Kiyoshi Saito
Maiko
Date: ca. 1960.
Size: Oban. Approximately 17.25 x 11.5 inches.
Pencil signed and sealed by Saito.
Self-published by the artist.
Silver mica is used on the collar.
Medium: Japanese woodblock print.
Condition: Top back margin has paper residue. Very faint toning.

Ohara Koson (1877-1945) Snow on Willow Bridge. A woodblock print, with gofun for the snow. With gofun paste for the flying snow and extensive embossing as snow banks, two women with umbrellas cross a bridge over the river Sumidagawa in a heavy snowfall. This print illustrates the famous Yanagibashi – Willow bridge. Signed and sealed Shoson, published by Watanabe Shozaburo, circa 1940 Vertical oban: 38.6 x 26.1 cm. Showa period, 20th century. Framed.

Japanese Print Shiro Kasamatsu (1898-1991) – Evening Rain, Shinobazu Pond. Publisher : Watanabe Shozaburo. Size : Oban (10″x15″). Signed. Around 1940-1950. Framed.

Square-shaped ivory netsuke manju depicting four lacquered frogs in different positions. It has a cavity inside where the himotoshi hole is located. Origin: Japan Period: Edo 19th century Dimensions: 4 x 4 x 1cm. State of conservation: Very good

Sought after high quality ivory netsuke depicting six ginkgo nuts with a beautiful ivory patina and luster. The six ginkgo nuts of this netsuke, famously strong and symbolic in Japanese culture, are strategically placed to form a natural hole in the center. Origin: Japan Period: Edo 19th century Dimensions: 5 x 3 x 2.5cm. State of conservation: Very good

Ivory netsuke depicting a quail crouching on millet, carved with attention to detail on its feathers and body. The eyes are in horn. This netsuke is signed under the base in an oval reserve and has a natural himotoshi. Origin: Japan Period: Edo 19th century Dimensions: 2.8 x 3.5 x 2.3cm. State of conservation: Very good

Statue of Buddha, in monk's robes, standing on an elevated rounded stand, his hands in abhaya and varada mudra (symbolizing protection, peace, charity and compassion). Wood, with fine patina. Japan, mid Edo period, 18th century. Height: 18 cm. Slight abrasion due to age, otherwise very good condition.

A Chinese Yue Celadon Glazed Chicken-Head Ewer. Circa, 220-589, Six Dynasties. This jar features a compressed globular body with a short neck that flares to a thick upper flange which is slightly depressed in the center. Opposite its thick curved handle is a chicken-head spout. Two lug handles set on its shoulders and is covered with a green celadon glaze. Its base is unglazed exposing a compact grey stoneware clay. Found in the Philippines...

Ryusa Manju type ivory netsuke with openwork decoration and in the center a shishi, a Japanese mythological creature representing a lion or a lion dog, looking backwards. The frame around the Shishi features an accurate karakusa 唐草 decoration, a motif of stylized branches and leaves of Chinese origin. Origin: Japan Period: Edo 19th century Dimensions: 4.5 x 4.5 x 1.5cm. State of conservation: Very good

Stag horn netsuke depicting a Gama Sennin, a legendary figure of Japanese folklore, with a toad on his shoulder. Gama Sennin is represented in a pose with his left hand holding the hind leg of the toad, while the latter rests on his shoulders. Origin: Japan Period: Edo 19th century Dimensions: 5 x 2.3 x 2.2cm. State of conservation: Very good

A Japanese boxwood netsuke depicting Hotei 布袋, one of the Seven Gods of Good Luck, seated with his fan in his hands and a child embracing him. Hotei's face is plump, smiling, and conveys a sense of peace and tranquility. He is commonly referred to as the protector of children. Behind Hotei, there is a child, depicted with great sweetness, who embraces him. The carving lines are sharp and precise, creating an effect of three-dimensionality and depth...

Fine ivory netsuke depicting a playful scene where a monkey emerges from a giant chestnut. The monkey is depicted in a perky attitude. His muzzle expression and body posture convey a sense of joy in coming out of the chestnut. The giant chestnut creates a surprising and imaginative effect...

Square-shaped ivory netsuke manju depicting various objects, among which some fans stand out. The sculpture depicts kitchen tools, work tools and everyday objects. This netsuke features a silver bronze hook in the center. Origin: Japan Period: Edo 19th century Dimensions: 4 x 4 x 1cm. State of conservation: Very good

Ivory netsuke in the form of a small school table with a book and hat resting on the desk. The netsuke is finely carved, showing great attention to detail. The sides of the table are decorated with engraved geometric patterns, adding a touch of sophistication. Himotoshi under the base, signed Hideshige 秀重. Origin: Japan Period: Edo 19th century Dimensions: 3.3 x 3 x 2cm. State of conservation: Very good

A Japanese large boxwood netsuke depicting a fascinating scene, represented with great detail, holding the bridle of his noble steed with his hands. Next to the sage, a child approaches, holding a scroll. The use of boxwood in the making of this netsuke with wise man on horseback gives a natural and warm touch to the work...

A wonderful modelled Kuro Raku tea bowl covered with a beautiful black glaze - made by legendary 12th generation Kichizaemon Kônyû (1857-1932) in the style of the 8th TOKUNYU, Kichizaemon Raku. The seal of the potter is stamped on the bottom. The original wooden box with his sign and signature is also included.

childhood name was Kozaburo, later became Kicho (or, Yoshinaga). He was the eldest son of Keinyu, the eleventh generation master...

Arai Yoshimune
Fishing Boat
Date: 1910s.
An early edition on original card-like paper.
Size: Chuban. Approximately 9.75 x 7 inches.
Publisher: Hasegawa. From the famous "Night Scenes" series. Hasegawa catalog No. 1245.
Medium: Japanese woodblock print.
Condition: Excellent.

Basket handmade of Yama-budo, wild grapevine which grows deep in the mountains. It is used by a mountain worker as a backpack. Generally in good condition but has a few minor breaks. The first half of the 20th century. W:43cm x 28cm x 15cm.