Late 19th C Chinese red with gold gilt carving of a baby elephant resting on plinth. This hand-carved elephant and platform are solid wood and do not detach. A charming addition to your home, young or baby elephants symbolize hope, abundance and prosperity as well as wealth, good luck and playfulness. It is best if they are placed in a position facing North. In very good antique condition with normal wear and surface cracks expected with wood carvings of this age. Measures 10" long, 5" wide, 12...

Here we have an exceptional Raku tea bowl given the poetic name "Setsu-gekka" (snow, moon, flower) — a phrase often used in Japanese art and literature to evoke a sense of beauty, tranquility, and the passing of seasons. With a masterfully applied red Raku glaze and a noticeable aesthetic of asymmetrical balance, this piece highlights a very old technique used in Raku pottery of scraping straight edges along the body of the vessel, thus producing contrast and a degree of desirable ...

A Chinese erotic painting from an album. Showing a couple in a room amidst scholar objects. Finely painted in ink, gouache and gold on paper, with light blue silk border. Dimension: c. 25.8 x 24 cm. Condition: traces of age and former mounting, slightly stained.

An exquisite Edo period incense burner, the fine red clay covered in running bamboo glaze from the kilns of Takatori on the southern Island of Kyushu wrapped in a silk pouch and enclosed in a period Kiri-wood box. The lid is solid silver pierced with roiling fronds. It is 7.5 cm diameter, 7 cm tall excluding the silver lid, and in excellent condition.
Takatori-yaki, is a traditional style of Japanese pottery that originated in the early 17th century. It was developed in the town of Taka...

Chinese porcelain hat stand vase with a hand painted scene of a boy playfully dangling a toy spider in front of his pet cat. Mother and brother are standing nearby watching. Dates early 20th C. Measures 11.5" high x 5" diameter.

Box in black lacquered wood inlaid with mother-of-pearl, golden details. The decor is composed of birds among plants and shrubs. The birds are very active, the one in the center tends to what appears to be a stylized egg in a nest? Probably a meaning. The designs are simple but harmonious and very elegant. The inlay work is empirical but the materials used are solide and they have stood the test of time well indeed the lacquer has not peeled off and the mother-of-pearl is still well maintained. ...

Meisen haori with colorful stripes which is double kasuri and both wefts and warps kasuri yarns are dyed with stencil (Heiyo-Kasuri). In excellent condition. 1950s to 60s. W:126cm, L:74cm

Tsugaru kogin kimono made of vegetable indigo dye hemp whose warps and wefts are hand plied. It is made in Tsugaru region in Aomori prefecture in Tohoku district. This kogin is called "Nishi-Kogin" which has stripes in shoulders. It is for enforcement of shoulders for a charcoal maker who brings a burden. Kogin is a kind of sashiko and its yarn is white cotton, making the hemp kimono warmer with thick sashiko in the colder district. It has several different kinds of kogin pattern. In excellent c...

A Chinese Silk Double Gourd Purse. Finely embroidered in gold and silver thread with confronting Dragons pursuing a Flaming Pearl. Chinese L Qing. Length of purse; 6″ (15.2 cm. Condition; excellent, some very slight discolouration to metal thread.

This is hand painted imari plate 7 7/8 in diameter is in very good condition with no damage. It has nice hand painted work from Edo 18 th century Mark to the bottom If you have any question please let me know

This is beautiful hand painted Japanese nippon Noritake box 1 3/4 in height 2 3/4 in diameter is in very good condition with no damage Only some age wear and green color wear otherwise no hair line chip or repair. Old Nippon mark to the bottom If you have any question please let me know Shipping cost will provide with your shipping address Thank you

A Pair of Kutani Vases. Each decorated with a scene of a figure and two attendants on a terrace. The reverse with floral panels on a red ground. Nine character mark to base. Meiji period 19/20thC Height; 13.2 cm; Condition; excellent

Pair of square-shaped hibachi made in lacquer and gold. The hibachi is a traditional Japanese brazier used to heat rooms. Gold, with its sheen and warm hue, accentuates the overall beauty of the braziers, making them true pieces of art. At the center of each hibachi is a metal container, which acts as a basin to hold the glowing charcoal. In addition to their practical functionality, these hibachis are true artistic masterpieces. Origin: Japan Period: Taisho 1920 ca. Dimensions...

Pair of bottle-shaped bronze vases with dark patina depicting the dragon Ryu as a three-dimensional sculpture. The rounded part of the vases is decorated with bronze incisions and carvings depicting numerous sea waves. In the upper part the waves come to life becoming sculpted reliefs, emerging three-dimensionally from the bronze surface. It is here that the great dragon makes its appearance, completely enveloping the neck of the vase with its sinuous body and holding the end of the neck o...

Ivory netsuke depicting a snail crawling on a bamboo shoot. The snail is carefully rendered highlighting its curvature of the shell. The underside is enhanced with spherical horn details and an excellent patina. Origin: Japan Period: Edo 19th century Dimensions: 7 x 3 x 3cm. State of conservation: Very good

Ivory manju netsuke depicting Chok'aro, a character from Japanese tradition, trying to catch a miniature horse that is running away from its gourd. This netsuke shows Chok'aro in a dynamic pose, his eyes intent on catching the fleeing horse. The details are finely engraved and carved in low relief, allowing you to appreciate his determined expression and traditional clothing. The back of the manju is enriched with an engraving of a horse running looking back. The netsuke is signed Ippô...

A large size netsuke depicting Rakan made of boxwood depicted seated in a meditation position, with legs crossed and back straight. His hands firmly hold the hossu, a liturgical object, a symbol of his role as a monk. This netsuke is signed Ryukei 隆桂 on an ivory dowel, as is the tuft of hair. Origin: Japan Period: Edo 19th century Dimensions: 7 x 6 x 4cm. State of conservation: Very good