Unusual porcelain bowl in the shape of a double gourd with two separate compartments. The large section is for washing brushes; the small section may be used as a brush holder.
The outside of the large bowl is decorated in underglaze blue with pavilions in a landscape with mountains and a river. The edge is faceted and painted with cloud-like shapes. The outside of the smaller extension is decorated with stylized flowers. Ribbed knob on top (19-petaled chrysanthemum)...

SOOTY GOD

Image of 'Hotei' (God with a potbelly who is one of the Seven Gods of Good Luck) enshrined for long years in a kamidana (household Shinto altar), Edo period (1603-1868), Japan. Made of wood but turn to be more solid like a stone due to such mature and aesthetic fumigation as is. approx...

Sophisticated and elegant Japanese Cultured Baby Pearl dangling Earrings (2-2.5 mm. diameter) set with 18K. Gold, 2 genuine Blue Ceylon Sapphires @ 1.89 ct. total weight, 104 brilliant cut Diamonds @ 0.76 ct. total weight and adorned with carved black Onyx. For pierced ears only.

A deep tsutsu chawan by Omori Kenji in matte charcoal outside, soft, running pink within enclosed in the original signed wooden box titled Yakishime Chawan. It is 10.5 cm (4 inches) diameter, 9-9.5 cm (3-1/2 -3-3/4 inhces) tall. As it does not have a foot ring, it is decidedly deep, perfect for a cold winter day, and the warm colors inside, combined with the steaming green tea, would be fabulous...

Here is another sophisticated Karatsu Chawan, which represents the wabi sabi philosophy of Japan at its best with expected impressions of roughness, austerity and intimacy.

This Karatsu-yaki tea bowl with its wonderful surface is about 80-90 years old.

It comes with its from the artist originally signed and sealed wooden box.

No chips or cracks.

Size: 6,9 cm height x 14,1 cm in diameter.

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SOTOMIYA

Miniature version of Japanese outdoor wooden shrine called 'sotomiya' (as the opposite type of interior household shrine called 'kamidana'), Showa period, 20th century, approx. H 26.2 x W 18.5 x D 18.8 cm (10.31 x 7.28 x 7.40in). Some damage as is as seen. No object enshrined (since this little snake is not attached), so that please arrange something worshiped into by yourself...

Sadamitsu Sugimoto, a great master of the ceramic art scene in Japan, was led by Tachibana Daiki the great Zen teacher and has been producing a lot of masterpieces through over 40 years .He has been studying the world of “wabi, sabi, and yugen” as his life's theme. This piece has black (iron) glaze, it also could be used as a vase. Size: 11.0cm(B) 10.2cm (L) 14.0cm(H) Accessary: wooden box signed by potter

Sadamitsu Sugimoto, a great master of the ceramic art scene in Japan, was led by Tachibana Daiki the great Zen teacher and has been producing a lot of masterpieces through over 40 years .He has been studying the world of “wabi, sabi, and yugen” as his life's theme. This piece has reduced oribe glaze, it also could be used as a vase. Size: 11.4cm(B) 10.3cm (L) 16.1cm(H) Accessary: wooden box signed by potter

SPECIAL SCISSORS

Beautifully well-designed iron tool for cutting and punching at the same time for some particular use. 1960s, Japan. 26 x 9 x 4 cm (10.23 x 3.54 x 1.57in)


selected by Jinta




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Spectacular 19th Century Japanese Bamboo Ikebana Basket. A real masterpiece. 39.5 inches (100cm) tall, 11 inches (28cm) wide.

A seething dragon in white bronze by Mitsui Yoshio dating circa 1930 enclosed in the original signed wooden box. The very distinct character of the creature is similar to the famous dragons of Yakushiji temple in Nara. It is 32 cm (12-1/2 inches) long, 25 cm (10 inches) tall and in excellent condition.
Mitsui Yoshio (1899-1959) was born in Tokyo and initially studied metal craft under Tsuchida Katsue and then Unno Kiyoshi...

An unprecedented 19th century ceramic sculpture of a tumble of Shishi lions in a playful fight covered in unusual green-blue glaze. The Banko mark is impressed into the white clay of the base. It is very unusual to find large sculptures or works in Banko ware. This is 30 × 25 x 26.5 cm (12 x 10 x 10-1/2 inches) and in excellent condition...

Thick molten ash drivels over the shoulder of this fabulous 17th century Shigaraki Tsubo storage jar showing all the great attributes of Shigaraki ware. It has a large open ware (pronounced wa-ray) crack down the front, which does not go through to the inside, and the fire blasted front surface is shot with fine heat cracks. A large Kutsuki to the lower let shows where it adhered to something else in the kiln during the firing...

A crusty wood fired Bizen dish with looping handle, one hemisphere rounded, the other pinched as if for pouring, dating from the Edo period enclosed in an ancient custom fit lacquered Kiri-wood box. It is 23.5 x 22cm x 12.5 cm (roughly 9 inches diameter, 5 inches tall) and is in surprisingly excellent overall condition, with a few nicks to the edge of the foot consistent with age. Evidencing the centuries, there is a loss near the handle to some thicker glaze encrustation...

Rare, Spectacular late Edo Period Musha Ningyo of Toyotomi Hideyoshi. A musha ningyo (Boy's Day Ningyo) representing Toyotomi Hideyoshi in sumptuous gold court robes and armor, wearing an Eboshi winged hat and a fantastic sword, holding a gunbai-uchiwa (military fan). This Musha Ningyo of Toyotomi Hideyoshi is the finest quality example from the late Edo Period. Incredibly carved face covered in many layers of gofun (oyster shell lacquer). Seated on a lacquered platform...

A stellar display of Hidasuki covers the sides of this voluminous Bizen vase by Yamashita Joji enclosed in the original signed wooden box. It is 15 inches (38 cm) wide, 14 inches (37 cm) tall and in excellent condition, and retains the original exhibition label on bottom. Due to size the cost of shipping will be accrued separately...

Colorful ash rains in a torrent down the torn sides of this fabulous vase by Hayashi Shotaro enclosed in the original signed wooden box titled Hai-yu Hanaire (ash glaze Vase). It is 13 cm (5 inches) diameter, 19 cm (7-1/2 inches) tall and in excellent condition.
Hayashi Shotaro (b. 1947) is one of the biggest names in contemporary Mino ceramics. Although initially entering reguar employment upon graduating highschool, in 1967 he returned to Toki city to help his brother Kotaro. Very qui...

Wow I need that! is all I could say the first time I saw this piece by Furutani Taketoshi while visiting the Churokuen Kiln early this year. The tendrils of natural ash glaze wrap around the simplified form like the roots of some ancient Shinboku (God Tree). It is unpretentious, but stands out clearly as a masterpiece by this very talented young potter. It comes enclosed in the original signed wooden box titled Shigaraki Shizen Yu Yohen Hanaire (Shigaraki Natural Ash Glazed Kiln Altered Vase)...