1950's Japanese Imari Imaemon XII Gourd Shaped Vase Signed

It is 11 inches (27.9 cm) tall by 6.3 inches (16 cm) wide. It is 3.25 Lb.

It has surface wears and minor scratches and flea bite chips at the foot (as seen in the photos).

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Japanese limited edition sosaku hanga “kappa-ban” (stencil print) on crumpled hand-made momigami paper by Sadao Watanabe (1913-1996) titled “The Crucifixion.” The black and white image of Jesus nailed to a red cross is set against a blue background. Mary and Saint John kneel in prayer at each side. The print is signed and dated 1980 at the lower right and numbered 11/80 at the lower left, all in white ink. The paper measures about 26”V x 23”H...

Kawase Hasui
Lake Matsubara, Shinshu
Size: Oban. Approximately 15.5 x 10.5 inches.
Date: 1941.
Publisher: Watanabe Shozaburo. Bears the 6 mm seal, indicating a lifetime print produced 1946-1957.
Condition: Excellent.

Family name Kanō Morizumi, Gō: Tanrei. Japanese style painter. Studied under Kanō Tambi Moritaka. After the Restoration, active as a Kanō painter; showed at several exhibitions sponsered by the government, receiving prizes. Member of the committee of the Nihon Bijutsu Kyōkai and Nihongakai. Produced a number of paintings for imperial buildings. ( from ‘A Dictionary of Japanese Artists. Laurance P...

The tatami armor was used by foot soldiers, archers, and spearmen. Its a lightweight armor which allowed the warriors to be more swift and fluid with their movements. It is also an economical munition armor as a alternative to the traditional lace scale construction. Going to battle was costly and this gave the clan army full protection from all levels of warfare.
The armors head gear covering has two flaps with a back slit...

Kawase Hasui
Snow at Itsukushima.
Publisher: Watanabe Shozaburo. No publisher's seal but clearly on old paper.
Bears the Hasui signature and seal.
Date: 1932.
Size: Oban. Approximately 15.5 x 10.5 inches.
Condition: Very good. Edge of right margin is toned.

Kimikomi Ningyo by Jinku-ru. 9.25 inches, 23.5 cm.

Japanese Isho Ningyo of a Noh Actor, Meiji Period, late 19th Century. Height: 13.75 inches, 35 cm.

Munga Ningyo of a Samurai in Court Attire by Toyotomi Hideyoshi. Late Edo Period. Height: 10 inches, 25.5 cm.

Ningyo of Young Lady Looming Textile. 15 inches (38cm) wide x 10 inches (25.5cm) high.

Japanese Keto Kyomasa Iki Ningyo. 21 inches (with helmet; 27 inches with staff and stand.

This generously proportioned chawan (13.5cm in diameter) shows nice age, especially around the kodai, and likely dates from early Edo (several hundred years old). The base is unglazed showing the molded clay, contrasting nicely with the jet black glaze which displays a slight purplish hue when held to the light. The soft sheen of the Raku glaze overlying rippled and shaved clay gives this bowl a distinct presence...

A ceramic cover for a tea room brazier in the shape of a devil dressed in priests robes dated and annotated within. Dating from the Ansei era, inside it is annotated by Daiko Sogen (1772-1860), 435th head of Daitokuji. Well known for his poetry and mastery of the Tea Ceremony, he taught Zen to Eiraku Hozen, and was compatriot to Gengensai. It is 34.5 x 34.5 x 30 cm (13-1/2 x 13-1/2 x 12 inches) and is in fine condition.

This is an extremely fine Japanese Cloisonne vase with gold wire decorations.It measures just 3 1/2 inches tall so it is much finer and more exquisite in person. It is not signed. The fine workmanship on this piece was most likely done by Hayashi Kodenji as only an elite few could have ever created such a piece. The enamel colors and character of the bird also match Hayashi's work. Condition is excellent.

Japanese limited edition sosaku hanga “kappa-ban” (stencil print) on crumpled hand-made momigami paper by Sadao Watanabe (1913-1996) titled “Entry into Jerusalem” depicting Christ on a donkey riding over a flower strewn path and surrounded by a crowd of followers. Set against a light grey background. The print is signed and dated 1978 at the lower right and numbered 17/70 at the lower left, all in black ink. The paper measures about 27”V x 21”H (22 ½” unfolded)...

Pair of Architectural corbels of mythological elephant baku’s are commonly placed under the eaves of Japanese Buddhist temple and Shinto Shrines to wore off evil spirits. The baku’s devour dreams and nightmares and protector against evil. The baku cannot be summoned without caution, however as ancient legions say that if the baku is not satisfied after consuming the nightmares, he may devour ones hopes and dreams...

Wooden shishi carvings used as architectural elements placed under the eaves of Shinto and Buddhist temples to ward off evil spirits. Beautifully carved keyaki wood shishi with glass reverse painted eyes.

Mounted for wall presentation of custom iron stand.

Meiji Period 19th Century

Size : 18" L x 9" W x 11" H

Of octagonal shape, decorated with Japanese ladies and floral panels. Signed: made in Hirado by Kusae'. Considering the size these were probably chocolate cups made for the export. The cups are 11,5 cm tall and 10 cm in diameter. The saucers are 15 cm in diameter. The set is in pristine condition.