Antique Japanese tansu with 9 drawers. Made of kiri (paulownia) wood with traces of black lacquer. The upper portion of the chest has three full-width drawers. The lower portion of the chest has five drawers of various sizes including three very small drawers. Iron hardware includes square drawer pulls and heavy lock plates. Nice patination over all.

Age: Edo Period (1603-1867)

Dimensions: 25 3/4" high x 29 3/4" wide x 14" deep

Antique Japanese small tansu with 7 drawers. The frame is made of chestnut while the front of the chest is all kiri (paulownia) wood. Sugi (cryptomeria-Japanese cedar) is use for the drawer interiors. The upper portion of the chest has six drawers in two rows. The bottom portion has a single full-width drawer...

Antique Japanese hangai tansu (captain's chest for business transactions). Two door panels outfitted with heavy iron work set into the frame and open to reveal five drawers on either side. The exterior frame of of the box is made of sugi (cryptomeria - Japanese cedar) while the drawers are made of kiri (paulownia) wood. The exterior has square iron handles while the interior has iron warabite shaped drawer pulls...

Antique Japanese Nihon Matsu isho tansu (clothing chest) in two sections from the Nihonmatsu area of Fukushima Prefecture. Made all of kiri (paulownia) wood. Iron hardware has a deep red lacquer finish and includes hirute shaped drawer pulls and large square lock plates with shōchikubai symbols (three friends of winter: plum, pine and bamboo) and a butterfly key hole cover. The top section has 2 large full-width drawers...

Exceptional antique Japanese large kannon biraki tansu (chest with hinged doors). Two stacking sections made all of kiri (paulownia) wood. This chest has unusually bold hardware made of iron with traces of red lacquer. Each of the two large doors on the upper portion is fitted with a large iron kiri mon (specifically Gosan-no-kiri-mon) During the Edo Period, this crest became a well established mon of the Japanese government where previously it was used only by the imperial family...

A rare antique Japanese Sakata Funa Hon Tansu (ship captain's document chest) made of Keyaki burl (Zelkova) in front and Keyaki frame. All original hand forged iron hardware and Urushi lacquer finish. Side carrying handles made of Kaki (Persimmon) wood.

Used in a ship captain's quarters to store valuable documents and books. In the event of a pirate attack, these chests were tied by rope and thrown overboard to prevent them from becoming part of the loot...

Antique Japanese small tansu with 5 drawers of various sizes. Made of kiri (paulownia) wood and still in it's original condition. Iron hardware includes hirute shaped drawer pulls and each drawer has a lock plate. The sides of the chest have a deep reddish lacquer finish. The deep patination is from hundreds of years of careful use.

Age: Edo Period (1603-1867)

Dimensions: 25" high x 25 3/4" wide x 13 1/2" deep

Exceptional Japanese incense cabinet kodansu in wood covered with a profusion of mother-of-pearl flowers and bone leaves, engraved and inlaid with the shibayama technique. Bottom in nashi-ji lacquer.
Handles, finishes and feet in silver...

A masterpiece by Furutani Taketoshi enclosed in the original signed wooden box titled Shigaraki Shizen-yu Shinogi Tsubo. Shinogi is this method of cutting away portions of the surface, in this case in waving patterns. This both allows the natural ash glaze a foot hold as it blows through the kiln, and as it cools, allows the molten ash to flow and create striking patterns on the surface...

Woman's juban (under kimono) made of recycled cloth such as hand-spun cotton with Hinode shibori, which is vegetable indigo dye for the lower part, and cotton with katazome, for the top part. The first half of the 20th century. In excellent condition except for a few light stains in the white cotton lining. 124cm x 126cm

BIG PHALLUS

'Goshintai’ (lit. ‘Body of Kami (God)’) as a dedicatory symbol based on Japanese phallus worship hollowed and carved from a single log. Early 20th century...

RED POT LOOKING LIKE GUTS

Redly and curvely powerful ceramic object (as flower pot) that looks like internal organs. Contemporary art work. Japan. 14 x 11 x H 12cm (5.51 x 4.33 x 4.72in)...

The size of each Cuff Links: 9/16” Dia x 1/16” Thick.
This is rare Japanese Damascene with Letter initial K.
Both K on cuffs are inlaid by Gold. It is from 1930’s
vintage 90 years which almost 100 years antique. The background
of Cuffs are made by copper with gold plated
but Initial K is real Gold. The condition of cuff links excellent.
Please note one of cuff links chain on back
is little shorter than other with micro size...

Andon-sara which is a bobeche to receive oil in "andon", a paper shade lamp. It is made in Seto in Aichi prefecture, which is one of major six old kilns in Japan. It has hand-drawn flowers and a butterfly design. 19th century. In good condition. Diameter:22cm, H:1cm

Rustic round platter, called ishizara in Japanese, used in kitchens and commoners’ households...

During the Kamakura period in Japan (1185-1333), a remarkable form of Buddhist sculpture known as the votive Buddha emerged. Commonly referred to as kakebotoke (hanging Buddhas), pieces like this would have been mounted on spherical plaques made of bronze or copper and hung in a Buddhist temple or possibly even in a Shinto shrine. These small-scale sculptures were created to serve as objects of devotion and were often commissioned by wealthy individuals or temples. The Kurakama perio...

Cosmic rays flow away in a burst of green over the twilight color of this vessel by Furutani Hiromu (Churoku I) enclosed in the original signed wooden box titled Shigaraki Shizen-yu Yohen Tsubo. The entire vase seems to be covered in ashen gray over which the vivid green glass has flown, forming rivulets leading to a single crystalline drop on the opposite side. It is 22 cm (9 inches) diameter and in excellent condition, directly from the artist.
Furutani Hiromu (Churoku I, 1922-2012) Fa...

The term “Raku” was once reserved for a style of pottery produced by a specific household in Kyoto that began over 450 years ago. Over the years, as it gained popularity, several branch kilns were established (Ōhi, Tamamizu) and a number of other lineages arose making pieces in the style of Raku, though they were not formally associated with the Raku household. Today, we see that Raku has become a world-wide phenomena and the name is no longer reserved strictly for the Raku fami...