This is Shonai Sasiko made in the Edo period. This is an item made by Sashiko craftsmen during the Edo period. And it is a very rare design sashiko. This is the work clothes that a wealthy merchant had as one of his daughter's wedding supplies. The front side is dark indigo dyeing. The back side is a blue color called hanada. There are almost no traces of use and it is in good condition. You can wear it and enjoy it...

Small but exquisite scroll paintings in mineral colors and gold on silk. The background in the upper halves in gold.
Aizen Myoo sits on his typical lotus throne on top of the vase full of jewels, surrounded by a circular, red, flaming nimbus. Around the foot of the jewel filled vase are sacred treasures scattered around...

Ito Yuhan
Lantern in Pond
Date: 1930s. A pre-war or early postwar edition.
Size: Oban. Approximately 15.75 x 10.75 inches.
Publisher: Nishinomiya Yosaku. Seal at left margin.
Artist's signature at lower right.
"Made in Japan" stamped on verso.
Medium: Japanese woodblock print.
Condition: Excellent.

Beautiful lobed Kutani yaki dish in Yoshidaya style, modern. Decoration of camellia in white, aubergine, green, speckled yellow and gilt. The back with a character in gilt, possibly Qiu, meaning Autumn. It is also defined by Graesse in his classical work about pottery and porcelain marks as from the village of Shinomine in Arita. Diameter "6 ¼ / 16 cm, height "1 ¼ / 3 cm. Condition: fine.

A sheet of "tatougami" made of recycled washi (Japanese handmade paper) used at a pawn shop. Hocked items were wrapped in this tatougami and kept. It is made of used washi with letters and kakishibu is painted for insect repellent and for moisture-resisting. The first half of the 20th century. In good condition but has one moth bite hole. 66cm x 66cm

Hanging scroll. Various insects walking in line with luggage, simulating a lord (daimyo) traveling with his entourage to or from the capital (samurai or daimyo gyoretsu). A butterfly, suzumushi, praying mantises, yellow jackets and grass hoppers are traveling in a line, holding flowers and grasses for keyari, carrying a honeycomb for a palanquin, and berries for luggage.
Black ink and colors on silk.
Signed Bunrei; two red seals reading bun and rei...

Japanese Satsuma Vase with Flower Marked "Kinkozan", circa 1920

It is 7.5 inches (19.1 cm) tall by 5.3 inches (13.5 cm) wide. It is 1.8 Lb.

It has rubbing of gold and surface wears (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...

Old (1930's) Japanese Gilt Mixed Metal Shakudo Fan Shape Brooch with Bird & Flower Signed

It is 1.3 inches (3.3 cm) long by 2.3 inches (6 cm) wide. It is 32.6 gram.

It is tarnished and has surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...

Ito Yuhan
Evening at Miyajima
Date: 1930s. A pre-war or early postwar edition.
Size: Oban. Approximately 16.0 x 10.5 inches.
Publisher: Nishinomiya Yosaku. Seal at left margin.
Artist's signature at lower right.
"Made in Japan" stamped on verso.
Medium: Japanese woodblock print.
Condition: Excellent.

Antique Japanese wide lotus leaf. Made to be part of a Buddhist altar arrangement. The lotus represents enlightenment blooming from out of the mud. Carved of wood and lacquered gold. Fitted with a custom metal stand.

Age: Meiji Period (1868-1912)

Dimensions: 20 3/4" high (including stand)

Antique Japanese gracefully curling tall lotus leaf. Made to be part of a Buddhist altar arrangement. The lotus represents enlightenment blooming from out of the mud. Carved of wood and lacquered gold. Fitted with a custom metal stand.

Age: Meiji Period (1868-1912)

Dimensions: 27 1/2" high (including stand)

Antique Japanese tall and graceful lotus blossom. Made to be part of a Buddhist altar arrangement. The lotus represents enlightenment blooming from out of the mud. Carved of wood and lacquered gold. Lotus petals are carved separately and joined. Fitted with a custom metal stand.

Age: Meiji Period (1868-1912)

Dimensions: 27" high (including stand)

An antique Japanese Ranma (transom) made of Akita Sugi (northern Japan Cryptomeria) and Hinoki (Cypress) woods. The frame was finished in a black Urushi lacquer while the design was hand carved in relief on both sides. It depicts a scene of a male and female flying crane (each symbolizing 1,000 years of long life and together symbolizing a harmonious partnership) gliding through a forest of gnarly pine trees (symbolizing longevity)...

Small shrine with the esoteric Buddhist figure of the Fudo Myōō who personifies Dainichi Nyorai. He is standing on a rock pedestal – symbol of his steadfastness - with a rope in his left hand and formerly with a sword in his right hand (broken off and missing). Behind him a flaming red mandorla. The patterns on his garment and his jewelry painted delicately in gold and mineral colors.
Japan, Edo period, 18th century.

Height of zushi: ca...

Antique Japanese bajo jingasa, lacquered military hat for a horseman. Decorated with textured brown lacquer and with the Kyogoku family mon in gold. The underside is lacquered red with a black circle in the center and four hooks for chords...

Japanese conical ichimonji gasa (military jingasa) with a gradually pointing top and unusual, wavy brim mimicking cloth material. Lacquered a deep brownish black with areas of red lacquer showing through in a negoro lacquer effect. The raised red lacquer mon is that of either the Katakura or the Matsukura Clan. The underside is lacquered in the same manner as the top except for a round red lacquer circle in the center...

Ito Yuhan
Pagoda at Nikko
Date: 1930s. A pre-war or early postwar edition.
Size: Oban. Approximately 16.0 x 10.75 inches.
Publisher: Nishinomiya Yosaku.
Signed Y. Ito at lower left.
"Made in Japan" stamped on verso.
Medium: Japanese woodblock print.
Condition: Excellent.

One of the best I have ever seen by him. A metallic Shino Chawan by Tsukigata Nahiko enclosed in the original signed wooden box titled Oni Shino Yohen O-Chawan and named inside Rokugo (also read Rikugo) which is something to do with the ancient concept of the tertiary levels of heaven and earth...