Large Interesting Japanese Ceramic Tanuki. A real animal, Similar to a badger (ana-guma) and the raccoon (aria-guma). Some say the large scrotum is a reminder is a reminder not to be stingy.

Circa 1930's

Dimensions: 32 1/2" High X 14" Wide X 12" Deep

Framed Japanese woodblock print by artist Okiie Hashimoto (1899-1993) Signed in pencil, with inscription and artist's cartouche. Circa 1959. Size: (entire frame) 35.25" height, 29.25" width (artwork only) 22.5" height, 17.5" width

Antique Chinese pair of beautiful hardwood cabinets (jumu wood) with open display shelves that have carved side panels with dragons and flora. Its two swinging doors with dramatic woodgrain open with brass fittings and have a roomy, shelved interior within. The finish of the wood is deep red with brown-orange highlights. 19th century. Size: 71" height, 31.5" width, 21.5" depth

Japanese antique large musha ningyo (samurai warrior doll) of the great epic hero, Minamoto no Yoshitsune. His handsome face is set in a determined expression, he is seated with sword and saihai (command baton). He wears a spiked helmut, armor and silk robe woven with dragons. Edo Period. Size: 26" high (to very tip of helmet)

Japanese framed woodblock print by esteemed artist and forerunner to the sosaku-hanga movement Jun/Junichiro Sekino (1914-1988). The subject is a young woman sitting in a red chair, embracing a swan. The forms and colors he uses are pleasing to the eye in the way they compliment each other. Signature in bottom. Size: (entire frame) 53.25" height, 27.25" width (artwork only) 24" height, 18.5" width

Tibetan bronze gilt statue of Kubera, known as the "Lord of Wealth and the North". He originates from Hindu mythology but is also recognized in Buddhism and Jainism. He holds a mongoose as a symbol of his victory over the Nagas, snakelike deities and guardians over treasures. He sits upon the back of a lionlike creature and has an arch of flames with gilt tips behind him. The jewels on his crown and around his neck are dotted with blue and red enamel. Size: 13.5" height, 10" width, 6" depth

He is charming...well detailed leaning on a pillows ...a few nicks and bruises to the finish as to be expected at this age...roughly 4 inches tall and 6 inches wide...

Description:
A wood carving was preserved in perfect condition.

Height: 7.5 cm.

Date: Late 19th Century.

Little distorted half cylinder shaped (kutsugata) tea bowl made of light, coarse, unrefined Mino clay.

The expertly thrown body is covered with the typical green copper oxide glaze inside and outside. A 'window' on the side has been left unglazed for decoration in iron oxide engobe under a clear ash glaze in a geometric pattern of squares and triangles and little circles. This is a typical late Momoyama design. The somewhat irregular foot is typical for the late production of the 1...

Real old Kihara-Karatsu Chawan from the well known Kiwara kiln in Sasebo. This type of tea bowl is called hanjiki, a transitional folk half porcelain bowl between Karatsu and Shoki-Imari ware.

Very nice cobalt decoration with mysterious charakters, crackle glaze and an antique gold restoration called kintsugi (gintsugi).

The Kihara-Karatsu Chawan comes with a high quality shifuku.

Size: 2,9'' height, 4,6'' width.

Shipping included

Exquisite Antique Japanese pair of large garden lanterns. Each is made of cast iron in 10 sections. The roof of each has raised writing, the lantern portions are decorated with kiri blossoms. The pedestals are coiled around with dragons in low relief, the base of each has high relief fu-dogs. Very difficult to collect. Meiji Period (1868 - 1912) All original iron Size of each: 62 1/2" high x 24" wide at widest part. (Each base is approx 20" wide)

Japanese antique one section tansu with gorgeous dark finish kiri front drawers, decorated with thick iron kakute (square) handles, round Iron lock plates, and incised corner hardware. Meiji Period (1868 - 1912) Original Finish, Beautiful Condition Size: 33.25" height, 22.75" width, 17" depth

A superb work by Japanese Living National Treasure Hara Kiyoshi enclosed in the original signed wooden box dating circa 1985. It is 14 inches (35 cm) diameter, roughly the same height and in fine condition. Due to size the cost of shipping will be accrued separately.
Hara Kiyoshi (b. 1936) was born in Shimane, and studied pottery under Living National Treasures Ishiguro Munemaru and Shimizu Uichi from 1954 before establishing his own kiln, first in Tokyo, then later in Saitama. He was ...

A large vase by Takahashi Dohachi and decorated by Hashimoto Dokuzan enclosed in the original wooden box signed by both artists. Also, stored in a separate compartment is a wooden stand which appears to have once been part of a temple or altar. The vase is covered in a typical crackled Kyo-yaki glaze, and decorated in cobalt with two figures in a watery landscape, one fishing, the other on top of a stone playing the flute. Judging by the style it is likely an allusion to the famous friends Ka...

A porcelain bowl painted with over glaze "famille rose" enamels depicting a flowering peony shrub issuing from a stylized blue rock. This item was made in China for export to Europe during the second quarter of the 18th Century. Condition: very good - there is a 1.7cm chip to the inside of the footrim; no other damages and no restoration. 14cm (5.5 inches) diameter; 6.5cm (2.6 inches) high.

19th Century, finely Hand-Carved Netsuke depicting a Large Shishi that is playfully pushing a ball with its left paw stands on a platform right next to a kneeling Karako that appears to be offering a treat to the Lion Dog. Action Figure with powerful form and expression. Stained for effect. The platform is decorated with peonies. Chimey himotoshi that starts in the middle of the platform and continues with the spaces formed by the legs of the Shishi. Signed (Ryukosai) Jugyoku (1815 – 1877...

Occasionally as I’m browsing through the temple markets of Kyoto or perusing backstreets tea-ware shops, an attractive piece will catch my eye for no particular reason. When this happens, I typically buy it immediately without hesitation, trusting that I will be able to decipher the Chinese script and give it proper attribution through the course of my research. In this case, I was only able to make it half-way there. Unfortunately the bowl does not bear the artist’s seal and the box only pr...

This impressive han-tsutsu Shino chawan was made by the late 13th generation Mino potter Kato Seizo (1930-1979, Kagekiyo). Kato’s works are well-regarded throughout Japan and he has won a number of honors and awards over the course of his career as an artist. Not surprisingly, he is equally appreciated abroad and by foreign experts of Japanese pottery. Robert Yellin wrote of Kato: "Kato was one of the finest Mino potters after the first generation of Showa greats, such as Kato Tokuro and Araka...