A beautiful Japanese golden brocade plate dating to the early 18th century, a powerful rendering of a Kylin is majestically displayed front and center. This unusual ko-imari plate is without flaw and has a slight creme color tone to the porcelain, it is very unique in terms of beauty and presentation. It measures 9.5" x 2" (24.1 cm x 5.1 cm).

Description:
A white-glazed amphora was in grandeur look.
By an ovoid belly, the wall sprang from the solid flat base, expanded rapidly then curved to form a bulging shoulder.
Under the dished mouth, the long ringed neck rested to the broad shoulder on which was circulated with a raised ridge.
The jar was mold with double dragon-handles which were decorated with scrolling crest on top and two knob-like pearls on the spine.
It was joyfully found that one of the small pearls o...

A rare silver and silver wire torque. Origin: Rajasthan or Gujarat Weight: ca. 290 gr. Diameter: 15 cm (inside) Age: first half 20th century Literature: Oppi Untracht, Traditional Jewelry of India, page 229, picture 478 for a similar piece.

Beautiful Japanese kesa made from a very high quality silk brocade. The work shown on this kesa is truly amazing. The gold picks up light easily and when it does, it changes the whole kesa to a golden color. The decoration is an auspicious floral design of hosoge (ancient imaginary flowers said to bloom in heaven) and karakusa. It will be impossible to produce a kesa of this quality today because of the steep decline in the quality of materials and workmanship since the time that this kesa w...

Antique Japanese box with large lid, lacquered red and black with shell inlay, black lacquer mon of pine tree and writing in black, heavy iron hardware, has holes for tying top to bottom for travel. The inscription on both sides state the name of the confectioner. Trans.: Confectioners Matsuzaka Asano Rokkado. Late Edo Period- Meiji Period (late 19th century). Size: 17" high x 16" wide x 13 1/2" deep.

A rare Indonesian Keris/Kriss with very old short wavy pamir/pamor steel blade. The Javanese style hilt has a white metal (probably silver) fitting set with flat back - "rose cut" - diamonds. For similar diamond fitting please see fig 10a, page 385 - "Glossary of the Construction, Decoration and Use of Arms and Armor" by George Cameron Stone, 1934 - pub 1961 by Jack Brussel (New York). Condition - the tip of the blade is missing and there are two chips and an age related crack to the wooden hilt...

Description:

A black-marble lion was in crouching posture.
Being rendered by excellent carving skill, the lion was in fierce look by bulge eyes, bared teeth and tongue.
Even though excavated with imperfections, the lion was still momentum by his strenuous muscle, the strong limbs and the flouring manes.
Bing preserved with original condition from excavation, the lion was perfectly fit to a custom-made brass base which was desighed and hammered by a modern metal artist. It ma...

Description:
"A finely carved limestone Buddha was seated in dhyanasana upon a lotus throne joined by octagonal column to a wide pedestal base of conforming section and framed by a skirt of pendent of lotus petals with furling peaks,
the Buddha's hand resting in his lap and upon his left knee while emerging from the long robes draped over the shoulders to leave the chest bare and filling in cascading folds over the base,
the face with slender almond eyes and small smiling mouth, fla...

Japanese Boxwood Recumbent ox netsuke, wonderful detail, especially carved fur and hooves, inlaid ebony eyes, signed by Tomokazu, good condition, Edo Period. The style of the signature indicates c1790 Kyoto carver Kano Tomokazu when he was under the tutilage of Tomotada, prior to returning to Gifu. Size L 2.5" x H 1" x D 1"

Japanese scroll painting with a figure of Manjusri in the center of a circular chart below which sits a fu-dog; the very bottom of the scroll has numerous signatures and seal marks. The waves along the border of the circle indicate that this is a Sea-Crossing Manjusri (Tokai Monju). The text within the circle indicates that the painting comes from the Matsumoto castle in the Shinano province (the Nagano prefecture in central Japan). The document that comes with the scroll is signed Bankyu (can...

Japanese Edo Period Peddlar's Box, gyoshobako, kiri wood throughout with mixed metal for original hardware of brass and iron on locks, side carrying rings, double safe compartments, with the lower inside containing a removable safe box with 3 drawers, worn condition with original finish, 11"W 19"D 26"H.

Pair of Indian Miniature Botanical Prints with Lily Bulbs on border margins, lily in central panel of one, tomato in other, gold leaf in background, newly painted images on manuscript paper 18th-19th century, waterstained and patched areas. Print Size: 6" Width 9.75" Height, framed.

Chinese Scholar's Hat Chair, Jumu, elmwood with translucent red lacquer, late 18th century early 19th century. Size: 21.5W 17D 38H, surface wear to finish and exposed wood.

Chinese Group of Stoneware Puppetheads and hands on iron stands, 19th century, charming characatures of daily life in China done in earthtones and shades of blue. Round holes of attachment at lower ends of pieces. Hollow cores. Head Sizes range from 6.75"H to 8.5"H without stands, Losses to various heads and hands

Boxwood Netsuke of Two Monkeys on a Giant Bell scrubbing with a brush and rinsing. Well carved details to hands and feet. Meiji Period (mid 1850's). Length 1.75 inches.

Pair of massive Chinese Buddha scrolls, Buddha dressed in flowing red robe with blue hair and usnisa, displaying different hand mudras for each. Partial chop on lower left margin,18th-19th century, worn and old repairs, new mounting for tops reinforced bottom, wood scroll ends. Size 12' L 5' W each

Japanese Edo Period Boxwood Netsuke of Grazing Horse on base, lovely patination and soft wear. Two character signature on bottom (illegible), Edo Period. 1.75 inches long