Hemp cloth for child's ceremonial kimono with katazome (stencil-resist-dye) and hand-painting, the technique is called Kata-Yuzen. The weft and warp are hand plied. Both long cloths have cuts in the center for the neck and front cloth is narrower than back cloth. Generally, in good condition except for a bit of color fading. 19th century. Two short pieces, W:35.6cm, L:49cm, A short piece, W:35cm x 134cm, Two long pieces for a body part, W:35cm &27.5cm, L:236cm

TOOL LIKE MORTISE-SAMPLE

Details and usage really unknown, but would be a sort of old Japanese architectural wooden tool, like size or form sample of mortise (for mortise joint with a combination of mortise and tenon). Happy first encounter, very rare find. Showa period, early-mid 20th century. Large: 14.5 x 2.5 x 3cm (5.70 x 0.98 x 1.18in), Small: 11.5 x 2.5 x 2.5cm (4.52 x 0.98 x 0.98in)...

Netsuké representing a squirrel, perhaps a dormouse. The little animal is carved from a boar's tooth. He has just been surprised and stands on his hind legs momentarily abandoning the vegetable (eggplant?) he was nibbling. Its inset eyes were carved from a shiny black material, probably horn. The imotoshi is natural, formed by the base of the tail. The artist knew how to breathe life into this little animal...

This bowl is just an ideal look at the many aspects for which Shigaraki is known. The entire is incredibly natural looking, as if erosion and growth have spent eons together creating the paternation. This of course, truly happens over about 5 days, the effects born from the natural combination of fire, ash, flow and placement within the kiln...

A cylinder has been removed from this cylindrical vase, quite a striking shape by Furutani Taketoshi enclosed in the original signed wooden box titled Shigaraki Shizen-yu Ohen Ichirin Hanaire. The hollow created has filled with a heavy deposit of ash with fingers of color reaching out from the dark interior wrapping around the vessel to the red eyelets. The top too is heavily coated in glistening molten ash in grays and greens, olives and ochers...

How perfectly does this vessel show off the character of clay?! Furutani Taketoshi has built up the clay I a method allowing the natural rough surface to remain undisturbed, a deep gouge around the shoulder filled with a pool of alpine green crystals and the neck meandering up like a natural crag. Soft gray underlies the flying ash and rivulets of fresh green cascading down the sides...

The raw red flesh glows softly under a coating of ash which wraps around in tendrils to the coal blackened base of this voluminous Vase by Furutani Taketoshi enclosed in the original signed wooden box titled Shigaraki Shizen-yu Yohen Tsubo. Yohen, literally translated Kiln-altered, is a word for the unexpected results, or fortuitous accidents of firing. In this case, they are likely speaking of the unusual red coloration...

A Japanese dark patina boxwood netsuke depicting an articulated lotus flower. The lotus is a symbol of purity and rebirth, as the flower emerges immaculate from the mud of the lakes...

A Japanese boxwood netsuke depicting a scene from Japanese mythology of a warrior called Nitta No Shiro riding a wild boar. Nitta No shiro holds firmly in his hand a tanto, a traditional Japanese sword, with a sure and determined grip...

A pair of Japanese old bronze Hibachi brazier pots.

Hibachi is a traditional Japanese heating device.

Age: Japan, Showa Period, Early 20th Century
Size: Height 26 C.M. / Diameter 25.2 C.M.
Condition: Nice condition overall (some expected degradation due to their age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

A classic work by pioneering artist Furutani Hiromu (Churoku I), the torn clay covered in naturally formed green ash-glaze. It retains the original ceramic lid and comes in a wooden box titled Shigaraki Shizen-yu Mizusashi, directly from the family. The receptacle is 18 x 18.5 x 23 cm (7-1/2 inches diameter, 9 inches tall) and is in excellent condition...

This bowl by Furutani Taketoshi is a textbook of Shigaraki kiln effects. Fiery reds rimmed with olive, hints of emerald over twilight gray skies. It was exhibited at the Regional Dento Kogeiten Traditional Crafts Exhibition and comes enclosed in the original signed wooden box titled Shigaraki Shizen-yu Chawan. It is 10.5 x 11 x 9 cm (roughly 4 plus inches diameter, 3-1/2 inches tall) and is in excellent condition, directly from the artist...

The fire is still alive on this striking Shigaraki Tsubo by Furutani Taketoshi enclosed in the original signed wooden box titled Shigaraki Shizen-yu Yohen Tsubo. Yohen, literally translated Kiln-altered, is a word for the unexpected results, or fortuitous accidents of firing. In this case, they are likely speaking of the unusual coloration of the running ash wrapping around the blackened surface. Kiln effects are what this family is known for, and this does not disappoint...

Kyoto ceramic statuette of Guanyin. The clay is not earthenware, but rather stoneware fired at low temperature. An enamel decoration, applied to a cracked glaze, covers the entire statuette. The rock-base is enamelled in green and blue, stained with gold...

Fine Japanese 18th Century Imari Porcelain Dish 27.5cm

Dating to the 18th century, this fine dish is attractively decorated in the Imari colours, underglaze blue, red enamel and gilt. In the centre is a fenced-in tree in underglaze blue with red and gold leaves. Surrounding the central panel on top of the underglaze blue are red and gold peonies and three birds. Note also the simple yet attractive design to the underside. There are minor firing imperfections to the glaze (see photos) but not...

Height: 6 cm (2.4 in)
Width: 5.3 cm (2.1 in)
Depth: 6.3 cm (2.6 in)

Wonderful Japanese wooden okimono of a seated monkey searching for fleas; exquisite workmanship throughout; inlaid horn eyes; signed Ryomin

Height: 5.3 cm (2.1 in)
Width: 2.4 cm (0.9 in)
Depth: 2.1 cm (0.7 in)

Quality Japanese wooden netsuke of a standing Sennin holding a peach; lovely patina; wear to left ear; good condition

An iconic vessel by the important Shigaraki artist Furutani Hiromu (Churoku I) enclosed in the original signed wooden box simply titled Shigaraki-yaki Tsubo. The natural ash glaze covers the shoulder and runs down into the darkness of the blackened embers below. The neck is perfectly formed in a classic Medieval fashion, sharply angled on the rounded body. It is 27 cm (11 inches) diameter, 30.5 cm (12 inches) tall and in perfect condition. This is the only piece by the first generation we h...