A Ming cast-iron figure of Vairocana, the Dharmakaya Buddha, the most important of the Five Dhyani Buddhas, the one from whom the other emanate from; his name means "luminous" or "embodiment of lightâ€. He is sitting on a lotus throne, holding his hands in Abisheka Mudra (consecration gesture). On the back side there is a dedication: donated by the Li family. Ming Dynasty, 1368–1644. H. 27. Condition: Very good but with few casting mistakes on the back

A very rare and finely cast bronze image of the Daoist goddess “The Mysterious Lady of the Ninth Heaven” (chinese: Jiu Tian Xuan Nu). She is depicted standing on a stylised cloud and holds ritual implements in both hands, a sword in her right hand while the left hand holds a gourd. Remains of cold gilt. China, Ming, 16th century. H 22,5 cm. Condition: Very good, but sward blade broken off and of course with some loss to the cold gilt.

PHALLUS WITH FACE

Wood carving. Showa period, 20th century, Japan. H 39 x 9 x 7cm (15.35 x 3.54 x 2.75in). Rare type hardly seen.


selected by Jinta




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Burmese wooden Buddha sitting in Mara Vijaya (calling the earth to witness) posture on a base.

Age: Burma, Ava Period, 15th Century
Size: Height 67.5 C.M. / Width 37.8 C.M.
Condition: Intact with original condition. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Straight out of a Miyazaki Hayao fantasy is this Future Fossil Series Koro incense burner by Watanabe Takuma which comes enclosed in the original signed wooden box titled Bizen Koro Mirai Kaseki (future Fossil). It is 13 cm (5 inches diameter, 16.5 cm (6-1/2 inches) tall and in excellent condition, directly from the artist this summer.
Watanabe Takuma was born in Hyogo prefecture in 1968, and after graduating Kansai Daigaku University in 1991, began studying Bizen ware under Yamauchi Ats...

Miniature altar representing Hindu god Shiva and his wife Parvati, standing, and backed by a mandorla. Bronze, with strong abrasion due to age and fine patina. India, 17th/18th century, maybe earlier. Height: 83 mm. Very good condition. Provenance: old Berlin collection.

Mask used for household protection against evil spirits, with an unusual elongated form. Wood, age patina. Nepal, Gurung ethnic group, first half of 20th century. Height: 32.8 cm. Mounted on a custom stand. Some abrasion, otherwise very good condition.

Hanten work wear (noragi( made of hemp, both warps and wefts are hand-plied. Sleeves are tsutsusode (tubular shape). In excellent condition except for a mending (5mm) The first half of the 20th century. 120cm x 61cm

A carpet made of recycled washi fragments which were daifukucho (merchant's record book) or letters, and kakishibu (persimmon tannin) painted for strength and waterproof. It was generally put over tatami mats protecting them from sun beam or dust. It has letters "Kanei 6 (1853)", very late Edo period. It has rips, holes and moth bites. 204cm x 192cm

A sage, strikes a forever pose as he stares into the distance, robes billowing in the wind, contemplating the troubles of lesser beings, a fan clutched behind. This is a beautiful bronze sculpture dating from early 20th century Japan paying homage to the literati and Confucian traditions which formed the basis of Japanese ideology at the time. It is signed Kiyoshi with an engraved signature on the hem of his robes. The figure stands 39 cm (15-1/2 inches) tall and is in excellent condition. ...

A Fine/Rare Korean Bird/Flower (花鳥圖) 8 Panel Paintings-19th C.: . Korea, Joseon dynasty, 19th century. The paintings removed from a frame. A group of 8 panel of bird and flower paintings are painted on silk, painted in ink and brilliant pholycrome colors, each painting painted with different birds and 4 seasonal flowers. It is in good condition but some darkened and stains with light cracks due to its age, the eight panel paintings removed from frames. It measures 96cm x 46cm. ***B...

Japanese Meiji period Imari porcelain charger decorated in underglaze blue and overglaze polychrome enamels and gilt highlights with four panels holding bamboo, calligraphy, flying birds, and a variety of blossoming flowers all set against a blue background with gold accented leaves. Three sections of blue waves separated by flying birds encircle the back rim. Circa 1900. 16 3/4" diameter x 2 1/2" high. Very good overall condition. There is typical minor rubbing and wear to the gilt and over...

A heavily cast Chinese gold splash bronze two-handled bombe censer on slightly flared foot. Some wear, good old patina. 13 cms wide. Mid Qing dynasty, probably 18th century, Xuande mark.

A carved lacquer box which pays homage to Chinese literary taste while presenting itself clearly in a modern, Japanese way (for turn of the century lacquerware at least) by 2nd generation lacquer artist Ishii Yusuke enclosed in the original signed wooden box. The tsuishu lacquer technique requires applying layer upon layer of lacquer which is then carved through and polished, a painstaking process. This piece is exquisitely crafted, carved and polished revealing the many layers of lacquer, it ...

A white bronze sculpture of crashing waves supporting three glass orbs; an elegant form carrying good fortune from old Japan. It is 49 cm (19-1/4 inches) long and in overall excellent condition. Set it in the window and watch the orbs blow colorful prisms across the room.

A Chinese cloisonne enamel cup-stand with unusual leafy mask decoration. Qianlong/Jiaqing, 1780-1820. 13.25 cms diam. Good condition.

Handwoven with delicate precision, this Japanese bamboo ikebana basket showcases the beauty of traditional bamboo weaving and the elegance of classic Chinese design that much of Japanese traditional art is based on. Its sturdy construction and balanced proportions make it perfect for ikebana arrangements, merging floral artistry with cultural aesthetics.

Though little is known about this artisan, I was able to find examples of their work in several high-end Japanese g...

This Edo-period bronze quail incense burner is a stunning piece of Japanese craftsmanship. The lifelike form of the quail, intricately detailed and gracefully curved, showcases the artistry of the era. With a beautifully patinated bronze surface and intricate feather patterns, it is both a functional incense burner and a work of art, capturing the essence of the aesthetics of the day.

According to an inscription on the underside of the lid, in the year 1861 this piece wa...