A beautiful and delicate white porcelain composition with low-relief molded seashell design lining the inside. The overall condition of the bowl and several oxidation marks on the bottom suggest considerable age—at least several hundred years. The box lid bears the character “定” which can be translated as “truth” or “certainty.” The origin of this piece is unknown, though the previous owner regarded it as Chinese (Northern Song)...

A mokko-shaped porcelain kogo incense burner, which is a square with each corner indented. The corners are so strongly indented that the shape becomes an octagonal. All sides are slightly bulging out and the cover is slightly domed, giving the whole a soft, rounded feel.

From the center of the cover, the surface has been divided into eight ‘cake slices’...

A latticework Hoya of solid silver caps this fine porcelain koro incense burner, a joint work by Miura Chikusen and Hashimoto Kansentsu, enclosed in the original shiho-kiri-wood box signed by both artists. It is 8.5 cm (3-1/2 inches) tall 11 x 16 cm across the handles (4-1/2 x 6-1/2 inches). Beast heads form the handles with a scholarly hut on one side, a poem in ancient script opposite. It is signed on the base by Chikusen and on the side by Kansetsu...

A porcelain Koro by Mashimizu Zoroku II and decorated with a tiger by Tomita Keisen and enclosed in the original wooden box signed by both artists. It is 12 cm (5 inches) diameter, the same height with a solid silver hoya of woven net weave by signed by Koju.
Mashimizu Zoroku II (1861-1936) inherited the pottery tradition of his father, Zoroku I and grandfather Wake Kitei III in the Gojo zaka district of Kyoto...

Porcelain cat. Pink and black enamel details. Gilding spot. Japanese work probably from Kyushu at the beginning of the 20th century. Mark hand painted in red: "made in japan". Height:115mm

Large octagonal bowl made of porcelain, decorated in underglaze cobalt blue. In the center of the bowl a prancing tiger before a roaring stream, looking up towards the sky. Behind him bamboo and rocks. Left of the tiger there is a three-line poem about the tiger and the third moon (May or June).

The sides are decorated with four peonies and leaves draped in arabesques; the rim decorated with a border of key-fret motif...

Square dish with straight rims, with elegant indentation on each corner. In the center two cranes (or similar birds) walking on rocks underneath a pine tree near the sea. On the inside of the rims a continuous border of heart-shaped flowers, on the outside a border with diamond pattern, broken by one cartouche on each side, containing a house. The top of the rim decorated with a karakusa-border.

White porcelain with underglaze cobalt blue decoration...

Very large tile in the shape of (and virtually in the size of) a handscroll decorated in underglaze blue with a crashing wave and a full moon. The image is surrounded by borders of geometric flowers and medallions filled with a phoenix. Some of the phoenixes looks left, others look right. Medallions colored in underglaze pink and yellow.

On the back are two ‘loops’ to hang the tile up...

Exceptional tripod censer in hard porcelain with a polylobed shape. The censer in the shape of a flattened melon with twelve slices, each decorated with a dragon painted on top in green, manganese and yellow enamels. Below Makuzu Kozan has chiseled his signature in relief which is very important, in fact it is much more complicated to chisel in relief than in hollow...

A large porcelain vase covered in olive green upon which grows a rush of white bamboo and a brief epitaph by Miura Chikusen I enclosed in the original signed wooden box dating to the late Meiji or early Taisho period. It is 15 inches (37.5 cm) tall and in excellent condition. The box has much darkened with age. Works of this size by Chikusen, who largely specialized in the minute world of Sencha ware are quite rare...

Hard porcelain vase covered with a crackle glaze. Decor of two facing dragons enamelled in an exceptionally bright electric blue, their eyes enamelled in yellow. Two friezes enamelled in green and a frieze of stylized flowers molded in relief on a celadon background. The style and quality of the drawings, enamels and technique suggest a creation by Makuzu Kozan...

Pine trees and Snow Flakes in silver and gold on red by Ono Hakuko enclosed in the original signed wooden box titled Kin Ginsai Ichirin Tate...

A striking series of concise patterns underlie the deep purple and green glaze on this large ichirin-sashi vase by Living National Treasure Tokuda Yasokichi III enclosed in the original signed wooden box. The box is signed Masahiko, dating it pre 1993 when he succeeded the family name. The body of the vase has been brought up to a very narrow neck, just wide enough to receive one flower before it flares out at the top. The vase is 8-1/2 inches (21 cm) diameter, 9 inches (13 cm) tall and in ex...

A large porcelain vase by Miyanaga Tozan decorated with a garden scene of young pine growing up around a large stone brushed by Yamamoto Shunkyo and enclosed in a double wooden box signed by both artists. It comes with the pictured rosewood stand in a separate section in the box. The vase is 12 inches (31cm) tall 8 inches (20 cm) diameter and in excellent condition.
Yamamoto Shunkyo (1871-1933) was born in Otsu, Shiga prefecture in 1871, and came to study traditional Shijo painting in Ky...

It's Alive! Metal staples hold together this Frankenstein vessel in elegant white with patches of glimmering gold and platinum by Masatomo Toi enclosed in an artist signed wooden box. The rough looking sutures contrast wtih the white porcelain with its transparent skin. The vase is just less than 30 cm (12 inches) tall and in perfect condition, directly from the artist.
Masatomo Toi was born in Aichi Prefecture in 1992, and graduated the Design course at the Tajimi Ceramics Research Faci...

A complete set of four Japanese woodblock prints in the original presentation folder by Sadanobu III Hasegawa (1881-1963), published around 1950 by Uchida. Carefully printed with embossing and shomen-zuri, laid down at upper corners. Condition: fine, only paper mats with few short tears. Dimension: sheet: 27.8 cm x 21 cm, image: 25.7 cm x 19.3 cm, folder: 35.5 cm x 26.2 cm.

PORTRAIT BUST OF A WOMAN

Ceramic. Signed as "KIMURA, July, 1967". Japan. approx. H 36 x 22 x 25cm (14.17 x 8.66 x 9.84in). *Other items in the photos are not attached.


selected by titcoRet




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PORTRAIT OF A LADY

Vintage oil painting on wooden plate, by a Japanese painter, Yoshito Shibata (1910-1995), circa 1960-70s, 24 x 33.3 x 0.5 cm (9.44 x 13.11 x 0.19in)


selected by hotoke




* Please understand that EMS shipping fee is additionally charged, and also confirm our Sales Policy before purchase, since your order will be assumed to have fully acknowledged our Sales Policy under any circumstances. Thank you...