Small Kobako circular box in lacquered wood with a cicada and unidentified insect, probably a gryllotalpa orientalis, displayed on its top part. The background is decorated in maki-e, creating a gold spray on black, and the cicada’s body is incrustated with blue pearly blue shell with the raden technique, probably kenma raden given the thinness of the pieces of shell. Insects (mushi) play an important role in Japanese culture...

Tabako Bon, or tobacco smoking set, adorned with gold and black fundame lacquer, in the form of cross braces and floret of the Hanabishi flower. The regular pattern is dotted with circular lockets representing flowers, birds, lions and dragons. The upper plate holds its hibachi, or heating station, and two tobacco stashes in silvered bronze, the bottom part contains two superimposed drawers...

Three cases inro in ro-iro lacquer with its hira-maki-e ornaments of crows with inlaid eyes in mother of pearl. The interior in nashiji lacquer. A label of a private collection in the last compartment. The ro-iro lacquer technique comes in too variants, Hana-nuri et ro-iro-urushi...

Bronze sculpture representing a group of genoderma mushrooms developing on the long stem of a Ginseng root that is standing on two kakis. Logically this root would be Panax ginseng, the Asian breed, as a matter of fact the peduncle is longer that the petiole (the part surmounted with a flower and surrounded by leaves), which is not the case with the American ginseng (Panax quinquefolius)...

Kawase Hasui
Ulmil Pavilion, Pyongyang - Blue Sky
Series: Korean Prints.
Size: Koban. Image size: 7 x 4.5 inches. Paper size: 9.0 x 5.875 inches.
Date: 1939 (This example 2018). Produced in 2018, when a limited edition of this print was commissioned by Ukiyoe-Gallery, who discovered Hasui's little-used original set of blocks. This example is an artist's proof.
Printer: Atsushi Kawai...

Kawase Hasui
Ulmil Pavilion, Pyongyang - Grey Sky
Series: Korean Prints.
Size: Koban. Image size: 7 x 4.5 inches. Paper size: 8.25 x 5.875 inches.
Date: 1939 (This example 2018). Produced in 2018, when a limited edition of this print was commissioned by Ukiyoe-Gallery, who discovered Hasui's little-used original set of blocks. This example is an artist's proof.
Printer: Atsushi Kawai...

Two cicadas in bronze facing each other on a bamboo segment One is an adult while the other is at the nymph phase. Three foundry stamps, one underneath and one alongside each insect. Cicadas have a very prominent role in Japanese folklore, it symbolizes the arrival of hot summer days. Its song became an emblematic sound marker of hot weather...

A small bronze sculpture of a frog represented in its bath soaking with a lotus root. It was designed to be used as an incense burner. A Chinese poem has been engraved on the back. The frog (kaeru) is associated with luck and wealth. In feudal Japan, tax collectors could be recognized by the frog-shaped netsuke they wore on their belts. Nowadays people keep frog amulets in their wallet to be wealthy. Kaeru means both "frog" and "coming home" in Japanese...

Small Ikebana basket with a black lacquer finish, solely made of bamboo slats. The handle is of rectangular shape, made of a single slice of bamboo split and fixed by four knots deep rooted in a braided belt...

Rare hanging bamboo basket for ikebana (hanakago). The body is made of bamboo folded on itself, reinforced by rattan braiding at the round neck and on the sides to hold the suspension wires. Japan – Showa era (1926-1989) Height: 13.4 in / 34 cm – diameter (neck) : 4 in / 10 cm

Rare brass ikebana basket made to imitate the traditional Japanese basketry (hanakago) that usually use bamboo and rattan. Of trapezoidal form with a round opening, a tight colar and its foot stretch to the base. The basket can be exposed both standing on its foot or hanging by the hook on its back. Adorned with a dragon on the upper section and a bee and butterfly in the middle section. Its shape and details are finely excuted and imitates the classic basketry perfectly...

Very elegant bronze vase with a beautiful patina, its three feet are representing Buddhist guardian lion. Topped with a plate standing on shrink collar. On the bottom part a very impressive work of patina ranging from green to cherry red and golden brown. The upper third part is adorned with a frieze symbolizing both water and wind as elements highlighted with a second frieze of parallel stripes extending to the top. (Presented with second and smaller vase design to be used within) Jap...

Teapot made of stoneware with slip decoration, shaped like a turtle. Glazed interior, unglazed rim around the lid and lower part. In Japan, the turtle (known as "kame" in Japanese) is a symbol rich in meaning and holds a special place in Japanese culture, Taoism, and folklore. It is perceived as a wise and protective creature, recognized for its exceptional longevity. According to popular belief, a turtle can offer its owner 10,000 years of happiness and prosperity due to its long life and sl...

Interesting lanterns are made of white crackled ceramic, bell shaped. Thought to be representing a ghost, a wide opening on one side grant you access to the inside while three other openings suggest a mouth and eyes in transparence. Japan – Meiji era (1868-1912) Height: 30 cm – Maximum diameter : 25 cm

Chiseled wood sculpture representing a seated monkey holding peaches of longevity in his hands. The impression of the fur is quite realistic, and its eyes are enhanced with black lacquer. The figure of the monkey with longevity peaches is a popular image in China, however this subject was also widely used by the Japanese. According to the legend the monkey Sun, king of monkeys, upset that he was not invited to the banquet of the Queen Mother, entered the garden of the goddess Xiwangmu in...

Inrō with four gold lacquer compartments, decorated with a lake landscape. Accompanied by a bronze ryusa manju. Small boxes formed of compartments that fit one on top of the other, inrō (印 籠) are traditional Japanese clothing items. Since the kimono had no pockets, everyday objects were carried in small boxes (sagemono) hung on the belt (obi). To prevent them from slipping, a netsuke, a small wooden or ivory figurine, was used to hold the cord of the inrō or other types of sagemo...

A collapsed bottle from the early years of the Tokoname Kilns dating from the Kamakura to Nanboku-cho periods (12th to 15th centuries) featured in the special Taiyo Art Magazine Close-up on the six ancient kilns. It is 18 cm (7 plus inches) diameter, 13 cm (more than 5 inches) tall and in fine original condition, enclosed in an old red-lacquered wooden box.
Tokoname pottery from modern day Aichi Prefecture, is one of Japan’s Six Ancient Kilns (Nihon Rokkoyō), with a history dating bac...

Wow! A powerful large Tsubo by Murakoshi Takuma covered in his signature Shunju glaze combination of iron, feldspar an Kunugi-ash enclosed in the original signed wooden box titled Shunju Otsubo. It is 35 cm (14 inches) diameter, 42 cm (16-1/2 inches) tall and in perfect condition, directly from the artist this winter.
Due to size the cost of shipping will be accrued separately
Murakoshi Takuma is one of those enigmas who simply lives to work with clay. He does not seek to make a livin...