Wonderful kutsugata chawan of the late Momoyama Period.

Distorted shoe shaped (kutsugata) tea bowl made of light, coarse unrefined Mino clay.

The expertly thrown body is covered with the typical black oniita glaze inside and outside, with the exception of the bottom, the roughly cut foot ring and window, which is decorated with a geometric pattern in black under a transparent Shino type glaze...

Special offer: Heavily distorted shoe shaped (kutsugata) tea bowl with a strongly flaring mouth made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potters knife in its lower part and covered with a very deep black iron oxide glaze inside and outside.

A 'window' on the side has been left unglazed and is decorated with a square divided into two white and two black section accompanied on each side by two circles with the same patterns...

Distorted shoe shaped (kutsugata) tea bowl with a flaring mouth made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potters knife in its lower part and its brim. It dates back to the early Edo Period (1603-1868).

It is covered with a very deep black iron oxide glaze inside and outside. A 'window' on the side has been left unglazed and is decorated with two fish nets hung for drying...

Only very little distorted half cylinder shaped (hanzutsu) tea bowl made of light, coarse, unrefined Mino clay.

The expertly thrown body is covered with the typical black iron oxide glaze inside and outside...

From our collection of Japanese Chawan with Christian Cross design: highly distorted shoe shaped (kutsugata) tea bowl with a rounded brim, made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potter's knife in its lower part around the foot ring.

In the style of Seto kuro bowls this Chawan was covered with a light brown glaze. On one side the sign of a Christian (Maltese) cross was left unglazed and was covered with a transparent ash glaze...

From our collection of Japanese Chawan with Christian Cross design: highly distorted shoe shaped (kutsugata) tea bowl with a rounded brim, made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potter's knife in its lower part around the foot ring.

In the style of Seto kuro bowls this Chawan was covered with a brown glaze. On one side the sign of a Christian (Maltese) cross was left unglazed and was covered with a transparent ash glaze...

Slightly distorted shoe shaped - Kutsugata tea bowl with a rounded brim, made of light, coarse, unrefined Mino clay during the Edo Period (1603-1868)...

Slightly distorted cylinder shaped (tsuzu) tea bowl with straight walls, made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potter's knife around the foot ring.

The bowl was partly covered with black iron oxide glaze of the non glossy type (preferable!) and then covered with a black glaze in the style of a Seto-guro bowl. On the other half it is decorated with two oxcart wheels...

An absolutely stunning Edo period (1700s) Kuro Oribe Chawan covered in thick, ink-black crackle glaze and some fine cream colored decoration.

The slightly irregular kutsu-gata form settles easily into the palm of the hand, with the built up rim resting lightly on the fingers. A high quality box called Shiho-zan is part of the offer. The four sides of the box are surrounded.

No chips or repairs...

Heavily distorted shoe shaped (kutsu) Kuro Oribe Chawan from the mid 19th century (late Edo) with a strongly flaring mouth made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potters knife in its lower part and covered with a very deep black iron oxide glaze inside and outside.

A window has been left unglazed and shows a typical Momoyama era design...

Large and only slightly distorted full cylinder shaped Tsutsu (hight is bigger than diameter) tea bowl with a rounded brim, made of reddish, unrefined Mino clay with clearly visible finger marks on the wall.

The expertly thrown body was trimmed with a potter's knife around the regular food ring. In the style of Seto-Kuro bowls this bowl was covered with a black glaze.

On three sides a round space was spared from black glaze. The unglazed areas were decorated with the aoi-m...

Kuro-Raku Chawan by the 14th generation Kakunyu Kichizaemon (1918-1980) enclosed in its originally signed and sealed wooden box. The inside of the lid bears an appraisal of the the 13th Iemoto (tea master) of Omotesenke, Sokuchusai (1901-1979). He named the Kakunyu Chawan 'han chiru', which can be translated as 'April moon appearing'.

This Raku chawan is particularly endowed with a structural power deriving from simple composition of features of a bowl, even though no distinctive tr...

Pure Kuro-Raku Chawan by the 11th generation Keinyu Kichizaemon (1817-1902) enclosed in its originally signed and sealed wooden box and made around the end of 19th century about 120-130 years ago.

This Raku chawan is particularly endowed with a structural power deriving from simple composition of features of a bowl - another reminiscence of the earlier generations of this unique family of artists.

Apart from being expertly formed, this piece has the added distinction of be...

A wonderful modelled Kuro Raku tea bowl covered with a beautiful black glaze - made by legendary 12th generation Kichizaemon Kônyû (1857-1932). His childhood name was Kozaburo, later became Kicho (or, Yoshinaga). He was the eldest son of Keinyu, the eleventh generation master. In 1871, he succeeded the family business and became the generation master. In 1919 he retired and took the name as Kônyû. He enjoyed his retirement in practicing tea ceremony and writing haiku.

His Kuro ...

A wonderful modelled Kuro Raku tea bowl covered with a beautiful black glaze - made by legendary 12th generation Kichizaemon Kônyû (1857-1932) in the style of the 8th TOKUNYU, Kichizaemon Raku. The seal of the potter is stamped on the bottom. The original wooden box with his sign and signature is also included.

childhood name was Kozaburo, later became Kicho (or, Yoshinaga). He was the eldest son of Keinyu, the eleventh generation master. In 1871, he succeeded the family busines...