A charming Japanese chawan or tea ceremony bowl, with satsuma yaki ware crackle underglaze painted in polychrome enamels with gold gilt touches, delicate imagery of flowers and gentle breezes with a single butterfly.

19th century Meiji period (1868-1912)

Dimensions: 5 1/8" w x 2 1/4" h

A Pottery pouch covered in polka-dot silver glaze inspired by traditional textiles by pioneering female artist Tsuboi Asuka threaded with genuine silver couched chord and enclosed in the original signed wooden box. It is 11 cm (4-1/4 inches) tall and is in excellent condition.
Tsuboi Asuka was born in Osaka in 1932, but the family moved to Tokyo when she was 12...

Japanese gusoku bitsu (carrying box for samurai armor). Made of kiri (paulownia) wood and lacquered red and black. Iron hardware and side handles for carrying. Top lifts off. Decorated with the mon (family crest) of the Asano Clan.

Dimensions: 15 1/2" w x 21" h

A large, heavy Japanese bronze temple bell or bonsho, with a handle of dragon heads called a ryuzu, protrusions called chi chi or nyu to improve resonance of sound, the tsuki-za striking panels, and the mei-bun inscription of the bell's history...

An unusual shallow Japanese porcelain plate (#2) decorated with confronting dragons, one in blue and gold, the other gold and red. The plain back with 5 neat spur marks.

Arita porcelain, circa 1750 ~ 1780.

Approximately 18.7 cm diameter...

An unusual shallow Japanese porcelain plate (#1) decorated with confronting dragons, one in blue and gold, the other gold and red. The plain back with 5 neat spur marks.

Arita porcelain, circa 1750 ~ 1780.

Approximately 18.7 cm diameter...

A breathtaking work by Miyake Yoji enclosed in the original signed wooden box titled Nuki-e Kinsai Sakura-mon Kaki. The unabashed use of gold on this piece is extraordinary. Quite large, it is 39 cm (15-1/2 inches) tall, 27 cm (11 inches) diameter and in excellent condition. This is a step beyond even for an artist known for his bold patterns and designs; this would make a powerful centerpiece for a collection of contemporary Japanese pottery...

A heavily potted Arita porcelain dish featuring a rural pavilion beside a waterfall, the moulded cavetto with a celadon glaze. The blue and white landscape with touches of iron-red and gold enamel.

Arita, circa 1750 ~ 1780.

Approximately 22.5cm diameter...

An attractive Japanese porcelain dish, the blue & white decoration depicting the King of Beasts and the Queen of Flowers. The Lion-Dog and the Peony, shi-shi and botan in Japan, represent bravery and elegance . A popular motif.

Arita, circa 1790.

Approximately 29 cm diameter. Perfect condition...

An Arita porcelain plate (#2) decorated with a leaping carp within a moulded border based upon Chinese Ming export porcelain, ‘Kraak’ style. The dishes have faux chattering in imitation of Wanli Kraak dishes.

Arita, 1750 - 1780.

Approximately 21.5cm diameter...

A large Japanese export porcelain charger decorated with a design based upon a Ming Chinese ‘Kraak’ porcelain dish. Arita, 1680.

For a similar but smaller plate see item 12 in the Impey Collection. ‘Ko-Imari Porcelain from the Collection of Oliver Impey’, Barry Davies Oriental Art, 1997.

Approximately 28.2cm diameter...

Length: 17.2 cm (6.8 in)
Height: 7.9 cm (3.2 in)
Width: 4.5 cm (1.8 in)
Weight: 700 gm (1.5 lb)

Good quality Japanese bronze elephant from early 20th century; unsigned; good condition

Height: 12 cm (4.8 in)
Length: 20.1 cm (8.1 in)
Width: 6.5 cm (2.7 in)
Weight: 1.5 kg (3.3 lb)

Excellent quality bronze elephant from the Meiji Period; produced by and signed Seiya; good condition

The creator of this exceptional tea bowl is Koto Kenshi, a native of the town of Hagi in Yamaguchi prefecture who has been producing many fine works since opening his studio in 1970. This piece features a milky ashen glaze with a portion of the foot of the tea bowl exposed, displaying the reddish coarse clay beneath.

Hagi-yaki has a tradition stretching back over 400 years and is a high-fired stoneware type of pottery...

An excellent example of Japanese minimalist aesthetic that transcends its humble origins, this mizusashi, or fresh water pot used in tea ceremony, displays a classic Hagi glaze contrasting nicely with a lacquered wood cover. It separates itself from most pieces of this type by the addition of a pouring spout, which is quite unusual for this type of tea-ware implement.

Hagi-yaki has a tradition stretching back over 400 years and is a high-fired stoneware type of pottery...

This remarkable tea bowl is from the kilns of Yoshida Shuen (1940-1987)—an apprentice of Miwa Kyusetsu (1910-2012) who was awarded the status of Living National Treasure in 1983. It features a warm crackled glazing with a portion of the foot of the tea bowl exposed, displaying the reddish coarse clay that this piece is fashioned from.

Hagi-yaki has a tradition stretching back over 400 years and is a high-fired stoneware type of pottery...

This extraordinary cha-ire (powdered tea container) displays an excellent glaze that appears to have only grown more intricate and rich with time. Contrasting against a reddish brown background are flows and pools of darker glaze along with lighter textured speckles...

Japanese bronze usubata, used for ikebana flower arrangements. With tripod cabriole legs. The interior of the usubata shows verdigris patina from age. The casting is very heavy and shows simple elegance.

Dimensions: 9" w x 4 1/2" h