A catfish in bronze by Kome Jiichi enclosed in the original signed wooden box dating from the mid Showa era. The slippery creature is 30.5 cm (12 inches) long and in excellent condition, signed with an incised signature beneath. Kome Jiichi (1896-1985) He was born in Toyama prefecture, on of the traditional homes of bronze work in Japan. He graduated from Tokyo School of Fine Arts studied under Takamura Kouun. Exhibiting with the Bunten National exhibition, he was awarded there in 1942...

Clifton Karhu (1927-2007)
Tominaga-cho, Gion
Date: 1993.
Edition: 55/75.
Size: 24.25 x 17.75 inches.
Signed, titled, numbered, and dated in pencil by the artist in lower margin.
Medium: Japanese woodblock print.
Condition: Slight toning in margin due to former matte. Left and right outside margins each have a dot of foxing. Print has never been adhered to a backing.

Representation of a print by Kiyonaga in silk embroidery. Some parts are silk velvet, some are woven, some are embroidered. Some details are finely traced in ink. Beautiful finely executed embroidery work. Good condition fresh colors, no restoration. This kind of work is rare, especially of this high quality. Japan probably Meiji, around 1900. Mounted in a wooden frame which appears to be from the same period. 85 x 37cm

Japanese iron cut sword guard in silhouette of pagoda and houses in a tranquil lake landscape. Some details inlaid in gold. It feels like a long way from war. The carving is of very good quality which is not always the case on this kind of tsuba which most often are less well executed. The reliefs are very deep which gives a beautiful relief but requires more effort. The style seems to be that of the Soten school...

Solid gold, silver, shibuichi and sentoku inlaid shakudo tsuba. The setting presents us with a Japanese warrior slaying an enemy wearing foreign armor that seems to be Chinese or even Mongol. This could be a reference to the attempted invasion of Japan by China Mongols in the 13th century. The tsuba bears the signature of Yoshiaki who was one of the greatest artists of his time...

Cut iron tsuba. Mysterious motif where two spades appear which should represent spearheads or swords. The tail of Japanese dragons is sometimes depicted in this way. The decor is simple but very elegant. The carving as well as the finish are very neat. Difficult to date with precision. Probably from the Edo period, maybe earlier. Wide: 79mm Thickness: 5mm Good condition

Silk embroidery on woven silk and velvet representing a Bijin at her toilette. Copying a famous print by Utamaro. Painted details. Good condition, no restaure. It is rare to find this kind of textile, especially reproducing a print. Wooden frame. Total size: 37 x 85cm Japanese art work around 1900.

This is Japanese antique silk Stripe and katazome and kasuri Child kimono of the Meiji era. It does not have a stain and damage. It is in a very good state. size::Length100cm(39.4inch) / Cuff to cuff, across the back: 98cm ( 38.6inch)

This is cotton Furosiki used in Kyoto in the Edo era. It is thick, and this is good cotton of a good texture . This is dyed with an artistic portrait of a lion and Katazome of the peony pattern and a brown plain fabric. There is small holes and damage ,thin stains. However, the condition is good generally. Size: Length:99cm (38.9inch) / Width:106cm (41.7inch)

Hiroshige Utagawa (Ando)
Title: Gosekku (五節句), Ninth Month, Asakusa Okuyama (九月 浅草おく山)
Series: Famous Places in Edo (Edo Meisho) (江戸名所) – The Edo Meisho series specific to fan (団扇) prints.
Depicting the September 9th Choyo-no-Sekku (重陽の節句) Chrysanthemum Festival (菊まつり) at Asakusa (formerly called Okuyama).
Date: 1849-52...

An antique Japanese choba tansu (merchant's chest) made of kiri (paulownia) wood. All original hand forged iron hardware including stylized gumbai handles. Two sliding kiri wood panels framed in black lacquer over two large drawers for safe keeping of inventory. Iron drawer corners feature raised seed pods suggesting this chest originated in the Yonezawa region of Japan.

Age: Meiji Era (1880-1890)

Dimensions: 30 1/2" high x 30 " wide x 15 1/8" deep

A very large example of an antique Japanese Baku corbel used in a temple or shrine. The Baku is a mythical spiritual creature which resides in the Buddhist realm. Its purpose is to devour evil spirits as well as one's nightmares. Carved from one solid block of Keyaki (Zelkova) wood, this architectural sculpture has stood the test of time.

Edo Period (early 19th Century)

Dimensions: 44 1/2" Long by 19 1/2" High by 13 1/4" Deep

Antique Japanese low square table. Made of unusually dense hardwood. Overall elegant lines with simply carved legs and beautiful grain.

Age: Taisho Period (early 20th century)

Dimensions: 13 1/4" high x 29 3/8" wide x 29 3/8" wide

Antique Japanese pair of rare black lacquer dowery tansu for clothing. These fine lacquer cabinets would have held folded clothing and been carried to a brides home containing her dowery of fine textiles. Hinged doors open to reveal 4 shelves inside. Hardware includes 5 hinges on each door, corner bracing, handles for carrying by hand and by pole, and large lock plates all of which are incised with scrolling floral details and made of bronze...

Rare antique Japanese tansu chest from Takayama city in the Hida region of Gifu Prefecture. Made of hinoki (Japanese cypress) wood with orangish lacquer finish. Iron hardware includes scalloped drawer corners and round lock plates on the three small drawers which line the upper portion of the chest. Below this are four larger drawers with hirute drawer pulls...

Dusk puddles and drips among the thick textures of this mid-century oil by Yamada Eiji titled on back “Mori” (Forest). Oil on canvas, it is 18 x 24 inches (46 x 61 cm) and is in excellent condition, wrapped in a simple raw wood storage frame.
Yamada Eiji (1912-1985) was born in Fukuoka on the Southern main island of Kyushu and was accepted into the Nikkakai Ten exhibition in 1933 for the first time...

An astounding work of singular design by renowned Shigaraki pioneering female artist Koyama Kiyoko enclosed in the original signed wooden box titled Shigaraki Shizen-yu Ryukoku Tsubo (Natural Ash Glazed Carved Flowing Tsubo). The voluminous work is like a seed pod, rising up in tapering lines to an undulating open mouth. The body is covered in rich green ash glaze, flowing down the wavering clefts to pour out and collect in thin crystalline pools...

This is Indigo dye cotton & katazome dotyubaori coat textile in Edo period(1800)1868). The material is thick cotton in Edo period. Textile seems to be hand spun and woven¡It is very impressive, and beautiful. You can wear it. There is a little, thin stain. However, there is no damage, and the state is very good. It recommends it for your collection. size::Length:93cm(36.6inch) / Cuff to cuff, across the back: 122cm (48inch)