Gorgeous Taisho period Ca. 1920 gold lacquered dragon carving from a buddhist shrine. Carved intricately out of cypress and set in maroon frame. Great condition. 34" long x 10" tall. Ask for shipping quote.

A growth of calcified clay in sand-textured white by Yamaguchi Mio dating from 2023, a bridge between her earth-tones and new porcelain works. It is a great size at 22 x 15 x 20 cm (roughly 9 x 6 x 8 inches) and is in excellent condition, directly from the artist. It comes with a signed wooden box, which will be ordered upon sale.
Yamaguchi Mio was born in Aichi prefecture in 1992, and graduated advanced studies at the Aichi University of Education in 2017...

An antique Japanese Tansu chest made for Kimono storage and constructed out of Kiri (Paulownia) and Sugi (Cryptomeria) woods. All original lacquer finish and hand forged iron hardware including the Warabite style handles. Two drawer design perfectly suited as a side chest or low dresser.

Age: Meiji Period (1880-1890)

Dimensions: 36" Wide by 21" High by 16" Deep

A vintage Japanese Tansu chest in the Choba (merchant) style made entirely of Kiri (Paulownia) wood. Iron hardware with Warabite handles. Seven drawers of varying sizes and a pair of sliding doors behind which is a spacious storage area. With two side carrying handles.

Age: 1980's

Dimensions: 30 1/2" Wide by 35" High by 14" Deep

A spiraling form in softly gleaming golden brown by Yajima Boshu enclosed in the original singed wooden box titled simply Jundo Kabin (Pure Bronze Vase). It is 8.5 cm (3-1/4 inches) diameter, 27.5 cm (11 inches) tall and in excellent condition signed on the base with a silver cartouche.
Yajima Boshu (1925-2001) was born in Takaoka, one of the most important bronze producing regions in Japan...

Pierce-work combined with over and under glaze decoration create the perfect picture of spring on this bowl by Takahashi Dohachi enclosed in the original wooden box signed Kachutei Dohachi and titled Kenzan Yo Tsubaki Bori Hachi (Kenzan style Camelia patterned Carved Bowl). It is 20 cm (8 inches) diameter and in excellent condition...

The surface of this bowl is like glossy rust, shot through with various shades and glimmering with mottled colors, the base irredescent red. It is by rising star Hashimoto Tomonari and comes enclosed in the original signed wooden box titled: Untitled Utsuwa (vessel). It is 13 cm (5-1/2 inches) diameter and in excellent condition, directly from the artist this winter...

19th Century Japanese Boxwood Netsuke: Professional Sneezer

19th Century, finely hand-carved Wood Netsuke depicting a Professional Sneezer, sitting cross-legged, and holding a bone nose-ticking stick or poker.

According to Dr...

EDO, Late 18th Century, Japanese Wood Netsuke: Merchant

Late 18th Century, nicely hand-carved wood Netsuke depicting a Merchant who seems concerned, probably, because he has not been able to sell his stock. He is shown here with his right hand over his head while he is taking a step forward, with his right heel slightly raised.

Very nice stylized touches characterizes this netsuke made during the EDO Period of Japan...

A large lozenge shaped bowl of thick clay covered in fawn spotted glaze by Kiyomizu Rokubei V decorated with a poem by Hashimoto Kansetsu enclosed in the original wooden box signed by both artists titled Gohon Fuseikei Hachi (Bowl of irregular shape in Gohon glaze. It is quite large, 34×26.5㎝ x 15cm (13-1/2 x 10-1/2 x 6 inches) and is in excellent condition.
Hashimoto Kansetsu (1883–1945) was born in Kobe, son of painter Hashimoto Kaikan from whom he gained a love of Chinese culture...

DESCRIPTION: A Japanese Sumida vase with oval neck rim covered in a rich, thick flambé glaze running midway down the vase. A high relief figure of a man balanced on a rocky ledge, holding an umbrella, is contrasted against the red, ribbed body of the vase. Excellent condition with no chips. For size comparison with our other Sumida listings, numbers CP72 & CP99, see the last photo. DIMENSIONS: 8" high (20.3 cm) x 3" diameter (7.6 cm)...

Title: Traveling. Painted with ink and pigments on silk. Signed and sealed.

Katsuda Tetsu(1896-1980) was a Japanese painter from the Taisho(1912-1926) and Showa era (1926-1989). He studied Western painting at Tokyo School of Fine Arts (now Tokyo University of the Arts). He turned to Japanese painting and became an apprentice to Yamamoto Shunkyo(1872-1933) in 1923...

Autumn Landscape depicted autumn leaves and the mountain river. Painted with ink and pigments on silk. Signed and sealed.

Kawabata Gyokusho (1842-1913) was a Japanese artist active during Meiji – Taisho period, early 20th Century in Japan. He learnt painting under a prominent artist from maruyama school, Nakajima Raisho (1796-1871). Gyokusho's works combine the Maruyama style with Western realism...

Height: 12.5 cm (5 in)
Width: 8.5 cm (3.4 in)
Depth: 6 cm (2.4 in)

Japanese Gosu Blue Satsuma figure of a boy holding a fan; decorated with polychromed chrysanthemums and other florals; signed, including the impressed mark of Kizan on the base

An Ao-Kutani palette porcelain deep dish in the Yoshidaya manner. Hydrangeas decoration in polychrome enamels including white, light blue-green, and dark green, blue, blue-green and aubergine in black line, all on yellow ground, a chocolate brown enamel on the otherwise unglazed biscuit rim...

Reminiscent of the wildly popular avant-garde works of Suzuki Goro, this striking modern interpretation of the classic tokkuri (sake flask) was done by budding artist Ikeda Shogo.

Born in 1976 in the southern port city of Kagoshima on the island of Kyushu, from a young age Ikeda would have been exposed to a great variety of ceramic-wares from the numerous historical kilns native to the region including Satsuma, Arita, Imari, and Karatsu. Equally influential were ceramics from neighb...

A large Imari bowl with a scalloped foliate rim made for the European market decorated to the exterior with a wide diaper brocade band incorporating a cross motif and Karahana. The cross in this context probably represents “sen”, one thousand, and combined with the karahana represents an auspicious wish for a long life. The wide register of the body decorated with freely painted Chrysanthemums and two large Ruyi shaped reserves, one with a truncated scene of a pleasure boat on a lake, and ...

A large deep bowl made for the Japanese domestic market painted with a “kotobuki” longevity shou character ground in iron red, gold and underglaze blue inset with three ogee lobed reserves with Aoi or Shuro mon within a karakusa style vine arabesque. Framed by bands of stylised Lotus and Jui (ruyi). The well of the bowl is decorated with Peonies. The exterior decorated with yoraku, stylised Buddhist pendant jewellery, and four further ogee form reserves in iron red with karakusa vine, wi...