Japanese Antique keyaki (em) wood isho tansu (clothing chest) from the Sendai area. Top portion of the chest has two small drawers (a rare configuration). There are 7 exterior drawers of various sizes and a safe box with a hinged door (with key) covering three small interior drawers. Hardware includes large lock plates with chrysanthemum mon and ornate pierced carved leaves.

Meiji Period (1868-1912)

Dimensions: 35" high x 46 3/4" wide x 17" deep

Antique Japanese two section clothing tansu, constructed of Kiri (paulownia) wood with hand-forged iron hardware and plates. The upper unit holds two drawers with two iron pulls each. The lock plate of each drawer overlaid with brass turtle and kiri leaves. The lower unit holds two staggered larger drawers with small safe door.

Meiji period (1868-1912)

Dimensions: 37 1/4" x 16" x 39 3/4" H

Japanese inro with a large standing bull, frontally positioned with head lowered and looking ahead at the viewer. From the ring in his nose is a rope leading off to the side. The reverse image is a scene, entirely in gold lacquer, of rolling hills and pine saplings in the foreground. The inro opens to reveal a compartment lacquered red on the inside with a small removable inset tray.

Meiji Period (1868-1912)

Dimensions: 2 3/8" high x 3" wide

Antique Japanese choba tansu (merchant's chest) with negoro lacquer finish (distressed red and black lacquer). Made of sugi (cryptomeria) wood. This chest has 10 drawers of various sizes and a compartment opened by sliding panels with one interior shelf. Extensive iron hardware includes round lock plates and warabite shaped drawer pulls. From the Matsumoto area of Japan.

Meiji Period (1868-1912)

Dimensions: 41 1/2" high x 31 1/2" wide x 14" deep

The Choraku line of potters began when a student of Kichizaemon XI (Keinyu) and Kichizaemon XII (Konyu) opened an independent kiln in Kyoto in 1904. The line was officially given the name Choraku in 1906 by Choyuken, the head of a very influential tea ceremony association. Red Raku chawan are a favorite of tea enthusiasts and seem to have a face for every mood. In the right light they may appear like an amber sunset on the horizon. In another light, like lanterns moving through a misty field...

A true Mashiko Chawan by greatest Shoji Hamada with a real beautiful Ameyu glaze, double boxed and originally signed and sealed by the artist.

This treasure was part of the exhibition "The artists who searched for Mingei".

Hamada Shoji (1894-1978) was one of the leading potters of the Japanese Mingei (Folk Craft) movement...

Pair Japanese Blue and White Porcelain Soba Noodle Cups, Showa period, early 1900's, 3 1/8" high, 2 5/8" diameter-top rim, with transfered blue design on white, signed on the bottom. The condition is good, some missed glaze spots on the rim.

Japanese Blue and White Soba Noodle Cup, Showa period, late 1800 to early 1900's, 2 3/4" high, 3" diameter-top rim, tapered top and transfered blue design of flying Phoenix Bird among scrolling vines and leaves, unglazed bottom. The condition is good, some sand spots while firing in the kiln.

A five prong vajra or dorje. Bronze, with fine reddish green patina. Japan, 18th century. Length: 13 cm. Very good condition.

Japanese "Silver 950" marked Jewelry Box with etched design of Imperial Carriage in front of etched design of Mt. Fuji background, mid Showa period, 8 1/2" wide, 5 3/4" deep, 3 1/2" high, original Key included, inside the hinged top lined with red velvet divided tray and red velvet lined on top of Rosewood on the bottom. Beautifully etched and very fine quality of detailed of Imperial Carriage resting on the flowering bushes and Mt...

Wonderful medium-sized crater bowl, thinly potted of black clay and with glossy black glaze pitted with craters for volcanic moon-like effect, Signed Lovera; James Lovera (American, 1920-2015) modernist potter. Teacher at San Jose State University. James Lovera exhibited at the Crocker Museum in Sacramento in 2006: "Craters of Fire: Ceramics by James Lovera". With original inventory tag.

Age: c. 1990s.

Size: 8.5" Diameter x 5.25" Height

Japanese Amida Buddha statue, gold gilt over wood with inlaid crystal third eye. Seated on a lotus throne atop a hexagonal base, carved with smoke and flowers. The left hand mudra showing Varada: a gesture for granting and fulfilling all wishing as well as bestowing mercy and charity. The raised right hand is cradling a golden ball representing enlightenment and everlasting knowledge...

Ohara Koson (Shoson)
Two Ducks Flying Above Snow-covered Reeds
Size: Approximately 7.25 x 4.75 inches.
Date: ca. 1930s.
Shoson seal at right.
Reference: AS.4 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Medium: Japanese woodblock print.
Condition: Front is excellent. Back has paper and adhesive residue.

The old Edo to the Meiji hem pattern silk yuzen dye kimono: It is a pattern of scenery of sparrows in the snow during bamboo digging and bamboo. It has very slight stain , but it is hardly noticeable...

Japanese sosaku hanga woodblock print by Tokuriki Tomikichiro (1902-2000) titled “Sanjo Ohashi (Bridge)” dating circa 1950. The artist’s black “tomoe” seal is at the lower right. Shikishi size measuring 11 3/8” x 10 3/4” (paper); image: 11” x 9 1/2.” Excellent color and very good overall condition. There are some slight wrinkles in the paper and a faint diagonal crease in the sky below the bridge...

Rare old Japanese cotton norleen with three 3 fish from Mutual Bank of Kure in Hiroshima. This was a gift to clients. In very good condition, it measures 40 inches x 24.5".

This iconic tea bowl was crafted by one of the great masters of Japanese pottery and given the poetic name "Dewdrop" by a famous tea master of the Omote-senke school of tea. The Chrysanthemum flowers (Kiku) depicted on the front of the bowl are auspicious symbols of longevity and rejuvenation in Japan. When first introduced to the island nation during the Nara period (710-793 AC) the Japanese Royal Family was fascinated with this enigmatic flower...

Antique Japanese lacquer stand with intricate mother-of-pearl inlay and painted details. The top depicts a dragon floating in swirling clouds. Each cloud is a fine dusting of different colors of shell inlay. The base is decorated with a tiger near a rocky waterfall. The stand has two arching legs which end in shoulders and apron with reserves depicting kirin, a phoenix and chimera...