Resting from his exhausting zen chores, this Ca. 1925 Taisho Period Bizen ceramic Daruma okimono shows us the path to chill. 6 1/2" long x 4" high x 4" deep. Great condition. Ask for shipping quote.

Japanese shin hanga woodblock print titled "Avenue of Cherry Trees" from the series "Eight Scenes of Cherry Blossoms" by Hiroshi Yoshida (1876-1950) dated Showa 10 (1935). First edition impression with "jizure" (self-printed) seal in the upper left margin. The artist's black ink brush signature and red seal is at the lower right with the pencil-signature below. Illustrated in "The Complete Woodblock Prints of Yoshida Hiroshi," Abe Publications, color plate #198. Paper measures 10 5/8" x 15 7/8" ...

Lilies and Sparrows at the Waterside –A Silver-Ground Six-Panel Screen

This exquisite six-panel folding screen depicts a serene spring scene with lively sparrows frolicking among blooming lilies and azaleas by the waterside. The background is rendered in silver leaf, which reflects light beautifully and enhances the sense of atmosphere and depth. The detailed brushwork captures the charm and individuality of each bird, while the delicate plants and soft gold mist suggest the warmth ...

Peonies and Hydrangeas on 6-Panel Gold Leaf Screen

This exquisite six-panel folding screen (byōbu) features a serene composition of blooming peonies, hydrangeas, and seasonal wildflowers on a lustrous gold-leaf background. Delicate birds flutter through the air, evoking the peaceful rhythm of nature.

H,172cm (67.7inch)x W,367cm(144inch)

Price Range (B) $3000-5000

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Bronze Usubata Flower Vessel with Phoenix Legs｜Traditional Japanese Ikebana Vase

This exceptional bronze Usubata flower vessel embodies the refined elegance and spiritual symbolism of traditional Japanese craftsmanship. Historically used in ikebana (Japanese flower arrangement) and tea ceremony settings, the Usubata is not only a functional vessel but a sculptural centerpiece that elevates the atmosphere of any space.
The most striking feature of this piece is its tri-legged ...

Japanese antique scroll painting of a fish. Beautifully painted and with detailed scales and underwater plants. Painted in sumi ink and light colors on paper. Two artist seals in the upper right hand side. Mounted with rich silk textile fragments from the original mounting. A magical scroll that could date from Muromachi to early Edo Age.

Age:Period

Dimensions: Scroll: 44 3/4" high x 25 1/2'" wide. Art: 12" high x 18 3/4" wide.

An expressive and time-worn Indian sculpture of Ganesha, hand-carved from solid white marble. This sacred figure of the elephant-headed deity is seated in a relaxed posture with one leg folded and the other extended, holding traditional attributes in his hands. Traces of original red pigment remain visible in crevices, hinting at the sculpture’s once vibrant devotional life.

In Indian tradition, Ganesha is known as the Remover of Obstacles and the Lord of Beginnings. He is worshippe...

A serene and evocative Chinese ink-on-silk hanging scroll depicting a traditional mountainous landscape. The scene unfolds with quiet elegance: a scholar and attendant cross a gently arched bridge under an umbrella, while distant temple rooftops peek through mist-shrouded peaks. Fine brushwork captures gnarled pines, winding footpaths, and rustic architecture with masterful subtlety.
Likely created in the late Song dynasty, this piece reflects the literati tradition of poetic landscape pa...

An original Japanese double hinged quartered sawn keyaki hardwood tansu chest. The front lock does work (with key) to open and reveal a set of storage drawers made from kiri soft wood. Frame is lacquered with deep warm tones. Hand forged iron, all original condition.
The front is adorned with an impressive circular kanagu (ironwork) medallion, showcasing a family crest (mon) motif in high relief, surrounded by elegant forged iron strap hinges and corner fittings. The deep patina of the ...

A Chinese blue and white elephant kendi, Ming dynasty, Wanli period, 16th/early 17th century. Condition: Usual fritting, a small hairline and small chip to rim of vase. Otherwise good. Similar examples can be found in the British Museum, the Topkapi Palace Museum and in the Rijksmuseum, Amsterdam.

HATCHET HOLSTER MADE OF WELL-USED TIRE

Early 20th century, Japan. Without strap: 23 x 12 x 2.8 cm (9.05 x 4.72 x 1.10in). Anonymous handmade work tool hardly seen such this type. Become well hardened due to age.


selected by titcoRet




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Stunning Scroll painting of Dragon in the Clouds. 18-19th century

A striking depiction of a dragon ascending through swirling clouds, this traditional Japanese hanging scroll (kakemono) embodies the strength and mysticism associated with dragons in East Asian culture. Rendered in expressive ink brushwork, the dragon's coiled form and intense gaze convey movement and power. This piece would have served as a powerful symbol of protection, prosperity, and divine presence within a trad...

TIGER

Paper mache okimono with gyokugan glass eyes coated in chirimen silk crepe work, early 20th century, Kyoto, Japan, 47 x 9 x H 22.5 cm (18.50 x 3.54 x 8.85in), attached with original wooden storage box (missing one side of handle). Right ear missing and tongue coming off, and other aged deterioration as is as seen.


selected by hotoke




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Quirky Art Nouveau repoussé copper match box, circa late 19th/early 20th century, made in France emulating a Japanese netsuke Noh mask. Good condition- note the match striking surface maybe seen under the lid. Scale in enlargements.

SHIBUGAMI

Large paper mat made of wasted washi Japanese paper, coated in aged kakishibu persimmon tannin repaired with paper patchworks, like unintentional abstract painting but also reversibly, originally used to be laid under tatami mat or pasted on the wall of kura warehouse for humidity control and sunburn prevention. 1930s. approx. 220 x 160 cm (86.61 x 62.99in). Condition is as is as seen.


selected by Jinta



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This small hammered copper vase is inlaid with silver and different metals in 3 copper alloys, giving respectively tones of yellow, brown and cream, this very particular technique of mixed metals that one never meets on similar objects made in Vietnam at the end of the 19th century, announces a totally different object, moreover the aesthetics and the style of the drawings is not Vietnamese as well as the form, this is a Chinese creation of the 19th century and perhaps earlier. It is a rare tech...

These two thin mother-of-pearl plaques are entirely carved with a multitude of figures and animals. These small sculptures must illustrate a moment in Vietnamese history, for while horsemen are at war on one of them, the figures are living peacefully on the other. On the back, Chinese characters are crudely incised and appear to be information rather than artist signatures. Probably Vietnamese work, 19th century or earlier, but possibly executed in southern China. 82mm x 64mm, 2mm thick.

Japanese shin hanga woodblock print titled "A Little Temple Gate" featuring the gate to Bunnosuke Teahouse by Hiroshi Yoshida (1876-1950) dated Showa 8 (1933). First edition impression with "jizure" (self-printed) seal in the upper left margin. The artist's black ink brush signature and red seal is at the lower left and the print is pencil-signed in the lower right margin. Illustrated in "The Complete Woodblock Prints of Yoshida Hiroshi," Abe Publications, color plate #181. Paper measures 15 3/4...