Chinese Blue and White Porcelain covered Paste Ink Box, Ca. late 1700's, 1 3/8" high, 2 1/2" diameter, underglaze dark Blue flower decoration on the grayish white color of body in the center on top of the cover, glaze hairline about 1" to 1 1/2" long but not open hairline underneath the cover inside, some surface scratches on top of the cover in the center area.

Chinese Export "Hatcher" Shipwreck covered Blue and White Porcelain Paste Ink Box, Ca. 17th C., 1 1/8" high include cover, 2 1/8" diameter, underglaze blue Sun Flower design is very detailed under the slightly Celadon Green glaze, the fine brush strokes are very well done. This beautiful Paste Ink box was auctioned as one of the "Hatcher Shipwreck Collection" sale in June 1984 in Amsterdam by Christie's. Red round small label by Christie's is still attached on the bottom. One(1) tiny bubble p...

Japanese 2 section Kiri (paulownia) isho tansu, or clothing chest of drawers. With hand forged iron hardware and pulls with chrysanthemum studs beneath. The top and sides of each section are branded with a medicine gourd bottle signature.

Meiji period (1868-1912)

Dimensions: 33 3/4" x 15 3/4" x 41 3/4" H

Antique Chinese unmounted scroll depicting a scene of various types of birds including crows, song birds, pheasants, quail, ducks and sand pipers. Painted in mineral colors on silk.

Ming Dynasty (14th - 16th century)

Dimensions: 60" high x 17" wide

Chinese Blue and White covered rectangle shape Scholar's Box, Ca. 1880-1920, 2" high maximum, 4 3/8" x 3 1/8" wide, underglaze blue design of the flowers in the basket in the diamond shape cartouche enclosed with geometric blue design of triangle shape borders on four(4) corners, supported by four(4) short feet, bottom is unglazed. There are etched Chinese Characters written inside the bottom of the box and also under the cover. The dome top cover is wrapped a little, doesn't fit tightly. The...

Antique Japanese scroll painting of a hawk standing on the branch of an oak tree. The hawk is detailed with great attention to every feather. Painted in sumi ink and light colors on paper. Signed Shunkei with seal, possibly Mori Shunkei (1775-1841).

Edo Period (Late 18th - Early 19th century)

Dimensions: Total 79" high x 27 1/4" wide (29 1/4" wide including ends) Art: 51 1/2" high x 21 1/2" wide

Japanese antique scroll painting of the Lucky God, Ebisu. He sits on a rocky shoreline with his fishing pole in his right hand. Tucked under his left arm is a giant fish.
Ebisu is the Japanese god of fishermen and luck. He is one of the Seven Gods of Fortune (七福神), and the only one of the seven to originate purely from Japan without any Hindu influence.
The weak child overcame many hardships, grew legs (and, presumably, the rest of his skeletal structure) at the age ...

Pierce-work combined with over and under glaze decoration create the perfect picture of spring on this bowl by Takahashi Dohachi enclosed in the original wooden box signed Kachutei Dohachi and titled Kenzan Yo Tsubaki Bori Hachi (Kenzan style Camelia patterned Carved Bowl). It is 20 cm (8 inches) diameter and in excellent condition.
The Dohachi Kiln was established in Awataguchi by the retainer of Kameyama fief, Dohachi I around 1760, and the name Dohachi was brought to the forefront of ...

An abalone shaped dish decorated in underglaze blue with trailing Clematis vine, Tessen. The dish is in “Ko Sometsuke” style based on porcelain specifically produced in China for the Japanese market in the first half of the seventeenth century made to Japanese specifications. The abalone form was considered especially auspicious, as noshi, dried awabi strips, were formally presented with gifts. It would have been particularly suitable as a gift to one of Samurai rank, as the word noshi was a...

An abalone shaped dish decorated in underglaze blue with trailing Clematis vine, Tessen. The dish is in “Ko Sometsuke” style based on porcelain specifically produced in China for the Japanese market in the first half of the seventeenth century and made to Japanese specifications. The abalone form was considered especially auspicious, as noshi, dried awabi strips, were formally presented with gifts. It would have been particularly suitable as a gift to one of Samurai rank, as the word noshi w...

Japanese bronze vase with nice form, used to decorate single flower arrangement in Japanese traditional tea ceremony.

Age: Japan, Showa Period, Early 20th Century
Measurement: Height 16.8 C.M. / Width 11.3 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

An authentic large Tang tomb Attendant wearing a typical attendant's outfit with remains of the original pigments. Large pottery items were made in three parts, the head, upper body and lower body.This item was excavated from a tomb in 1998 with many other items. See last photo. Age: Tang Dynasty 618 - 907 AD. Size: H.70cm. W.16cm Condition: No repairs.

A pair of late 19th or 20th C. Chinese export amphora vases with repousse birds and pine tree motif, with beautiful age patina normal wear and small dents,please see the photo.. H:17cm , Weights: 305g. Marked Chinese Sold

Kawase Hasui
Kanestuki Hall Bell Tower, Okayama
Size: Oban. Approximately 15.25 x 10.5 inches.
Date: 1947
Publisher: Watanabe Shozaburo. Watanabe 6mm seal at lower right, indicating a first edition printed between 1946 and 1957.
Reference: Hotei #500.
Medium: Japanese woodblock print.
Condition: Excellent. Back top margin has tape residue. Very slight bend lower right corner. Pencil notation at lower back margin.

A long Buddhist religious painting, the top corners with remnants of the fixtures once used for hanging from the ceiling so both paintings are visible. One side of the cloth is painted with hanging human and animal skulls and skins intertwined. Skeletal faces of the Citipati hang amongst the human heads, their skeletal form serving as a reminder of the impermanence of life and eternal change. Below the hanging heads and skins are lingzhi clouds carrying the bodhisattvas with their heavenly at...

Chinese Tang dynasty (618-907) pottery figure of a standing lady (often referred to as a “fat lady”), dressed in a long-sleeved, high-waisted, full-length robe. One boat-shaped shoe protrudes from the bottom of the robe. The sleeve of her gown covers her right hand while the left hand is exposed. Her hair is gathered in a double-topknot at the top of her head. Cold painted red pigment remains over the thin layer of white slip covering the red pottery. Traces of red and black pigment are...

Rarely encountered Chinese Tang dynasty (618-907) pottery figure of a court gentleman (often referred to as a “fat man”) wearing a scarf hat and dressed in a long, belted gown with one arm raised, his hand covered by his voluminous sleeve, and the other hand holding the belt. An acrylic stand is included. 14 1/4” high (excluding stand). Circa 7th to 8th century. Very good overall condition with nice detailing. From an Arizona collection. Purchased in Hong Kong in 1996.

A hexagonal moulded small bowl or mukuzuke decorated with alternating panels of Buddhist Lions and Peonies painted in a limited three colour palette of iron red, green and yellow enamels and a Camelia flower to the interior of the bowl based on a Chinese wucai pattern of the late Ming period. A cheerful auspicious pattern celebrating the season of spring. The Buddhist lions rendered as playful characters rather than as fierce guardians. A mukuzuke of round form with everted rim with an almost i...