Brush box (fudebako) made of wood and lacquer. On the lid, lacquer decoration representing sagittarius, a flower inlaid with ceramic and a leaf inlaid with mother-of-pearl (raden).
Interior and base of the box in nashi-ji lacquer.

Taisho Era (1912-1926)
Height: 1.4 in. (3.5 cm) - width: 2.8 in. (7.2 cm) - depth: 9.4 in. (23.9 cm)

Four-square inrô in hiramaki-e lacquer, maki-bokashii and mother-of-pearl inlay (raden) in the form of a man sailing on a boat, against a mountain background. On the back side, bamboos are in the foreground.

Horn netsuke of a man resting against a stone, a fan in his right hand.
Ojime in stone painted with white carnations.
Sold in a box which is not original.
Small boxes formed of interlocking compartments, inrō (印籠) are traditional Japanese clothing items...

Small iron lantern of rectangular format stretched in height with its base. The paper comes from a book page of classical Japanese literature. This writing is developed from the 8th century and is borrowed from the Chinese writing.

Japon - early 20th century Height: 11 in. (28 cm) - width: 3.4 in. (8.7 cm)

Wood and lacquer lectern (kendai) with a drawer at the foot. Takamaki-e decoration representing an eagle on a rocky promontory, surrounded by vegetation. Head down and wings half unfolded, it is about to fly away, perhaps to hunt its prey.

The eagle is considered as the king of birds. Its tail feathers are said to be the best feathers for an arrow...

Wooden sculpture of a mouse on a mushroom. The qualities of wood have been skillfully exploited to signify the lamellae of the mushroom, not visible unless the sculpture is lifted.

In Japan, the term nezumi refers to both the mouse and the rat. They are considered the messenger of Daikokuten, the deity of commerce and wealth...

Late Edo period (19cc) Shino ware Chawan for tea ceremony Wabi Sabi

The fine crackle look with natural kiln vivid cracks gives the bowl an authentic wabi sabi feel.
Overall, it is a great example of an old, beautifully crafted Shino tea bowl.

Shino pottery is produced in today's Gifu prefecture since 16th century and it is distinguished by thick white glazes, red marks and the surface of small holes.

Size:
Height 7 cm
Width 11 cm

Conditio...

A bowl deeply impressed with Jomon rope designs by Living National Treasure Shimaoka Tasuzo enclosed in the original signed wooden box. It is 7.5 (3 inches) tall, 13.5 cm (5-1/4 inches) diameter.
Shimaoka Tatsuzo (1919-2007) was born in Tokyo and enrolled in the Tokyo Kogei Daigaku Ceramics division in 1939. The following year he would meet Mashiko Mingei potter Hamada Shoji, and the course of his life was thought set, graduating in 1941...

Wood tray mended with metal hinges. It has beautiful annual growth rings and grains. The first half of the 20th century. W:27.5cm, L:40cm, H:4.8cm, Weight:1100gm

Beautifully plaited bamboo basket we think by Iizuka Sounsai of the famed Iizuka Family of reknown basket makers in the Taisho and Showa eras. It is not signed but exactly like the signed Kyokusho (Sounsai's art name) pc4 we have on the site. Circa 1920 – 1940. Iizuka Kyokusho was a brother of Iizuka Rokansai and Iizuka Hosai. He worked in Tokyo, and liked to work with slat bamboo. 12" tall by 10" wide. Great condition. Ask for shipping quote.

This raw form covered in scorched white has been slabbed off in the Shinogi style by Atarashi Manabu. The word Shinogi denotes the curve on a samurai Sword blade, and has come to be used in pottery to describe things which have been scored or sculpted with a knife. The sake vessel is 15.5 cm (6 inches) tall and in excellent condition and comes enclosed in the original signed wooden box titled Shino Shinogi Tokkuri...

What a joy to hold this igneous Guinomi by Atarashi Manabu, the stone like texture and form are a pleasure to the palm. It is covered in thick ash outside, pooling into crystalline shades on the surface outside, while the inside is largely left untouched, offering a view of the clay and a stark contrast between the inner and outer surfaces to enjoy visually. It comes enclosed in the original signed wooden box titled Iga Shinogi Guinomi...

Artist: Unidentified
Title: Miyajima
Print size: Approximately 5.75 x 3.75 inches.
Date: 1950s-60s
Publisher: Watanabe Shozaburo.
Medium: Japanese woodblock print.
Condition: Top margin edge slightly toned.

An antique Japanese Zushi (portable altar) with standing Amida Buddha within. Urushi lacquer over wood. Original bronze ornamentation features a large clasp with stylized arabesque Lotus blossoms on either side and the Dharma wheel above and below. Makie lacquer crossed feathers Mon (family crest). Opening the doors of the altar reveals the Buddha in its original patina and a hand painted upper apron with lotus blossoms...

Japanese shin hanga woodblock print by Ito Yuhan (1882-1951) titled "Sailboats in the Sunset Glow" (aka Tsukuda Jima). This image is one of a limited number of woodblock prints by this artist that were published by Nishinomiya Yosaku in the 1930s. Signed in kanji at the lower right corner of the image. The publisher's seal is in the lower left margin in kanji and on the back in English. Paper: 15 5/8" x 10 5/8" (image: 14 5/8" x 9 5/8")...

A woodblock print on washi with 29 ways of wearing tenugui which is the Japanese hand towel made of cotton. It has been using as hand towel as well as hat or scarf. In good condition except for a break in one of the corners. Printed by "Isetatsu which was founded in 1864, very late Edo period in kanda in Tokyo. The second half of the 19th century." 25cm x 37.5cm

This is yosegire Patchwork silk katazome kimono textile in Edo period(1603-1867). All are originals from the Edo period. There are four kinds of itajime-katazome, and seven kinds of katazome is included. The part of the sleeve is yuzen-dye that is drawn by the hand and dyed. The lower side is stripes of the silk in Edo period.The lining is red silk and has discoloration. There are no damage on the surface...

This is japanese antique kihada nature colour katazome sodenashi hanjyuban in Edo period(1603-1867). Katazome of kihada ground is very rare. Textile seems to be hand spun and woven and and has soft touch . The collar is yuzen and shibori of silk. There is neither stain nor damage. It is very beautiful. size: Length: 63cm (24.8inch) / Shoulder width 43cm (16.9inch)

This is a Japanese antique indigo stencil dyed thick cotton kimono from the Meiji period (1868-1912) with a rare weave. It is a very beautiful indigo stencil dyeing. There is a thin stain. It has one small hole, but is in very good condition. Made from hand-spun cotton and naturally dyed. Size: Length 140cm (55.1inch) Sleeve to sleeve: 123cm ( 48.4inch) Box.2