Simple yet refined Japanese patinated bronze vase. The mouth of the vase is cut in a way that appears like a flower in full bloom. The vase contains a signature by an artist named Seifu. The vase comes with a wooden stand. Age: Showa Period Size:Height 13.5" Diameter 9.5"

Rare blue sharkskin porcelain tea caddy with a bird, flowers, and butterflies. The bird and butterflies are glossy and do not have the sharkskin texture giving this piece a beautiful contrast which was not an easy feat for the artist to achieve. The blue background graduates from light at the bottom to darker shade of light blue at the top. Signed and in excellent condition, it measures 6 inches tall with lid on.

An exquisite white shape by Nagae Shigekazu enclosed in the original signed wooden box dating circa 1996. Inscribed light patterns like waving blades of grass are almost indiscernible on the surface, incredibly detailed and crisp when viewed close-up, a green splash of color like a Christmas ribbon circling the form in both directions. It measures 14 inches (35 cm) tall, 5 inches (13 cm) square at base, mouth 7-1/2 x 2 inches (18.5 x 5 cm), and is in perfect condition...

This is an exceptional Japanese Satsuma cabinet Vase. The intense work is reminiscent to that of Yabu Meizan, Meizan or even Seikozan. The decorations are very rich and intricate . The vase features three bands work. One of children, a band with monkeys and then people surround the vase. It is divided by another band of rich enameled brocade and geometric designs. Further up the vase is a unique gilded ground with scrolling vines with small more well done children mixed in an about...

A turquoise biscuit-glazed stoneware, or possibly porcelain, Okinomo of a tiger made in Japan in the late Edo period (1600-1868). ...

Running up to the end of our 60s and 70s ceramics, here is a great piece by a student of Yagi Kazuo, Yoshitake Hiromu (Hiroshi) enclosed in the original signed wooden box and dating from the late 60s or early 70s encapsulating the feeling of rage against conformity then rupturing the Japanese ceramic world. It is 6 x 14 x 16 inches (15 x 35 x 40 cm) and is in fine condition. Due to size and weight the cost of shipping will be accrued separately for this piece...

This is Japanese porcelain vase from one of the great Meiji artists. It is signed Kawamoto Hansuke. The vase has a wonderful stout shape and is very heavy. It has what appears to be several firing flaws or just an unusual design to several of the flowers. The vase measures 7 1/4 tall and is 7 1/2 inches wide.

This is a very fine and extremely detailed Japanese satsuma vase. It was made by Kinkozan but the style reminds me more of a Ryozan piece. It is signed on the underside with an impressed mark. It stands 7 1/2 inches tall and in 4 3/4 inches wide. The vase is in excellent condition.

Chawan in Raku style, made in dry lacquer technique (kanshitsu) simulating ceramic. The lacquer is applied in such a way that you see small crevices and patches of red and brownish black lacquer in the same way we see it in Raku ware. Japan, Meiji era.

H ca. 3 ½ inches, dia. Ca. 4 ½ inches.

Excellent condition.

Comes with brocade pouch and plain wooden box.

Up for sale is this wonderfully textured 19th century Japanese cast iron tea kettle made by noted Kyoto-school tetsubin craftsman Kibundo ( 1812-1892 ).

It is cast in high relief with the image of writings and a landscape.

This fine kettle bears the body-mark “Kibundo zo” and a remnant of the square seal mark of Kibundo on the bottom.

The quality of the relief casting is superb...

This is a very attractive Japanese cloisonne vase by a rare artist. The vase is not signed but the work is very unique. A signed Goto vase with very similar work can be seen on page 79 of the book Japanese Cloisonne by Coben and Ferster. We used to own that vase and the mate that went to it. This vase we believe was created by Goto. It is larger with more of the flower and branch decorations. This vase is very heavy and has very thick layer of high gloss enamel...

Zushi with beautiful hardware on the front; inside the figure of Yakushi Nyorai (medicine Buddha), sitting on a high lotus throne, holding the medicine jar in his left hand and with his right hand making the gesture of picking medical herbs. He is surrounded by 16 rakan, painted onto the inside of the doors (not decals). On the mardorla behind his head two apsara are painted, playing the sho and the flute. High quality carving. Wood decorated in mineral colors and gold...

A beautiful large black Seto Guro Hikidashi Chawan with undulating rim sculpted to perfectly rest in the hands by some anonymous 17th to 18th century potter. It is 5 inches (13 cm) diameter, 3 inches (8 cm) tall and in fine condition.

A Heavy Slab-formed open rectangle of buff stoneware decorated with blanks of color “peeling” from the sides by Okada Kenzo enclosed in the original signed wooden box titled Kaku Tsubo. It measures 16 inches (40 cm) tall, 4-1/2 x 20 inches (12 x 51 cm) and weighs 16.5 kilograms (36 lbs) not including the box. It is in excellent condition. Due to size and weight the cost of shipping will be accrued separately. Okada Kenzo (b...

This is an Edo period chawan by Japans greatest Poet Rengetsu Ōtagaki ( 1791 - 1875 ).

It shows a poem of herself, tastefully carved onto the tea bowl. The chawan has a wild and rough look and an aesthetic kintsugi ( gold repair ). A tasteful woodbox is also included.

Size: 2.4'' height, 4.3'' width.

Ōtagaki Rengetsu was a Buddhist nun who is widely regarded to have been one of the greatest Japanese poets of the 19th century...

Hiroshi Yoshida
Three Little Islands, 1930.
Bears the jizuri seal in the upper left margin, indicating self-printing by the artist. Also signed in pencil.
Size: Oban. Approximately 15.50 x 10.25 inches.
Condition: Excellent.

A set of five Edo period Shino Mukozuke cups, two with gold repairs, enclosed in an age darkened custom wood box. Each cup is decorated with a spray of sasa bamboo in iron on the deeply crackled and colored filled feldspathic glaze. Gold repairs to two of the bowls are of superb quality, using genuine gold...

Highlighting our trip back to the years of change in the sixties and seventies is this masterpiece by Miyashita Zenji exhibited in 1972. The box is titled Ban, Shizukana Kukan no Tame ni (Basin, For a Quiet Space) and signed Zenji-saku, dated inside Showa 47 (1972) with a notation stating this piece was displayed at the 2nd Gendai Nihon Shinjin Sakka Ten (2nd Modern Japanese New Artists Exhibition). The piece is 43 x 51 x 21 cm (17 x 20 x 8 inches) and weighs 16 kgs (35 pounds) plus the box. ...