Antique Tibetan wooden sutra cover, carved with 58 seated bodhisattvas on the front, gilded and painted with details. The interior side of the cover is lacquered red and painted with 64 seated bodhisattvas. Each figure is seated and with different mudras. The left side edge of the cover, is deeply carved with the head of a guardian demon flanked by scrolling vines...

A well-painted thangka dating to the 19th century depicting Vajrapani. The painting measures 9" X 10" and has been sewn down onto a black silk backing (original). Free of any restoration, damage, or repainting. A fine example of this iconic Buddhist image.

This is a relatively modern Buddhist painting, done entirely by hand, depicting Lhamo, a Buddhist protector deity. Exceptionally well painted, as the photos will show, this painting was most probably done in Nepal. The painting itself, excluding the cloth "mount," measures 16" X 21". Given the quality of the painting, my sense is that even though relatively modern, the piece was in fact intended for devotional purposes and not as an item of trade...

Tibetan seated figure likely that of arhat Ajita, one of the 16 arhats. He is identified by two corresponding features; his hands which are resting in his lap in dhyanamudra (the gesture of mediation) and his covered head. His face is handsome (due to an accumulation of virtue) and his gaze is tranquil. Made of gilt copper repousse and with silver repousse over laid details. He sits on a lotus base and his facial features are painted.

Age: circa 1900

Indian wedding palanquin for a bride. Made of a hardwood, possibly padauk, carved with florets and accented with iron details. The domed roof is constructed with a latticework. Doors and window openings are carved to mimic the architecture of a garden courtyard adding to the overall feminine quality of the palanquin.

Palanquins were the most popular means of transportation in British India prior to the introduction of horse-drawn vehicles and the railroad...

This well-painted 19th century thangka depicts a three-headed tantric "Heruka" in "yab-yum" with his shakti. The figure is probably Vajrakila heruka, although I leave it to the more knowledgeable ones among you to decide the identity. The painting measures 10" X 13" and is free of any restoration or re-painting. In need of a cleaning.

This embroidery panel was originally the front bodice of a dress...Hand embroidered over several layers of heavy fabric and using mirrors and silver and gold metallic threads...this dress bodice was a show piece probably used only for important occasions i.e. weddings etc. Very ornately embroidered, this panel measures 19 x 22 inches. the picture of the back side of the bodice indicates serious wear and age...

This is a well-painted Tibetan thangka dating to the last quarter of the 19th century. The piece measures 10" X15" and would benefit from a cleaning. Some creases and folding, as seen in the photographs. A very desirable subject and 100% authentic.

This is a very well-painted miniature depicting a courtly scene of a nobleman and his companion on the terrace of a palace. Although Mughal in style, I am not 100% convinced that the painting is indeed of the period. For that reason, I am listing it as decorative only and have priced it accordingly. The trellised outer border which surrounds the painting itself is embellished with what appears to be metallic silver highlights. The painted area within the trellised frame measures 4-1/4" X 8"...

A seal made of bronze, decorated in relief with one of the eight Buddhist symbols -- the Two Fish --- on its top, and the Buddhist Banner around its body, and finally with one of the eight Buddhist symbols --- the Eternal Knot --- beneath. Leather cord. Fine reddish-green patina. Tibet, 18th century. Height: 51 mm. Very good condition.

This is a large and early Buddhist applique textile, dating to no later than the mid-19th century. The design consists of a double-dorje centering a "yin-yang" emblem, representing the masculine and feminine principles of the universe. The piece is complete and intact with minimal wear as one would expect. It measures just over 30" in diameter. Textiles such as this one are exceedingly rare and seldom found.

Map of British India c1867, labeled Johnson's Hindoostan & Father India, Published by A J Johnson, New York, hand colored, steel engraved.

Seattle Collection
Date 1867
Size H 18" x W 26 1/2"

A Tibetan Copper Tea Pot of plain form, the spout with a silver and turquoise mount. Tibet 18/19thC. Height: 3 1/4"

Painting, distemper and gold on cloth of the Medicine Buddha. Wearing a monks patched robe. Flanked by two similarly robed monks, probably his disciples Sariputra and Maudgalyayana. Both hold alms bowls and the monk's staff. 64x45 cm. Undated, estimated to be late 19th century or earlier. Can be viewed in central London and shipped worldwide.

A round shaped silver lingam box (ayigalu or shivadhara) with its original chain. A neck amulet once worn by a wealthier lay member of the Lingayat sect in South India. Markings. Here without jangama lingam. Condition: traces of usage. Dimension: amulet: c. 6 cm wide x 4.1 cm high, chain: total length: 54 cm, weight total: 97 g.

Antique India hardwood carving of a mythical bird with a hooked beak, hardhat head, pinecone body and tail feathers pointed down. Xanabu Collection
Dates 19th/20th Century
Size H 18 1/2" x W 17" x D 9"

Three Tantric paintings on paper representing various celestial beings in the Tibetan Tantric Buddhism. On the first painting are shown a cross-legged character holding a staff, surrounded by clouds and riding a chimera, and below, a group of four female characters. On the second painting, a male character riding a horse and holding a lotus, and below a female character in formal attire...

Garoda scroll painting (cut into 3 sections for easy display) illustrating regional stories for use as a visual prop in storytelling performances. Undated, estimated to be early 20th century. Inks, metallic paint on paper, backed onto new paper so it is stable. Largest section 120 x 36 cm. Can be viewed in central London and shipped worldwide