Rare 18th Century Edo Period Japanese Hai Hai Gosho Ningyô. This extremely rare form of Japanese Doll is one of the most sought after of Gosho Ningyo (Palace Doll). It has a wonderful classic painted face. They were presented to Royalty and upper class at the birth of a baby, and placed in the baby's chamber to protect from and absorb bad spirits. It is covered with many layers of Gofun (Oyster Shell Lacquer) over papier mache. The hair is made of silk...

Japanese 17th/18th century scroll painting of a buddhist priest, outlined in a very rare style of incredibly tiny calligraphy mantra. The mantra repeats "Amida Butsu Nam Mo". The meditating priest holds a strand of mala beads and a willow branch and is seated upon a green lotus throne on clouds. The figure is most likely "Dengyo Daishi", the monk who brought Buddhism into Japan...

Rare 17/18c Red Raku Kyogen Tsutsu Chawan (cylinder bowl) with old golden repair.
No mark...

An incredible original and rare 16th Century Gagaku Karasu Tengu ritual mask dating from the Muromachi period in Japan. Hand carved out of a single piece of Kirinoki (Paulownia) wood. Finished in its original black lacquer, the extremely old reddish pigment is still visible. Well carved with nice detailing, the Karasu (crow bird) is depicted with a round food offering in its beak...

A lovely Japanese porcelain Imari bowl with 2 ho-ho birds in the center symbolizing yin yang. Two more elaborate birds are painted on the inside panels. Unusual to find a decagonal bowl, it is in excellent antique condition with expected wear to the gold trim on the rim. Measures 7" (17.8 cm) across by 3" (7.6 cm) high. Signed on bottom. Dates 1700

19th century finely hand-carved Japanese boxwood netsuke of Shogun Yoritomo (General Minamoto no Yoritomo 1147-99) sitting in his court; ready to begin audiences with his advisers and subjects. Netsuke measures 1.35 inches (3.4cm) wide, and 1.35 inches (3.4cm) tall...

This chawan was fired in the kilns of one of Kyoto’s best known raku-yaki potters, Sasaki Shoraku III (1944-). The Shoraku line began when the grandfather of the current potter established a kiln near the famous Kiyomizu temple, nestled at the foot of the eastern mountains in Kyoto. In 1945, the kiln was moved to Kameoka near the Yada shrine where it remains today.

Raku teabowls are made by hand, without the use of a potter's wheel...

The mark of the potter is stamped in the middle of foot ring.

Konyu was born the eldest son of his predecessor Raku XI Keinyu. He succeeded his father at the young age of 15, was succeeded by his son Seinyu and retired at 63 and died at the age of 76. He was a mild-mannered man, and is said to have dedicated himself to the continuation of the Raku family and its legacy...

Very rare Raku Kichizaemon IV Ichinyu (1640-1696) black Raku tea bowl.
Comes with an old signed box.

Having become Raku master at the age of 16, Ichinyu was significantly influenced by his father Donyu who died at 58. In general his works are powerful, large in scale but with thin surfaces and bold incisions made with spatula.

In later years he appeared to revert to the style of Chojiro, making compact tea bowls with smaller dimensions and few spatula marks...

1st Nakamura Donen (1876-1937) High Quality Black Raku Chawan (Tea Bowl) for Tea Ceremony

He was a famous potter during Meiji-Taisho periods who studied with 4th Ninnami Dohachi and worked in different styles such as Raku and Mishima...

An impressive Kuro Raku Chawan made by the legendary 12th generation Kichizaemon Kônyû (1857-1932). The name of the Chawan is „Akebono“ - Sunrise.

His childhood name was Kozaburo, later became Kicho (or, Yoshinaga). He was the eldest son of Keinyu, the eleventh generation master. In 1871, he succeeded the family business and became the generation master. In 1919 he retired and took the name as Kônyû. He enjoyed his retirement in practicing tea ceremony and writing haiku...

Impressing black Raku tea bowl, signed Kichizaemon, of the Raku family.

The signed box is labeled “10th generation”, which means Tan-nyu (1795-1854). It represents true Japanese Chado, made from of one of the most famous potter clans in Japan. Most pieces of Kichizaemon Tan-nyu are hold in museums.

Tan-nyu Raku was born the second son of Ryonyu, he succeeded as the 10th generation Kichizaemon in 1811...

A dramatic Shino Mizusashi covered in flowing glaze by Sakai Kobu enclosed in the original signed wooden box. It is 20 cm tall, 19cm diameter and in excellent condition...

A lurid landscape spreads across two two-panel screens by Shirakura Niho signed and dated 1929. Two colorful scholars share a quiet moment in the shelter of a thatched hut. On first examination it appears nonsensical, a chaotic collection of dashes and dots, however the closer one examines the painting the more one realizes the detail and planning that went into the imagery, It is performed with ink on paper framed in dark mulberry frame and has been recently re-backed with forest green paper....

An extraordinary scene unravels in this raucous tumbling Literati scroll by Kyotos Shirakura Niho (b. 1896) enclosed in the original signed wooden box. An inscription in the box lid names the scene The Hermitage West of Kamo (River) called Taka-Ike-Kyo. A solitary man looks up from his reading toward open ground, his thatched hovel lost in a jumble of bamboo flanking the steep falls rushing white through the foliage. The vibrant work harkens to the radical Taisho period, when Nanga and Japane...

A noborigama (multiple chamber climbing kiln) ascends the right side of this wildly brushed Autumnal Nihonga screen signed Takuji, which dates from the late 1920s or 1930s. Drastically contorted thatched buildings are shaded by a massive leafless tree which dominates the center of the scene. A few remaining leaves dangling after winters first frosts, shine with gold about the edges. The back ground is a milieu of rich blues and blacks, shaded with the ghosts of winter trees, the whole awash w...

3 robed figures appear decidedly relaxed on the edge of a rock-strewn river lost in dark mountains. Above a poem reads:
Furusato ha Arukiteyukeru Tokoro ni-te, Yama ari, Mizu ari, kataru yuujin ari (Walking through my home(town) I find mountains, water and friends for conversation).
Ink on paper bordered in patterned silk with bone rollers. It is 59 x 129 cm (23 x 51 inches) and is in overall fine condition, with some toning due to age. Shimizu Hian (1883-1975) was a popular poet...

We asked Toi for a “Tea Bowl” of his imagining and here we have this unique vision in frothy vivid colors studded with golden spikes. The red and white glazes seem puffed up, while the blue flows naturally between. The raw clay of the base too has been covered in liquefied gold. It is 13 cm diameter plus the thorns and in perfect condition. It comes with a signed wooden box titled Kin Hoshi Konsai Wan directly from the artist.
Masatomo Toi was born in Aichi Prefecture in 1992, and ...