A superb Silk landscape by Akamatsu Unrei enclosed in the original signed double wooden box (niju-bako) titled ChikusoYusei-Ga. The title and style of the buildings indicate this is likely the Yusei retirement home of Iwakura Tomomi in Northern Kyoto, designated a National Historic Site in 1932...

This finely crafted Japanese yakkan (copper teapot) shows the kind of beautiful patina that can only be achieved with time and careful used and looks to date from the Meiji period of the late 1800s.

The brilliant rich auburn color of this type of metalwork is achieved by adding smoked straw during the firing process and often deepens in character over time...

A skull lies ethereal, only a soft circle before the ghost-like apparition of a grave-marker rising from the boldly stroked dead grasses of some forgotten field...

This is Fukusa used in Kyoto for Edo period. It is very beautiful fukusa.This has a line of delicate Tsutsugaki and embroidery and a delicate sumi painting. This is produced by a bold design. This has a few stains, but does not stand out.However, there is no damage.They are not disturbing, and as a whole it is in very good condition. Size:Length 49cm (19.2inch) Width 52cm (20.4inch)

Japanese Woodblock print from artist Torii Kotondo (1900-1976). Print displays beautiful japanese woman combing her hair. Wearing a grey silk kimono with pink and darkened green floral details.The woman has lovely blush colored lips with shining raven hair. Print contrasted with blue toned graduated back ground. From the bijinga "12 Beauty" series. Contains signature and seals. Shown close up with detail images...

A rush of water descends into mist between the rocky crags tinted with autumns color on this superb silk scroll by Ochi Shokan enclosed in the original signed double wooden box (niju bako) titled Shusei (Voice of Autumn). Top quality, it is mounted in striped silk extended with green and has large solid ivory rollers. The scroll measures 55 x 213 cm (21-1/2 inches x 7 feet). It is in fine condition...

A small cloisonné enamel dish, unusual colors: rusty brown and turquoise green peony, the back with bamboo leafs and grapes in dark blue and black. Japanese, late 19th century. Diameter "3 ½/ 9.2 cm. Condition: enamel loss, esp. to the back (cf. pics).

Brown banko ware teapot, Japan, late Meiji / early Showa. Unglazed, with the exception of the rim and the top of the handle hooks, some gilt to the molded decoration of a dragon and a lion dog. All handmade, with thumb marks to base and rim of lid. Height including lid "4 ½ / 11.5 cm. Condition: no bamboo handle, otherwise fine.

Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). Typically, black or green glazes are applied to asymmetrical clay bodies and light-colored windows are created using feldspar. These high-contrast areas then act as a canvases upon which abstract, minimalistic, and often naturalistic themes are painted...

A rare Momoyama Period Nezumi-Shino Chawan with a unique decoration: distorted cylinder shaped (hanzutsu) tea bowl with a rounded brim, made of little reddish, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potter's knife in its lower part.

The bowl was first covered inside and out with an iron oxide engobe (oni-ita) - then a decoration was incised into the dry engobe down to the clay - finally, a shino glaze was applied over the engobe...

A true treasure! Slightly distorted shoe shaped (kutsugata) tea bowl with a rounded brim, made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potter's knife in its lower part around the foot ring.

The bowl was covered with a green copper oxide glaze...

Japanese 6-Panel byobu folding screen, with painting of a flowering wheat field under the full moon. The screen's paper hinges are done in gold gofun paper. Excellent condition, very presentable well suited for the times. The screen bears elements related to the Shijo School, hand-signed signature, with two red chops, attributed to Shiokawa Bunrin (1808-1877).

Taisho Period (Early 20th Century)

Dimensions: 150" L x 68" H

DESCRIPTION: Outstanding Japanese porcelain Imari charger, circa 1880, acquired in Brussels, Belgium. This charger is profusely painted in under-glazed blue, red, green and gilt with a central blue medallion of scrolls highlighted in gilt. Surrounding the medallion is a wide border of alternating cartouches enclosing pairs of birds with bamboo leaves, and flowers issuing from rockwork with butterfly. The reverse is painted with three sets of flowering blue branches...

Paul Jacoulet, 1896 - 1960
Decembre, Japon
Date: 1953.
Size: Approximately 6.25 x 4.25 inches
Self-published. Bears the Jacoulet signature and sparrow seal.
This surimono is tipped at the top center to its original 1953 Japanese Christmas card with green cover design...

A pottery box decorated in over-glaze enamels and precious metals by Kato Reikichi enclosed in the original signed wooden box titled Sengiri Jikiro.　It is a colorful and playful work a pleasure to look upon. It is 9-1/2 x 5-1/2 x 8 inches (24 x 14 x 20 cm) and is in excellent condition.
Kato Reikichi was born in 1953 the 22nd generation of an unbroken line of potters spanning back to the Keicho era in the Momoyama period...

DESCRIPTION: This outstanding and rare antique Japanese Tonkotsu, or tobacco box, has been crafted from boxwood in the form of the Three Wise Monkeys, with a beautifully carved Iwazaru, or “Speak no Evil” monkey, serving as the main tobacco container. Mizaru, or “See No Evil”, forms the ojime and Kikazaru, or “Hear No Evil”, forms the netsuke to complete the set. Each of these has been meticulously carved with inlaid eyes and finely delineated fur...

Full 6 panel Japanese screen painting of a sweeping landscape with mountains, low hills and a lake with Mt Fuji rising in the background. Around the edges of the lake are clustered tiny houses. Painted in light mineral colors and ink on paper with gold flecks.

Taisho Period (early 20th century)

Dimensions: 68 1/2" high x 142 1/2" long

Antique Japanese pair of abumi (samurai stirrups for horse riding). Made of iron and lacquered black with red lacquer foot. Each abumi is decorated with designs of kiri blossoms in gold lacquer. The buckle of each stirrup has an intricate pierced design and mon in gold lacquer. (Mounted on matching stands made of metal with wooden bases.)

Edo Period (early 1800's)

Dimensions: 16 3/4" high (10 3/4" high without stand) x 12" long x 5 1/2" wide.