Antique Japanese rare plique-a-jour cloisonne vase. This is a very early plique and in perfect condition. Intricate enamel design of a blossoming tree and a blue bird flying through a light blue sky with little clouds. The design is made with fine silver wire and enamel. Plique-a-jour is made when the inside metal armature has been etched away until the enamel is held in place by the wires only. The effect is a beautiful jewel-like translucency...

A Nihon Matsu tansu with hinoki (cypress) wood drawers. The round lock plates on each drawer feature a bird and bamboo leaf motif. There are 4 large drawers with spacious interiors and on the right lower side is a safe box door with key with two interior drawers.

Date: Meiji c1900

Dimensions: 51" X 45" X 17.5"

Artist: This signature has been read "Choka" or "Akiyo". These prints are sometimes attributed to Nishimura Hodo.
Boat On a River at Night
Publisher: Takemura Hideo. Red Takemura seal at lower left
Size: 10.0 x 7.25 inches.
Medium: Japanese woodblock print.
Condition: Scuff at upper right. Small smudge on mountain.
- A rare print similar to Shoda Koho's Hasegawa night scene, "Country Scene with Moon".

An image of a warriors helmet as if just excavated from a millennium underground by Koinuma Michio enclosed in the original signed wooden box. It is 17.5 cm (7 inches) diameter, roughly the same height. The image s based on Haniwa funerary objects. The Haniwa are terracotta clay figures of people, animals, and houses which were deposited at Japanese tombs during the Kofun period (3rd to 6th century) in Japan...

A large round Ottoman Empire hammered copper tray with verdigris patina throughout. The Qajar-themed artwork depicts various men, women, and animals. Figures are shown playing music, some on horseback in battle skirmishes or hunting with their swords, bows and arrows, and spears. The figures are shown in a repeating pattern against a floral scroll ground...

Takahashi Shotei (Hiroaki)
Woman returning in autumn evening
Size: Mitsugiri-ban. Approximately 15 x 6.75 inches.
Date: pre-1936.
Shotei seal at left.
Publisher: Watanabe Shozaburo.
No. 205 in 1936 Watanabe catalog. M-5 in Shotei catalog.
"Made in Japan" stamped on verso.
Medium: Japanese woodblock print.
Condition: Excellent.

A delightful Japanese wood tray in the shape of a lotus leaf. Chiseled Katabori with raised veins and stem and stippled leaf rolled back on sides. The back of the tray is as detailed as the top with an intricate pattern of veins and curved stem. The tray is used in the tea ceremony.

Date: Meiji Period circa 1890

Dimensions:12" X 9" X 1"

Nagoro banana leaf tray lacquer over wood. The black lacquer shines through the red to reveal the ribs and veins of the leaf. In the literati tradition, banana leaves were used by scholar recluses as paper to write calligraphy. Later, this motif was incorporated into other forms of art making the image one of the symbols of the literati aesthetics.

Date: Tiasho circa 1920

Dimensions: 16" x 6" X 3/4"

A rare, large architectural Buddhist temple carving of a Dragon (Ryu), with reverse glass painted eye. The high relief carvings show the dragon's body coiled behind clouds of smoke and waves. Its serpentine body reveals his 3 appendages with classic three claw anatomy. The relief is solid keyaki "zelkova serrata" wood with the original red patina. The dragon which symbolizes the heavenly realm has control of rain, fire, and earth...

An Ai Kakiemon dish decorated with a repeating pattern of Hosoge, flowers of Precious appearance, which in this case would appear to be representations of auspicious Pomegranate fruits constructed from Ruyi, Acanthus style leaves and other disparate elements. The ring of Hosoge pierced by a circlet binding them together with a central motif of a gobenka...

Leaf images in various seasonal shades decorate the raw earth of these expertly crafted dishes by legendary artist Kitaoji Rosanjin, the set enclosed in a double box, the inner box the original age darkened kiri-wood box signed by Rosanjin, the outer box later covered in black lacquer showing the esteem for which both this dish set and box were afforded. On bottom is the star mark, indicating these were made for use in his restaurant...

A finely potted Hirado dish featuring three figures wearing capes and carrying heavy packages upon their backs descending down a high mountain trail. Inferred by the small gnarled Pine trees on the wayside. Although no particular scene is identifiable the figures are in Hokusai “style”. The reverse is painted with a Karakusa arabesque and has a single spur mark within the base of the footring. The dish dates to the late Edo period and the middle of the 19th century...

A finely potted six sun sized dish decorated with a traveller clutching his hat and leaning into a cold wind before a snow covered Mount Fuji. The design would appear to be derived from a print of travellers in the Mishima pass, one of the 36 views of Mount Fuji. The reverse painted with a Karakusa arabesque with a single spur mark to the base. The dish dates to the late Edo period and the middle of the 19th century. The dish measures 18.2cm in diameter and stands 3.4cm high at the rim...

A well potted Hirado six-sun dish painted with a landscape with figures in the distance fording a river. This would appear to be a representation of the arduous crossing on the river Oi part of the Tokaido, probably derived from a topographical view, such as the Tokaide meisho ichiran, or similar. The reverse painted with a Karakusa arabesque with a single spur mark to the base. The dish dates to the late Edo period and the middle of the 19th century...

A finely potted six-sun dish painted with the subject of two fisherman in a boat in the style Of Hokusai. The design is probably derived from several sources, notably the prints “Fishing in Rough Water” at Takamizawa, one of the 100 views of Mount Fuji and “Long line Fishing” on the Miyato river. The reverse painted with a Karakusa arabesque with a single spur mark to the base. The dish dates to the late Edo period and the middle of the 19th century...

An Arita dish decorated entirely with a dense arabesque of trailing bush clover vine and leaf with flowers, lotuses. This design belongs to a class of designs called hosoge which ultimately derive from Chinese patterns of the Tang period. This particular form, popular from the seventeenth century, features Bush Clover, Hagi one of the auspicious akikusa-de, and is known as Hagi Karakusa, where karakusa means Chinese (literally Tang) grasses...

An exquisite work of micro-calligraphy by young female artist Tamura Seito IV enclosed in the original signed wooden box titled Karakusa moyo koro. It is roughly 4 inches tall and in new condition. Tamura Seito is a fourth-generation potter and chosen to inherit the tradition of Saiji micro-calligraphy for the Tamura family. She graduated Tsukuba University in 2004, then began to study under Tamura Keisei. In 2007 she graduated the Ishikawa prefectural Kutani Research Center and began a fell...

An Arita dish decorated entirely with a dense arabesque of trailing bush clover vine and leaf with flowers, lotuses These belong to a class of design called hosoge which ultimately derive from Chinese patterns of the Tang period. This particular form popular from the seventeenth century features Bush Clover, Hagi one of the auspicious akikusa-de, and is known as Hagi Karakusa, where karakusa means Chinese (literally Tang) grasses. This type of design would have required great dexterity and skil...