Japanese bronze representing two mice, one of them pulling a treasure bag.

The mouse or the rat (both called nezumi in Japanese), one of the zodiac signs, is a symbol of fortune. This bag can be compared to the treasure bag of Hotei, one of the seven gods of Happiness. A figure of prosperity, he is also the god of joy, abundance and the guardian of children...

Jûbako picnic box made of paulownia wood and shaped like a paulownia flower. It is composed of three compartments with the interior in red lacquer.

With its original box with several inscriptions, included the datation "- 2nd year of Kaei era", namely 1848

Paulownia (kiri) is considered as a symbol of nobility, honor and longevity...

DECORATIVE HORSE ROPE

Tied-up rope made of twisting white and organic indigo dyed cotton once used for ritual horse-decoration, early 20th century, Japan. Tied as seen: approx. 30 x 90 x D 18 cm (11.81 x 35.43 x 7.08 in), Untied: approx. 1000 cm (393.70in)...

An historically important work by Furutani Hiromu (Churoku I) from the initial firing of their newly established Nobori-gama climbing kiln in 1974. This type of work is called Hatsugama, or first from the kiln. It is the only piece in the show from the climbing kiln (which has not been fired in over 20 years) and the earliest piece in the show as well. It is 32 x 8 x 35 cm (13 x 3 x 14 inches) and in excellent condition, directly from the family...

This piece I feel goes very well with the Tokkuri just listed, a guinomi showcasing the soft tones of the Shigaraki clay with its inclusions and imperfections, a smattering of ash inside spilling like sake over the rim in green, white and gray. It is by Furutani Taketoshi and comes enclosed in the original signed wooden box titled Shizen-yu Guinomi. It is 6.5 cm (2-1/2 inches) diameter, 4.5 cm (just under 2 inches) tall and in excellent condition, directly from the artist...

A beautifully crafted Tokkuri covered in ash encrustation by Furutani Taketoshi enclosed in the original signed wooden box titled Shizen Yu Tokkuri. It is 8.5 cm (3-1/2 inches) diameter, 13 cm (5 inches) tall and in excellent condition, directly from the artist...

Early Showa Period Ca. 1935 pair of bronze temple lamps. Unusual square 'hibukuro' or middle section with sliding doors. Originally oil lamps then candle as lighting source. 32cm tall with a diameter of 15cm. Very good condition. Ask for shipping quote.

Antique Japanese makie lacquer suzuri bako (writing box) and matching large stationary box signed with bold signatures on the bottom reading: 光琳　青々Kо̄rin Seisei, an artist name used by Ogata Kōrin (1658 – 1716).
Both boxes have domed lids and are decorated entirely in gold lacquer with highly raised designs of flowers and silver pine branches. The flowers are further embellished with inlaid shell...

Cast bronze warrior with multiple patinas, partly gilded. The samurai, wielding a naginata, fights furiously. The artist may have wanted to designate here the Japanese medieval hero, Miyamoto Musashi because the latter fought bareheaded and during the fights his hair electrified by fury stood on his head. History teaches us that he would have triumphed in 60 duels during his life as a swordsman. Good condition, original gilding and patina...

OBJECT MADE OF TIN AND BAMBOO

Applied from an old handmade dustpan made of reused tinware edged with bamboo. Showa period, 20th century, Japan. Hanged: approx. H 40 x W 39 x D 11cm (15.74 x 15.35 x 4.33in). Sign of use and dent as is...

Rare Hamada Shoji (1884–1978) Summer Chawan with distinctive iron pigments.

Size
Height 7.5cm
Width 13.8cm

Very good condition with no damage
Supplied with wooden box signed by Hamada Shinsaku

Shoji Hamada (1894-1978) was a renowned Japanese ceramic artist and one of the leading figures of the Mingei (Folk Craft) movement...

An antique Japanese Funa Tansu (ship chest) made of Keyaki (Zelkova) wood. All original hand forged iron fittings and finish. Top handle in the Warabite design for carrying. Safe door opens to reveal 5 drawers where important documents, papers, writing brushes, an inkstone and valuables were stored. A trick secret storage box was used to hide important trinkets...

The vertical sides turn out ever so slightly at the rim allowing a view into the crystalline lake pooled inside this deep bowl by Furutani Taketoshi enclosed in the original signed wooden box titled Shigaraki Shizen-yu Chawan...

Hard porcelain dish from the Arita kilns. Decor painted in cobalt blue underglaze high-fire. A couple of fallow deer are represented in an autumnal landscape. It would seem that the female is reluctant to fall mating because she is lying down while the male at her side rears up desperately to attract attention. In the background clouds (erotic symbol of the "game of clouds and rain") and a maple tree for autumn. On the right a weeping willow tree symbol of lovers. The small building on stilts se...

Hard porcelain dish decorated in underglaze cobalt blue. The scene represents a pavilion in a garden raised on the edge of a lake, several characters animate it. Probably scholars. The designs are artistically stylized in a very Japanese spirit. In the sky the clouds are drawn in a style typical of this period. The edge is glazed in brown. On the reverse appears the mark "Fuku". The quality is excellent, the blue is bright, the designs precise and the firing perfect. The style and quality are th...

Hemp cloth for child's ceremonial kimono with katazome (stencil-resist-dye) and hand-painting, the technique is called Kata-Yuzen. The weft and warp are hand plied. Both long cloths have cuts in the center for the neck and front cloth is narrower than back cloth. Generally, in good condition except for a bit of color fading. 19th century. Two short pieces, W:35.6cm, L:49cm, A short piece, W:35cm x 134cm, Two long pieces for a body part, W:35cm &27.5cm, L:236cm

TOOL LIKE MORTISE-SAMPLE

Details and usage really unknown, but would be a sort of old Japanese architectural wooden tool, like size or form sample of mortise (for mortise joint with a combination of mortise and tenon). Happy first encounter, very rare find. Showa period, early-mid 20th century. Large: 14.5 x 2.5 x 3cm (5.70 x 0.98 x 1.18in), Small: 11.5 x 2.5 x 2.5cm (4.52 x 0.98 x 0.98in).


selected by Pottari




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Netsuké representing a squirrel, perhaps a dormouse. The little animal is carved from a boar's tooth. He has just been surprised and stands on his hind legs momentarily abandoning the vegetable (eggplant?) he was nibbling. Its inset eyes were carved from a shiny black material, probably horn. The imotoshi is natural, formed by the base of the tail. The artist knew how to breathe life into this little animal. Excellent quality, pleasant subject, perfectly sculpted, precise details, in particular...