circa early 1970s

Made for the Adilresim & Co out of Pasadena, Ca & Austria - Switzerland

Dimensions: 5' 6" x 3' 6" Very fine wool on cotton

An expressive and time-worn Indian sculpture of Ganesha, hand-carved from solid white marble. This sacred figure of the elephant-headed deity is seated in a relaxed posture with one leg folded and the other extended, holding traditional attributes in his hands. Traces of original red pigment remain visible in crevices, hinting at the sculpture’s once vibrant devotional life.

In Indian tradition, Ganesha is known as the Remover of Obstacles and the Lord of Beginnings...