A monumental large blue and white covered box with well balance potted, decorated with three claws nails like knife of open mouth Dragon chasing flaming pearl, surrounded by three clouds scrolls. the bottom with encircled waves. The base is flat but in the middle goes into a round shape to the front side. The color is pale blue or local cobalt blue. The painting is masterpiece work. Found at Indonesia. Mid 14th century or Late Yuan to Early Ming transitional period. Due to the war between Yuan ...

Japanese shin hanga woodblock print titled “Tasogare” (aka Dusk or Twilight) by Yamakawa Shuho (1898-1944) depicting a beauty in dressed summer kimono holding an uchiwa (non-folding fan) from the series “Four Images of Women” published by Bijutsusha in April 1928. This is the oban edition with gaufrage and mica highlights. The Shuho signature and red maple leaf seal are at the upper right. Plate: 14 1/4” x 9 3/8” (visible paper size: 14 5/8” x 10 1/8”); frame: 21" x 16 5/8." ...

A Very Rare/Fine/Korean Carved Wood Block Printing Panel (능화판菱花板)-19th C.: Korea, Joseon dynasty, 19th century. This wood block printer carved panel engraved for book cover decoration or for other various materials decorations, this panel carving done by a very experienced skilled carver, and carved delicately with geometric patterns, a medallion floral decoration and two Chinese characters: “Happiness and Longevity”. It is in very good condition with dark black ink ...

Over the years we have taken a special interest in Raku-ware and especially in works produced by the Tamamizu kiln, such as the 300+ year old ceremonial tea bowl seen here. The first in this line of potters was Yahē (1662 - 1722), an illegitimate son of Kichizaemon Ichinyu (1615 - 1768) who studied under his father and then left to open his own kiln in the village of Tamamizu (known today as Ide-cho). Though he is the first potter of this branch, he is sometimes referred to as Tamamizu VI, deno...

Revered Chinese scholar and tea master, Lù Yǔ is known as the “Sage of Tea” and is credited with advancing the practice of tea through the writing of his life’s work,The Classic of Tea. Here we see a masterful rendition of this historic figure done by one of the most iconic Kyoto painters—and founder of the Maruyama school—Maruyama Ōkyo.

Student of Ishida Yutei (1772-1786), Maruyama studied primarily Kano and Tosa painting and was influenced greatly by western art, par...

Born the second son of Ryônyû, the 10th Raku Kichizaemon Tannyû took over the family kiln in 1811 at the age of 16 and served until his retirement and subsequent handing on of the title of Kichizaemon to his son-in-law Keinyû some 34 years later. Retaining many of the unique stylistic innovations of his father including his clay trimming technique, Tannyû went on to establish several new family kilns and to produce wares for both 10th and 11th Tokugawa Lords. The piece seen here is a classi...

A cast bronze vase. Finely executed. The finish is nice, made with a lathe and a scraper. Very elegant decoration of chains and tassels inlaid in gold and silver. At the neck a frieze of stylized dragons. Beautiful old patina, good condition, no restoration. No mark. High: 30cm.

Antique Amitayus Bronze Buddha, 150 years old from North India.

The Buddha of immeasurable life

Amitayus is considered the giver of a long life and in Buddhismus embodies a crowned and dignified Buddha from the lotus family.

He is depicted meditating on the lotus seat and holding his hands in the gesture of equanimity. In many depictions he holds an ambrosia vase in his hands filled with the nectar of longevity and immortality. This gives him the venerability and maj...

A small porcelain teapot with molded chrysanthemum blossom decoration and arch-shaped handle. Thick greyish clay with craquelé. Condition: few tiny rim frits near the spout end, no repairs. Dimension: 12.4 cm high x 12.8 cm long.

Porcelain dish decorated in cobalt blue representing Buddhai and children. In the background we can see a fireworks rocket.Below a mark of 4 characters. The enamelled edge of brown enamel. Traces of pernettes. Diameter: 295mm (11,6 inches) Good condition,normal wear for old porcelain.

Large Chinese porcelain vase. Incised decoration of dragons and clouds enamelled with colors on a yellow enamelled background. Probably from the Guanxu period. Accident with a long crack visible on photo. High: 46cm

Porcelain vase decorated in enamel with bats fluttering in the clouds. Period 20 ° but not modern, probably republic. Good condition, some wear and some burnt enamels visible on photo. High: 40cm

A Pair of Fine Korean Embroidered Official Rank Badges/a Double White cranes-late 19th C. Korean, Joseon dynasty, 19th century. framed. A double crane embroidered with white silk thread on dark blue ground, made for a civilian official of first to third rank, a square showing a pair of white cranes above foaming stylized wave and rock work below clouds, worked in the shades of blue, white, pink, yellow, orange, green, purple and brown on the blue silk ground. It’s in very good con...

Chinese Qing dynasty ink and color on silk painting in the imperial court style depicting two birds on branches set against flowers by Ma Jiatong (1865-1937). The inscription reads “following the spirit of the brush of Prime Minister Jiang Nansha” (referring to the early Qing painter Jiang Tingxi), by Xiangdong Jushi Jiatong.” Two seals of the artist are below. The second reads "Ma Jingfan.” 19th century, Tongzhi to Guangxu period. Painting: 62” x 15 1/4" (including silk mounting:...

Okuhara Seiko (1837-1918; female)
Cherry Blossoms Under the Full Moon
Date: 1900s-1910s
Publisher: Daikokuya.
Unsigned. Signed examples exist.
Size: Shikishiban. Approximately 9.75 x 9.5 inches.
Medium: Japanese woodblock print.
Condition: Slight toning. Left and right edges bumped.

KIHARA CHAWAN

Japanese semi-porcelain bowl with such calm iron-glazed picture as the transitional ware between Karatsu and Shoki-Imari ware, Kiwara kiln in Nagasaki area, Edo period (1603-1868), approx. D 12 x H 6.9cm (4.72 x 2.71in). Some restorations and a crack but no leak.


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Two erotic shunga drawings in black ink and mineral colors on thin paper.
On the right hand painting a double-sided dildo, to pleasure two women at the same time. The left half is made of tortoise shell (yellow with black patches), the right half is probably indicating buffalo horn.
The left-hand painting shows how to use the dildo properly.

Unsigned.

Japan, 19th century.

Each drawing 9.75 x 9.75 inches. Both drawing fully mounted onto a thicker sheet of paper.

...

A Very Beautiful Korean White Slip Inlaid Buncheoung Tea Bowl-15th C: . Korea, Joseon dynasty, 15th century. A very beautiful potted tea bowl or cup decorated full exterior and interior in white slip, with a central flower head medallion, surrounded by a wide band of “rope curtain” pattern, and a narrow band of an abstract design. beneath a pale celadon glaze, set on a raised ring foot unglazed. It’s in very fine condition, measures12.3cm x 5.2cm h.