This is itajime(katazome) chirimen-silk and hira-silk hanjyuban textile of the Edo era(1800-1867). It is the auspicious motif of this lobster, sea bream, tortoise, auspicious decoration for gifts, pine, bamboo, plum. It has few stains. There is not damage. size:75cm x 128cm (29.5" x 50.4")

This is nanako-weave (regular mat weane)silk katsugi kimono very rare of the Edo era(1800-1867). katsugi kimono of nanako- texture silk is very rare. It draw it by hand and dye . It is very impressive, and it is beautiful. It has the change of a slight color. However, it does not stand out. it is in very good condition. size:131cm x 116cm (51.6" x 45.7")

This is Indigo dye cotton dotyugi coat of the Edo era(1800-1868). It is made of hand-spun and hand-woven and natural indigo dyed cotton. It is katazome, and, as for the lining, the motif of the plover is very beautiful. It has a few thin stains. However, as a whole it is in very good condition. size:111cm x 126cm (43.7" x 49.6")

This is Japanese Edo era Beautiful silk of the patchwork yosegire beni-itajime jyuban. It is comprised of four kinds of itajime-dye and eight kinds of katazome-dye and Safflower dyeing . It is all silk of the Edo era. It has a slight damage to a sleeve and a collar. However, it is in a state very good generally. I recommend it to you collection. size:145cm x 123cm (57.1" x 48.4")

An attractive Japanese blue and white porcelain soba choko with banana leaf, fence and chidori in mist decoration supported by single blue line all over double blue line. The inside rim with blue and white fret band and the bottom inside with a single flower within double blue line. The glazed foot ring surrounding a wide, unglazed band centering a recessed, glazed center. The white glaze very slightly blue tinged...

A fine Japanese blue and white porcelain soba choko with decoration of prunus blossoms on branches rising above an active with breaking waves all over a comb pattern on double blue lines above the foot. A fret band decoration appears inside the foliate shaped rim and a flower head within double blue ring adorns the bottom inside...

Rare and Fine Japanese Edo Period Musha Ningyo for the Boy's Day display, depicting the celebrated tea master and political adviser Sen no Rikyu (1522-1591), in a kneeling position wearing rich silk brocades. He is displayed in front of a beautiful and elegant wood and silk screen with four continuing panels of a dragon flying in the clouds and chasing the magic pearl of immortality...

Hand shrine, or zushi, in the shape of a lotus bud, carved in two halves. On the inside, on one side the standing figure of Amida Nyorai on a lotus base, his hands in mudra. The other half of the lotus bud is decorated with a mutsume pattern (imitating a triaxial weaving) in kirikane (very thin strips of gold foil). Japan, Edo period, early 19th century.
Very light, soft wood. On the outside red lacquer, covered with leaf gold, that is partly rubbed off again...

This is Japanese Indigo dye Stripe and zanshi weave futon Cover from the Edo era to the Meiji era(1800-1880). This material is cotton. It is made of hand-spun and hand-woven and natural indigo dyed cotton. It was made all by hand. It does not have a stain and damage and is in a very good state. size:148cm x 100cm (58.3" x 39.4")

This is Japanese Indigo dye Stripe weave futon Cover from the Edo era to the Meiji era(1800-1880).It is made of hand-spun and hand-woven and natural indigo dyed cotton. This material is cotton. It was made all by hand. It does not have a stain and damage and is in a very good state. size:132cm x 154cm (52" x 60.6")

This is impressive kabuki Costume textile of the last part of Edo era.(1800-1867) It is beautiful silk of the dyer's saffron dyeing. A cloud and the applique of the Chinese phoenix which I write the kimono by hand and dyed are on. It has a few stains. However, it does not stand out. It does not have damage and is in a very good state. size:121cm x 130cm (47.6" x 51.2")

This is watari-cotton boro Stripe Patchwork futon Cove. It is cotton of the very warm feel. It can enjoy both sides. size:162cm x 100cm (63.8" x 39.4")

Antique Japanese hanging scroll attributed to Kano Chikanobu, painting of Hotei resting on his bag and holding his fan, painted with sumie ink on paper, beautiful scroll mounting and condition. Age: Edo period (1600-1868). Size: Length: 52" Width: 22.1", with ends: 24.5".

A pair of hanging scrolls by Kano Dohaku Chikanobu (1772-1821), a famous Edo period painter, 5th head of the Surugadai branch of the Kano School. In 1813 he received the honorary title of "Okurakyo-Hogen" (law of the eye).The pair contains an image of three geese set near a marshland with reeds. Scroll comes with box that woud be of the period. Age: Mid-Edo Period( 1800-1820). Size per scroll: Height: 70.25" Width: 14.25" (with ends) 16.25".

Three Shishi lions or “Foo dogs”, the guardian animals that used to be placed outside temples and imperial buildings. Two of the three originally formed the knobs of urn lids, the third and smallest is a lid from a miniature incense vessel or urn. Two with aubergine and green/turquoise glaze, the third in crackle-glaze gilt. Height of biggest Foo dog "2¾/ 7 cm, of smallest "1/ 2,5 cm. Condition: the angry, middle-sized dog has got his right back leg restored.

This is Folk art boro Leather haori of the indigo dye rare of the Edo era. The change of the color and a leather wrinkle are very charming. It has the change of a stain and the color and a small hole. However, It is a good state. I recommend this to collection of you. size:102cm x 135cm (40.2" x 53.1")

This is indigo dye thick of the Edo era cotton tsutsugaki noren. It is made of hand-spun and hand-woven and natural indigo dyed cotton. The neighboring brown can be dyed in persimmon juice. It has a few stains. However, it does not stand out. It is in state that there is not damage and is very good. I recommend this to collection of you. size:135cm x 94cm (53.1" x 37")

A rare Kotou ware vase with meticulous painting done on the surface with an image of herons and reeds on one side, and a late spring flower bouquet still life. The Koto ware was established in 1829 by Kinuya Hanbei who invited an artisan trained in producing imari wares. The kilns continued production until 1842 where the Hikone clan took over and made the kilns part of the clan. The kilns declined after the assassination of Ii Naosuke in 1860 and the last existing kiln closed in 1895...