Mayumi Oda 2-Panel Japanese folding screen titled Sea Goddess, charmingly rendered with sea maidens cavorting amidst waves and clouds. With light blue and blue colors and vermilion and black printed on white paper attached to backing of textile border with Japanese indigo fabric. Circa 1972. Signed by artist.

Print Size: 28"H x 21"W

A unusual example of an antique Japanese three section Tansu chest called Ishodansu made of Toneriko (Japanese Ash) and Katsura woods. Original bronze hardware including the Warabite handles and the kissing duck handle backplates. This one-of-a-kind Tansu highlights Yosegi (Marquetry) incorporated into the beautiful Japanese Ash burl. Upper section has two horizontal rolling siding doors hiding a split level display shelf with three side by side drawers below...

Lacquer kobako box with two compartments in the shape of a fan. Decorated with pine trees near a stream on all sides in takamaki-e, hiramaki-e techniques with a nashi-ji background. On the upper side, a couple of cranes are looking for food on the ground, while three baby cranes are waiting in the nest located in the pine tree. Interior in nashi-ji lacquer.

Japan - Edo period (1603-1868)

Height: 1.8 in...

Antique Japanese small kodansu (jewelry box) made of silver and incised with fans decorated with waves, birds and flowers. Two hinged doors open to reveal 3 small drawers, lacquered black and lined with green velvet.

Age: Meiji Period (1868-1912)

Dimensions: 4 3/4" high x 4" wide x 5 1/4" deep

An antique Japanese Nagoya Mizuya Tansu (kitchen chest) made of Hinoki (Cypress) and Sugi (Cryptomeria) woods. Made in 2 sections, the upper portion has two sets of sliding doors with spacious storage while the bottom section has 9 drawers, a pair of sliding doors and a pair of hinged doors that provided storage and organizing of daily Japanese culinary tools, gadgets and utensils...

An antique Japanese Gyosho Tansu (peddler's chest) made of Kiri (Paulownia) wood. All original hand forged iron hardware. Two hinged doors each hiding five drawers storing inventory for the peddler. Bottom rings used to rope the tansu for carrying it about. Constructed using straight dovetail joinery and hardened wooden nails.

Age: Edo Period (1800-1850)

Dimensions: 13 1/4" Wide by 40 1/2" High by 23 3/4" Deep

A rare set of Tokkuri by important artist Okabe Mineo enclosed in the original signed wooden box titled Seto-te Tokkuri. The shapes are twins, one in E-shino style with iron decoration under white feldspar, the other in austere Oribe green glaze. The flaring mouths are both ulled slightly creating a perfect pouring spout. They are 13 cm (5-/4 inches) tall, 7 cm (2-3/4 inches) diameter and in excellent condition...

Wooden sculpture of a hare with coral eyes. In Japanese, the hare and the rabbit are designated by a single word: usagi. The hare has an important place in Japanese legends and superstitions. Like many other animals, it is supposed to reach a fabulous age and become blue at five hundred years. Japan – Meiji era (1868-1912) Height: 7.28 in. (18.5 cm) - width: 6.5 in. (16.5 cm) - depth: 13.58 in. (34.5 cm)

An antique Japanese Zushi (portable altar) with standing Amida Buddha within. Urushi lacquer over wood. Original bronze ornamentation features a large clasp with stylized arabesque Lotus blossoms on either side and the Dharma wheel above and below. Makie lacquer crossed feathers Mon (family crest). Opening the doors of the altar reveals the Buddha in its original patina and a hand painted upper apron with lotus blossoms...

A rare antique Japanese Okidoko (display stand for a Tokonoma room) made of Keyaki (Zelkova) wood. The top is one thick solid long piece of this rare wood...

Composed by one of the most well-regarded and important figures within the Kanō tradition of painting, here we see a whimsical rendition of tiger and cub prancing through the forest. With its beautiful and well-preserved silk brocade to highlight the scene, the overall composition radiates a feeling of lightness and playful curiosity.

Oldest son to Kanō Takanobu, Tanyu was appointed as the first designated painter to the Tokugawa Shogunate...

A rare large work blasted with natural ash glaze by Koyama Kiyoko enclosed in the original signed wooden box titled Shigaraki Shizen-yu Kama-shizuku O-Tsubo. The rim is crusty and shows Shinshoku (degradation from the flame) a testament to her infamously long firing times. The front is coated in a flow of green and olive ash, while on the raw earth of the back a single drip (shizuku) from the kiln roof has landed as a colorful accent...

A rare antique Japanese Kusuri Tansu (pharmacy or medicine chest) made entirely of Kiri (Paulownia) wood. All original hand forged iron Warabite handles. Original drawer labels left intact. 20 drawers total. Great chest for filing papers and documents. Unusually wide drawers compared to the ubiquitous tiny drawers of the typical Kusuri Tansu.

Age: Edo Period (1750-1800)

Dimensions: 29 3/4" Wide by 36 1/8" High by 15 1/8" Deep

A startling find! A Horned Demon mask dating from the Nanboku-cho to earlier Muromachi eras (14th to 15th centuries) carved from a single block of wood and enclosed in an ancient kiri-wood box. The visage would have once sported a lower jaw, likely suspended by chord, which is no longer extant. It is 21 x 15 x 9 cm (8-1/4 x 6 x 3-13/4 inches) and is in overall fine condition, exuding a great sense of age.
Oni Masks: Oni are a type of horned demon or ogre in Japanese folklore...

A lacquered cabinet for storing Tea accoutrements by Koyama Kogetsu enclosed in the original signed wooden box dated 1931 and titled Tsukiyama Maki-e Kikkyoku (Mon and Hills Maki-e Tea Cabinet). On the door deer stand on the edge of a glade, gold, lead and Raden (mother of pearl) trees with branches of gold and silver maki-e above. The door lifts off to reveal the silver disc of a full moon rising over evening hills. It is signed in gold Kogetsu...

A splendid set of five Chataku Tea Cup Saucers of turned wood decorated in ridiculously thick lacquer floral decoration by Ikkokusai enclosed in a fine wooden box signed by the artist and dated Meiji 39 (1906). Accompanying is a note stating the set was received as a gift upon visiting the Naganuma Ryokan during a trip to Hiroshima in the fifth month of Meiji 43, accompanied by the name Kayanomiyasama. Kaya-no-miya were a collateral branch of the Japanese Imperial family...

Japanese two panel screen depicting a family of horses. Painted with a simple flowing style of sumi ink on paper...

A spectacular large vase by Kashima Aya featured at the “Ceramic Synergy Exhibition” held at the Kyoto Kyocera Museum of Art in late 2023. In fact, the initial form is created, then a thin layer of ceramic is made separately, dried, then cracked, and the individual pieces are applied like mosaic to the prepared form. The space in between the tiles is then abraded, the tiles glazed with color and the space n between glazed with iron. Each piece requires a great amount of painstaking dedicati...