Ohara Koson
Cawing Crow
Size: Dai-oban. Approximately 17 x 11.5 inches.
Date: 1930s. This edition post-1950.
Reference: K5.15 and page 140 in Crows, Cranes and Camellias: the Natural World of Ohara Koson (Reigle Newland)
Publisher: Nishinomiya Yosaku
Condition: Excellent. Full original margins.

Signifying strength and resilience, bamboo—together with pine and plum (sho chiku bai)—is an auspicious symbols running through the heart of Japanese art and culture. The young bamboo depicted here—sprouting from a patch of rocks—were composed by one of the most renowned and loved waka poets of the 19th century, Ōtagaki Rengetsu (1791-1875).

Rengetsu was born into a Samurai family but was soon after adopted by the Ōtagaki family...

A set of four unusual small dishes enclosed in the original signed wooden box by Kitaoji Rosanjin (1883-1959), one of Japans most famous 20th century artists. Iron reds underlie the pale earthen glaze, with a dollop of Oribe green on one side. Almost as if planned, the pieces have firing cracks filled with black lacquer, adding a fourth consideration to the standard essentials: form, design and glazing. Each dish is roughly 5-1/2 inches (14 cm) diameter...

An unusual Meiji period bronze image of the jolly Daikoku-ten, one of the 7 gods of fortune, looking incredibly relaxed and content. His hat is removable to reveal a chamber for burning incense, and the smoke would be exhaled though his open mouth. It is 6-1/2 x 8 x 5-1/2 inches 16.5 x 20 x 14 cm) and is in overall fine, original condition. The artist chop is in a raised cartouche on the base and appears to read Yoshioka Minpo.

This is a fairly large set of “hayashi” doll, court music entertainers, all dressed in samurai’s attire with a sword. Three seated dolls in the front row are approx. 5 1/2” (14 1/2 cm) tall x 9 1/2” (23-23.5 cm) wide, excluding hat and stand. The taiko drummer is 11 1/4” (29cm) wide, a little bigger. Two in back row, seated on stools, are 7 1/2” (19cm) tall x 9 3/4” (25cm) wide. The stands are lacquered wood.

This is Sakai-Sarasa used for Edo period. Sarasa of a small pattern is rare. The warm feel does this. As for this, cotton is spun by hand and is thick. There is the stain such as the image of the backside, but does not stand out. Size 80cm x 78cm (31.4 "x 13.3")

Japanese woodblock print by artist Mayumi Oda (1941-present), titled "Ancient Sea Spider Conch", number 19/45 in its series. Signed in pencil. Pairs with another print titled "Ancient Sea" Largest prints she has made. Size: 38.5" height, 25.5" width

Japanese woodblock print by artist Mayumi Oda (1941-present), titled "Ancient Sea", number 19/45 of the series. Signed in pencil. Pairs with another print titled "Ancient Sea Spider Conch". Largest Prints she has made. Size: 38.5" height, 25.5" width

A bright, beautiful woodblock print by Mayumi Oda (1941-present), headlining her exhibition in the Satori Gallery, San Francisco, January 1982. It is numbered 93/250 and signed/copyrighted in pencil. Largest prints she has made. Size: 39.5" height, 28" width

DESCRIPTION: “The Inro Handbook, Studies of Netsuke, Inro and Lacquer” was written for collectors who have discovered the delights of the miniature Japanese art forms. This authoritative and enlightening book offers a wealth of valuable information and is written by one of the foremost collectors and scholars in the field, Raymond Bushell...

This is Sashiko used for a martial artist of the Taisho era. This is a natural indigo plant, and Kinari--colored lining cotton is put on the cotton of a dyed face. And it is done Sashiko. As for this, thick cotton cloth is performed Sashiko of by the white cotton thread of the W thread. Therefore it is very thick. This does not have a stain and damage. Size 82cm x 90cm (32.2 "x 35.4").

This large, finely crafted tsutsu chawan was done by renowned Meiji/ Taisho ceramic artist Suwa Sozan I.

Suwa Sozan (1852—1922) was born in an area of what is known today as Ishikawa prefecture. After a short stint in the military he took up pottery design and painting under Touda Tokuji in 1873. From this point forward, he divided his time mainly between Kanazawa and Tokyo working at a number of kilns and research institutes...

A charming Japanese small tansu made from kiri (paulownia) wood, with attractive, simple iron fittings. Each drawer features a round iron lock plate and gunbai style handles. Size: 22.5" height, 25" width, 13" depth

Tsuchiya Koitsu
Spring Rain at Matsushima
Date: 1936.
Size: Oban. Approximately 16.5 x 11.25 inches.
Publisher: Doi Hangaten, also bears Doi watermark.
Carver: Harada, printer: Yokoi.
This seal combination indicates an early post-war edition.
Condition: Excellent.

This is Sakai-Sarasa used for Edo period. Sarasa of a small pattern is rare. The warm feel does this. As for this, cotton is spun by hand and is thick. This does not have a stain and damage. Size 155cm x 33.5cm (61 "x 13.1")

This is Sakai-Sarasa used for Edo period. Sarasa of a small pattern is rare. The warm feel does this. As for this, cotton is spun by hand and is thick. This does not have a stain and damage in a face. This has a few stains in the backside, but does not stand out. Size 93cm x 44cm (36.6 "x 17.3")

This is thick linen Noren used in Shonai area for Edo period. This is dyed with a natural indigo plant densely. As for this, a brown line is cotton. This was used in a merchant's family of Shonai. This does not have a stain and damage. Size 148cm x 91cm (58.2 "x 35.8")

This is Furosiki made in the Izumo district for Edo period. This is dyed in Katazome and Hikizome. This is dyed in natural indigo plant and Yamamomo. This has a stain such as the image in some points. And this has some small holes. This shows old form of Izumo Furosiki. As for this, cotton is spun by hand and is thick. Size 99cm x 95cm (38.9 "x 37.4")