This exceptional tea bowl was crafted by one of the great masters of Japanese pottery and given the poetic name “Nami” (wave) by a famous tea master of the Ura-senke school of tea. The Chinese character is not the standard writing for wave but rather one with more nuance, suggesting longevity—as in the image of a long enduring cresting wave. The white hakeme brush strokes and the overall shape of the tea vessel fit perfectly with its poetic name, making this ceremonial tea bowl perfect for...

Kawase Hasui
Sailboat at Yashima
Date: 1930s
Size: Koban. Approximately 7.75 x 5.25 inches.
Publisher: Watanabe Shozaburo.
Reference: Hotei #Hp-82.
"Made in Japan" stamped on verso. Medium: Japanese woodblock print.
Condition: Very slight toning.

A mukuzuke or serving dish of raised barbed lotus form with a moulded ribbed cavetto decorated in underglaze blue with gilt outlined enamels dating to circa 1740-70. The unusual form of the dish follows Chinese “Ko Sometsuke” precedents of the first half of the 17th century; see “The Peony Pavillion” lot 220 for a Chinese example of the Chongzhen period, where this particular form is considered to have been especially made for the kaiseki meal accompanying the Tea ceremony. The centre ...

A dish and cup with a stylised suhama, shore-line, rim decorated in somenishikide style with a pair of lively galloping horses in a sansui, water and rock, landscape, with mountains in the background and a stream in the foreground. The dish dates to the late Mid Edo period, and probably the Meiwa era. The design reflects the revival of interest in Japan in the patterns found on Late Ming Chinese porcelain made for the Japanese market and the Tea ceremony. This unusual pattern of a pair of horse...

Japanese Cast Iron Tetsubin, tall Tea Cattle, Tea Pot, Before 1900, early Meiji period, 10 1/2" high include handle, 6 1/2" wide include spout, early cylinder shape, pine cone knob, iron handle has raised design, and some low relief design on the side all around but hard to distinguish. This tea kettle is as is condition, spout was repaired sometime ago and hole on the bottom size of 1/2" x 1 1/4" long, some broken pieces are saved in the plastic bag inside the pot but need some restoration wor...

An antique gilt gold Straits Chinese Nyonya lady Peranakan Kerongsang brooch with the semi precious Yaakop stone , more than 100 years old Jewellery

This is a early 19 th century peranakan belt

Two very playful Southeast Asian panthers skillfully carved from red palm wood. They can be displayed on any one of 3 sides and look as thought they were designed to be viewed in whatever position you place them. The wood is heavy and dense feeling very much like a hardwood and weighs about 3 lbs. In excellent vintage condition, they measure 9.5 inches long by 5 inches high. Dates early 20th century.

Ohara Koson
Fishing Boats at Sea
Size: Chu-tanzaku. Approximately 14.5 x 5 inches.
Date: ca. pre-1910.
Publisher: Kokkeido.
Artist's signature and seal and publisher's seal at lower right.
Reference: K44.20 and cat. #29 in Crows, Cranes and Camellias: The Natural World of Ohara Koson.
Medium: Japanese woodblock print.
Condition: Excellent.

Standing Korean guardian figure sculpted from an igneous stone, the bottom surface sculpted for insertion directly into the soil. Late-Joseon Period ca. 1900. Very minor old loss, with softening of the lines and contours. Overall lichen accumulation.

Height: 27.5 cm
Width: 18 cm
Depth: 11 cm
Packaged weight: 8 kg

Furoshiki with sashiko which is made of hand-spun cotton and dyed with vegetable indigo. Sashiko thread iFs also hand-spun cotton. In excellent condition but has some tiny holes and mending patches. Late 19th to early 20th century. 97cm x 102cm

Bamboo basket container coated with urushi. It is handwoven of bamboo strips and covered with washi (Japanese handmade papaer), and then painted with black urushi. It has a label inside which says "Kataji kawago" which used to be a basket made of bamboo or wicker and covered with deer skin, or covered with washi later. It also says it was made in Ise in Mie Prefecture. It has vegetable indigo dyed washi lining. Generally in good condition but has many parts urushi came off, breaks and wear. 1...

Reminiscent of a perfectly formed oyster shell or the shell of a hermit crab, this recent creation by young artist Hiramatsu Ryoma demonstrates his creative imagination—influenced heavily by forms he discovered in nature. Described on the box as a “ammonite/ kataguchi” (ammonite/ sake pourer), Hiramatsu says his inspiration for this piece (and several others) came from an ancient form of sea life known as an ammonite—a large spiraled mollusk who’s shells are often found fossilized toda...

Reminiscent of a perfectly formed oyster shell or the shell of a hermit crab, this recent creation by young artist Hiramatsu Ryoma demonstrates his creative imagination—influenced heavily by forms he discovered in nature. Described on the box as a “ammonite/ guinomi” (ammonite/ sake cup), Hiramatsu says his inspiration for this piece (and several others) came from an ancient form of sea life known as an ammonite—a large spiraled mollusk who’s shells are often found fossilized today. We...

Reminiscent of a perfectly formed oyster shell or the shell of a hermit crab, this recent creation by young artist Hiramatsu Ryoma demonstrates his creative imagination—influenced heavily by forms he discovered in nature. Described on the box as a “ammonite/ guinomi” (ammonite/ sake cup), Hiramatsu says his inspiration for this piece (and several others) came from an ancient form of sea life known as an ammonite—a large spiraled mollusk who’s shells are often found fossilized today. We...

Looking something akin to dragon skin with gilded beads glistening between the scales, this recent creation by young artist Hiramatsu Ryoma demonstrates his creative imagination and challenges the traditional boundaries of what defines a Tokkuri (Saké flask). Described as a “Kiretsu-mon” (ki = turtle, retsu = cracked, mon = design/ crest), according to Hiramatsu, his inspiration for this piece (and a number of others) came from an ancient form of sea life known as an Ammonite—a large spir...

Pair of Chinese late Qing dynasty Guangxu period hexagonal form hat stands with melon form vent holes decorated in underglaze blue on a white porcelain ground with various figures interspersed among auspicious objects. Scrolling vines are at the top of one. The interiors are glazed with only the footrims left unglazed. Circa 1900. 10 1/2" high each. Very good overall condition. One had a small professionally executed repair to an edge that is not visible to the eye or under black light. T...

A wonderful translucent blue celadon Tobi vase done in the classic style of Longquan Chinese pottery. This piece was made by one of the few great female Japanese potters of the previous century—Suwa Sozan II, daughter of Meiji Imperial Court Artist Sozan I.

Suwa Sozan I (1852—1922) was born in an area of what is known today as Ishikawa prefecture. After a short stint in the military he took up pottery design and painting under Touda Tokuji in 1873. From this point for...