Meiji (1868-1912) Japanese Kinkozan Satsuma Earthenware Vase with 7 Dragons in Clouds Marked

It is 6.7 inches (17 cm) tall by 4.5 inches (11.5 cm) wide. It is 1 Lb.

It has rubbing of gold and paint and surface wears and scratches (as seen in the photos).

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1900's Chinese Famille Noire Kangxi Style Porcelain Ginger Jar with Phoenix & Flowers

It is 8.6 inches (22 cm) tall by 8.45 inches (21.5 cm) wide. It weighs 5 lb.

It has chips and skip glazes at the lid, a small chip at the bottom, dark spots, rubbing of paint, and surface wears and scratches (as seen in the photos).

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Meiji (1868-1912) Japanese Silver Rim Makie Lacquer Box with Wild Flowers on a Swirling Stream

It is 1.75 inches (4.45 cm) tall by 8 inches (20.32 cm) wide by 9.25 inches (23.49 cm) in length. It is 1.6 Lb.

It is tarnished and has small and flea bite chips at the edges, one corner of the lid has cracks and gaps, rubbing of gold and paint, and surface wears and scratches (as seen in the photos).

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Japanese Shibayama and filigree silver tray dating back to the Meiji period (1890-1912). The central panel is decorated using the Shibayama technique, which involves inlaying finely carved pieces of materials such as mother-of-pearl, bone, and various stones onto a lacquered surface. The inlay depicts birds on a blooming tree branch. The back is decorated with lacquer. Signed in a silver reserve. Diameter 8 ½ ” 21.5 sm.

Fine & Rare Chinese Kangxi Blue & White Porcelain Lotus Dish

This very attractive and fine-quality porcelain dish with a lotus-shaped rim was made during the Kangxi reign (1662 - 1722) of the Qing Dynasty. In the centre is a grasshopper amongst rockwork, peonies and chrysanthemum blossoms. Surrounding this are nine panels in the form of lotus petals, each containing a different scene including ducks, birds and a variety of flowering trees and blossoms. Around the rim edge is a brown iron was...

Large Chinese Kangxi Imari Porcelain Dish

This fine-quality porcelain dish with attractive floral pattern in underglaze blue, red enamel and gilding, was made during the Kangxi reign (1662 - 1722) of the Qing Dynasty. Around the rim edge is an iron-brown wash to help prevent fritting of the glaze during firing.

It is quite a large example with a diameter of 27.75 cm (11 inches). It has a good ring when tapped although there is a small professional repair, extremely difficult to see (see ...

Large Chinese Neolithic Machang Painted Pottery Jar

This attractively-shaped pottery jar was made over 4,000 years ago during the Machang Phase (c. 2300 - 2000 BC) of the Majiayao culture, also known as the Gansu-Yangshao culture, from present day Gansu or Qinghai province.

It is made from a pale buff-coloured pottery that is quite highly-fired. It has a wide globular body with a small flat base, a fairly short neck and flared mouth. On opposing sides at the waist are two loop handles. ...

A well hollowed Chinese snuff bottle carved from spinach-green jade. The stopper is en suite, wood or patinated bone spoon. Condition: few traces of usage. Dimension: c. 5.9 cm high.

INK-INSCRIBED EARTHENWARE

Unglazed earthenware jar with ink inscriptions, commonly referred to as Bokusho-doki (“ink-inscribed earthenware”). Japan, 17th–19th century (early modern period). Approx. 21 cm (8.3 in) in height. The white surface deposits are minerals and cannot be removed by washing. Age-related wear consistent with time.


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19th C wood netsuke depicting a cat among kitchen utensils. Very well naturalistically carve, eyes double inlayed. Signed with somewhat stylized signature in an oval reserve. 1 ¾ ” x 1 ½ “ 45 x 38 mm.

The box is circular, possibly alluding to a "full moon," with gilded rims. The cover is decorated in relief with flowers, leaves, and birds, utilizing mixed-metal inlay techniques on a dark patinated bronze or shakudo ground. Signed. 5 ½ ” x 2 “ 138 x 57 mm.

The technique includes intricate gold and silver inlays on an iron or antimony base. The central medallion depicts a detailed landscape scene, potentially featuring a temple like Kiyomizu-dera in Kyoto, overlooking a river valley with boats. Signed in gold. Signature may be translated as “Empire of Great Japan; Kyōto Komai-sei” Diameter 7 ¼” 18.5 sm.

Shonai sodenashi (vest) which is up cycled with cotton cloth and Shonai obi (sash) whose warp is vegetable indigo dye cotton and weft is washi (Japanese handmade paper). It has beautiful sashiko on indigo cloth in both sides. Generally, n good condition but has a few mending and light stains. The first half of the 20th century. Shoulder W:35cm, Hem W:39cm, L:80cm

TEXTILE MADE OF HANJI AND COTTON

Contemporary textile artwork hand-knitted by a Korean artist using a blend of hanji (traditional Korean paper) and cotton in roughly equal proportions. Soft and airy yet with a slight weight. White with interwoven navy tones. Approx. max. 93 × 128 cm (36.6 × 50.4 in).


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TWO STILL LIFES

A quiet, classical oil painting on canvas, F4 size. Artist unknown. Japan, Shōwa period (20th century). Framed size: approx. 43 × 52 × 4 cm (16.9 × 20.5 × 1.6 in). Age-related wear consistent with time.


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A beautifully and fine blue and white covered box decorated with a lively carp swimming among aquatic plants, symbolizing abundance and continuously prosperity. Around the shoulder is an inscription written in elegant approximately middle of 14th Century or Late Yuan Dynasty,it's rare to found inscription on the Yuan Dynasty pieces like David vases in the British Museum London. Condition is perfect with no any chip, no any crack and free from any restoration. Diameter: 12,3 cm and Height: 7,5 c...

A Japanese six-panel folding screen painted on silk with a golden ground, depicting two Manchurian cranes perched on a pine (matsu) branch. The work bears the signature and seal of Kawakita Kahō (1875–1940), a painter of the traditional Japanese nihonga school, a student of Kōno Bairei and Kikuchi Hōbun, and a regular participant in the Bunten exhibitions. A comparable folding screen by Kawakita Kahō was sold at Bonhams in 2013. Period: Taishō, circa 1920 Dimensions: 137.5 × 27...

A superbly blue and white Yuhuchunping painted with seven level and main decorated with four peony scrolls and also the shaped with larger size in bottom area, slightly different from Yuan Dynasty if we compare carefully, Found recovery from Sumatera Island, I believed it because purchased from Batam Island Indonesia. Condition is very good, no any chip, no any crack and free from any restoration. Early Ming Dynasty Hongwu period. Height:32 cm, Mouth rim: 8,3 cm, Foot rim: 12,8 cm.