Hagi-yaki has a tradition stretching back over 400 years and is prized for its subdued colors and classical features, especially the glazing, which is often clear and vivid. The natural ash Hagi glaze of this piece gives it a mellow yet robust feel. In addition, the split wari-kodai at the base together with the asymmetrical hand-molded shape offers the user a unique tactile experience The sides of the bowl show pale ash, ivory, and faint hints of lavender...

Ohara Shoson (Koson)
Sparrows and Bamboo in Snow
Size: Approximately 3.75 x 2.5 inches.
Date: ca. 1930s.
Bears the Shoson seal
Publisher: Watanabe Shozaburo.
Medium: Japanese woodblock print.
Condition: Excellent.
Note: This rare print is uncatalogued.

Magnificent set of Kamisugi Sake Brewery bronze doors from the Taisho Period, C.1920. One door has gold gilt wood letters reading 'Kamisugi' the other 'Shikishima', both sake brands. Kamisugi Sake Brewery was established in C.1805. 42" wide by 67" high. Great condition. Back with some wear. Ask for shipping quote.

Takahashi Shotei (Hiroaki)
Moonrise at Tokumochi
Date: Pre-1936.
Chuban. Approximately 10 x 7 inches.
Publisher: Watanabe Shozaburo. No. 197 in 1936 Watanabe catalog.
White 6 mm Watanabe seal at lower right.
Artist's seal lower left.
Medium: Japanese woodblock print.
Condition: Slight fading. Paper residue at back bottom margin.

Featuring rich earthy tones and intricate hand-drawn stencil designs of passion flowers resting on a string of vines, this bowl would be perfect for displaying an ikebana flower arrangement. A kintsugi (gold) repair attest to the age and care that went into maintaining this piece through generations. The label on the lid of the box reads “e-Seto Karatsumon O-wan” indicating a large Seto bowl with arabesque hand drawings (絵瀬戸 唐草文 大鉢)...

A set of 5 chataku (saucer for tea cup) made of brass and black checker pateern looks painted with urushi. In good condition but some parts where black urushi came off and hair lines. It has engraved mark, "Shobido" in the back. 20th century. Glass tea cup is not included. 11cm x 11cm x 1.2cm

A pair of rare Japanese bronze Okimono birds.

Age: Japan, Showa Period, Early 20th Century
Measurement: Height 18.8 C.M. / Width 28.5 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Mashiko-yaki plate with modern pattern in green and brown glaze. Made by Okamoto Yoshihisa, a craftsman in Mashiko in Tochigi prefecture, north of Kanto district. In excellent condition. Contemporary. 25.5cm x 22cm x 1.5cm

An exquisite Venetian glass vase by Yasuda Taizo enclosed in the original signed wooden box titled Lace pattern vase. A web of hair thin qhite is woven into the clear glass hemmed by bars of gold. It is 16.5 x 7 x 17 cm (6-1/2 x 2-3/4 x 6-3/4 inches). Yasuda Taizo was born in Hyogo prefecture in 1972. He studied Glass making at the Toyama Prefectural Glass Research Facility, graduating there in 1994, and continued working in Toyama until 1997, when he established his own studio...

An unusual Japanese 2 section, 6ft mizuya (kitchen buffet tansu) from the Kanazawa region. Constructed with Hinoki (cypress) and Sugi (cedar) woods, with red and black lacquer frame, and Keyaki (elm) burl front panels in reddish brown lacquer. The top of the piece holds a long open compartment behind four sliding panels with bookmatched Keyaki burl hardwood. Below are a center pair of mesh sliding panels with black lacquer wood frame, carved with floral motifs and with decorative iron pulls...

Antique Japanese 2 section isho tansu (clothing chest) constructed of Kiri (paulownia) and Sugi (cedar) wood. With hand-forged iron lock plates, hardware, and handles. The upper section of the piece holds two open compartments side by side, and five shallow drawers of various size. One side of the chest has a lift-away door and the other with pair of sliding door panels framed with shou sugi ban panels...

Japanese Buddhist scroll depicting the Legendary Sixteen Arhats. The Arhats are described as sage beings who have attained enlightenment, yet have not become a full Buddha. The Sixteen Arhats are traditionally worshipped for they are said to have renounced Nirvana out of compassion to help relieve human suffering on earth...

Japanese hand-forged iron tsuba, used to protect a swordsman's hand from sliding up the blade during use as well as to provide balance. The openwork motifs depict a man and ox resting below pine trees and a cottage with gold gilt, with a faint signature illegible from wear.

Edo Period (1603-1868)

Dimensions: 2 5/8" x 2 3/4"

A whimsical Japanese boxwood carving of a toad, with inlaid eyes, crawling atop a functioning cylindrical box carved of bone. The box is hand-carved with flying insects and leaping frogs in a lily pond, the base carved with a floral band. Signed by the artist.

Dimensions: 3 3/4" x 2 1/2" x 6 3/4" H

Japanese small amber carving of a frog resting on a leaf. The golden yellow amber has natural inclusions.

Dimensions: 1 3/4" x 1 3/4" x 1" H

A contemplative and artistic rendering of a lotus leaf bowl with deteriorated edges. The lotus is a symbol of purity, beauty and a metaphor in teaching Buddhism. The lotus bowl has a small frog sitting on the leaf's edge with outstretched leg. The underside of the leaf bowl has 3 characters of the artist's signature.

Meiji Period (1868-1912)

Dimensions: 9" x 8 1/2" x 1 3/4" H

A cultural treasure - our oldest and most important mizusashi: wonderful Chosen Karatsu Tataki Mizusashi from the Momoyama Period (1573 - 1603). It was perfectly thrown first into a cylinder shape and then squeezed and paddled into a distorted pear. Iron oxide glaze has been poured inside and out.

On the rim a blueish rice straw ash glaze has been applied in the typical Chosen Karatsu fashion. The mizusashi is supplied with a tailor made lacquer lid of a somewhat later date...

Considered auspicious symbols of wealth, status, and good fortune; foo dogs—commonly referred to as shishi or koma-inu in Japan—are often seen in pairs guarding shrines, straddling the doorways of shops, and protecting public buildings. These mythical effigies have deep religious and social symbolism and can be seen in countries across Asia...