This is a Japanese antique indigo dye cotton yokote-kasuri ikat child kimono Meiji period(1868-1911).It is in very good condition with no stains or damage. Size:length:97㎝　/ sleeve to sleeve:106cm

A stylish Furo Brazier o with a gotoku for holding a tea pot in hand forged iron by Sakai Naoki enclosed in the original signed wooden box titled Hi No Komoru Katachi. It is 15 cm (6 inches) square, 10 cm (4 imches) tall and in perfect condition.
Naoki says “In the process of shaping each form, the heavy, cold weight of iron is transformed into something altogether opposite. Humanity has always sought not only utility in craft, but also beauty...

Antique Japanese kiseruzutsu (pipe case) made from carved stag antler. It is used to hold a kiseru, a traditional Japanese tobacco pipe. The case features intricate relief carvings of a rain dragon amidst scrolling clouds and a shishi dog head. Such items were part of a sagemono (hanging object) ensemble, which included a pipe case, a tobacco pouch, and a toggle (ojime), all linked together. 8 ½ ” x 1 ”. 21.4 x 2.8 sm

The piece is made using the traditional Japanese shakudo technique, an alloy primarily of copper with gold and silver, which is patinated to a dark, rich color. It depicts a samurai warrior in mid-action, possibly from a historical or mythological scene, with gold and silver detailing on his armor and sword. Such items were often made during the Meiji period (1868-1912) and repurposed from elements of samurai sword fittings (tsuba)...

Japanese late Meiji to early Showa period cast iron tetsubin decorated with a hailstone pattern in bas-relief around the upper half of the body. Iron lid with a bud form finial. A subtle cast pattern is on two sides of the upright handle. A three-character mark in a fan form is beside the spout. Early 20th century to possibly late 19th. About 7 7/8” high to top of handle x 7 1/2” across. Very good overall condition with minor rust in the interior and underside of lid from use...

Yamamoto Tomokatsu
Goose Under the Moon
Size: Approximately 5.5 x 3.5 inches.
Date: 1930s.
Titled and sealed Yamamoto in the image.
Publisher: Takemura Hideo (seal at lower left).
Medium: Japanese woodblock print.
Condition: Red blush in places due to red ink on back of print. Bump at middle left margin.
Note: This is the only example of this rare print that we could find. A similar Ohara Koson design exists.

Kasamatsu Shiro (1898 - 1991)
Yushima Tenjin
Size: Approximately 5.5 x 3.5 inches.
Date: 1930s.
Titled and sealed in the image.
Publisher: Takemura Hideo.
Medium: Japanese woodblock print.
Condition: Red blush in places due to red ink on back of print.
Note: This is the only example of this rare print that we could find. A similar Kasamatsu design exists in landscape format.

Silver-Ground Two-Panel Screen with Birds and Flowers, Signed

Elegant two-panel folding screen featuring a refined kachōga (birds-and-flowers) composition painted over a beautifully aged silver-foil ground.
Large peonies, hibiscus, plantain leaves, and various wildflowers are rendered in vibrant mineral pigments, creating a striking contrast against the softly oxidised silver surface...

Rendered with flowing, rhythmic brushwork, Kodōjin’s mountains seem to breathe and shift, their forms defined not by solidity but by the movement of mist and spirit. Pale washes of vermilion and gray enliven the ridges and trees, evoking autumn foliage glowing through the haze. The composition ascends in a sinuous rhythm—peaks rising through cloud, dissolving into emptiness—expressing the continuous transformation of nature and mind...

A rare set of five small plates for serving Japanese sweets before drinking tea decorated with verses by Fukuda Kodojin enclosed in the original signed wooden box. Each contains a unique hand-written poem and is signed with his Japanese poetry name, Haritsu. The plates were made by the Haibara paper company in Tokyo (established 1806) and bear the companies impressed gold seal beneath. Inside the box is written Fukuju (Fortune) followed by the name Shibayama...

Excursion Into the Mountains; an austere yet dynamic vision that fuses poetic sensibility with daring abstraction by Fukuda Kodōjin executed in bold, free-flowing ink dated September 1914. This was exhibited at the Minneapolis Institute of Arts in 2023 and is published in the book The Art and Life of Fukuda Kodojin, P. 73 No. 17...

This sweeping vertical landscape by Fukuda Kodojin captures the sensation of wind moving through a mountainside of pines, conveyed not through literal depiction but by the charged rhythms of the brush. Kodojin builds the mass of the forest with layered dots and broken ink strokes—an almost calligraphic “texturing” that seems to quiver with motion—while faint mineral washes in rose and grey lend the scene a hushed, dreamlike atmosphere...

A beautiful porcelain vase decorated with iris in blue and lavender by Miyagawa (Makuzu) Kozan II unusually with an inscription on bottom saying it was made to commemorate the Yokohama Exposition in 1935. The vessel is 25 cm (10 inches) diameter, 21.5 cm (8-1/2 inches) tall and in excellent condition. It comes in a custom made wooden storage box...

A clean and classic antique Meiji period Japanese kiri tansu chest featuring two full-width drawers crafted from solid paulownia (kiri) wood, prized in Japan for its light weight, dimensional stability, and natural resistance to insects and moisture. This chest showcases the warm, straight grain of kiri with a soft natural tone and subtle age character throughout. Hand forged iron hardware.

Age: Meiji period (1868 - 1912)

Dimensions: 36" wide 19" high x 17" deep

Kawase Hasui (1883-1957)
Meguro Fudo (Fudo Hall in Meguro)
Date: 1931
Size: Oban. 15.5 x 10.25 inches.
Publisher: Watanabe Shozaburo. A first edition with the B-seal (in use 1927-1932) in the right margin, making this example the earliest state.
Medium: Japanese woodblock print.
Reference: Hotei #263.
Condition: Toning and fading. Original drying pinhole in margin...

An austere black chawan with a slight of raw black clay at the rim by Shigemori Yoko enclosed in a signed wooden box titled Kuroyu Chawan. As there are no straight lines in nature, there are no straight lined in the work of this artist, here the bowl is set slightly off center on the foot, just enough out of symmetric to match the asymmetrical balance of a Japanese tea room. It is 14 cm (5-1/2 inches) diameter and comes enclosed in a wooden box signed by her brother Naoki...

Art glass. Hand blown glass tea caddy or chaire in the shape of a squash or gourd with slightly domed, vertical ribs. Amethyst purple colored opaque glass, fused on the outside with gold foil. The layers of gold give the impression of draped gold brocade wrapped around the chaire. Cover made of an artificial material, imitating ivory.

Signed in bottom: Akira saku (made by Akira).

Japan, 1987 or earlier.

H with cover 4.9 x diam 2.6 in.

Comes with the original wooden storag...

Three panels of noren made of hemp with stripes. The ground cloth and stripes are vegetable indigo dye and both warp and weft are hand-plied. Top cloth and belts are hand-spun and vegetable indigo dye cotton. In excellent condition. Late 19th early 20th century. W:93cm, L:152cm