A beautiful hand painted iron red Kutani charger decorated with images of children at play, birds and floral arrangements. Sometimes referred to as a low bowl, these large dishes make wonderful accent pieces weather it is hung on your wall as art or placed on a table as a centerpiece. In very good antique condition, no paint losses, no chips, no repairs. There are 2 hairline cracks that are in the crazing and do not affect the integrity of the charger. Measures 15 inches diameter, 3" high...

Ohara Koson (Shoson)
Egrets
Size: Oban. Approximately 15 x 10.25 inches.
Date: 1926. This edition 1946-1957.
Publisher: Watanabe Shozaburo. Watanabe 6 mm in lower left corner of image.
Shoson signature and seal.
Medium: Japanese woodblock print.
Reference: S14.4 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Embossing on the birds' bodies...

Height: 7.5 cm (3 in)
Width: 1.7 cm (0.7 in)
Depth: 1.2 cm (0.5 in)

A fine example of a Japanese netsuke of a laughing Sennin; very well carved throughout; natural material; good condition

Rivulets of green glaze descend all sides of this sublime storage jar, the bottom raw red Tamba clay dating from the Edo period. About the rim are four “mimi” ears for tying down the wooden bung. The base is slightly concave and burnt to a rock like texture. The vessel is 12 inches (30 cm) tall, 11-1/2 inches (29 cm) diameter and in excellent condition. Tamba is considered as one of Japan’s six famous ancient kilns, along with Seto, Tokoname, Echizen, Shigaraki and Bizen...

Lilian May Miller (1895-1943)
Hong Kong Junk.
Date: 1928. Marked first edition in pencil.
Signed, dated, and monogrammed within the image.
Stamped "Lilian Miller Oriental Woodcuts" in margin.
Size: Oban. Approximately 14.25 x 10.25 inches.
Medium: Japanese woodblock print.
Condition: Back margin has marks from former matte.

A Japanese porcelain chawan, tea bowl, decorated with a continuous landscape. The concave foot left unglazed. The rim has a number of kintsugi, repaired chips using lacquer and gold dust.

A similar tea bowl is shown in Sekai Toji Zhenshu, Ceramic Art of the World, Vol 8. Edo Period III, no:240, described as Nakano Kiln, Hirado, mid 18th century.

Approximately 11 cm diameter. Fine condition...

Old (1930's) Japanese Silver Enamel Incense Kogo Box with Flowers Signed

It is 0.7 inch (1.7 cm) tall by 2.6 inches (6.7 cm) wide. It is 69.7 gram.

It is tarnished and has enamel cracks and small chips at the petals, missing enamels, oxidation, and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell...

Old (1930's) Japanese Mixed Metal Book Shaped Match Safe with Ox & Woodcutter

It is 2.15 inches (5.6 cm) long by 1.3 inches (3.5 cm) wide. It is 48.7 gram.

It has a small dent, rubbing golds, surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...

A Japanese unusual bottle shape silver vase finely engraved and with a mountainous landscape. Two characters carrying baskets with groups of wooden bundles. Pure silver mark under the base and engraved signed Gentoshi. Meiji period middle 19th century Sizes: 18 x 8 cm Condition report: Good condition

Ide Gakusui
Heron in Rain
Date: ca. 1950.
Size: Oban. Approximately 15.5 x 10.25 inches.
Artist's signature and seal lower right.
Publisher: Watanabe Shozaburo. Round 6mm seal lower right, which is consistent with a first edition (produced 1946-1957).
Embossing is featured on the snowy egret's body. Please see enlargement 3.
Medium: Japanese woodblock print.
Condition: Excellent.

Japanese lacquered on Ceramic No Mask Obishimi Netsuke, Ca. 1920, Meiji period, 1 3/8" high, 1 1/8" wide, 3/4" deep, reddish brown lacquer on Ceramic with painted gold bull's eye, deep wrinkles on forehead, raised fat cheeks, details are bold and deep. The condition is good.

Japanese carved Wood No Mask Okame Netsuke, Ca. 1920, Meiji, 1 1/2" high, 1 1/4" wide, 5/8" deep, round dot natural wood grain dimples on both chubby cheeks and wrinkles on forehead and face, the condition is good, shows old patina.

Japanese Lacquered Ceramic No Mask Okame Netsuke, Ca. 1900, Meiji period, 1 5/8" high, 1 1/4" wide, 3/4" deep, smiling slender eyes with dimples on both fat cheeks, beautiful face with red small tiny lips. Nicely aged with old patina, no damages.

An antique Japanese 2 section Nihon Matsu Tansu made of Urushi lacquered Keyaki (Zelkova) and Suginoki (Cryptomeria) woods. Original finish and hand made iron fittings. Features double plum blossom Atari (handle stoppers) above and below the handles with Sho Chiku Bai (Pine tree, Bamboo, and Plum Blossom), lock plates featuring Chrysanthemum knobs. Two small drawers hide behind the hinged door.

The Nihon Matsu tansu is traditionally a large kimono storage chest that has spacious storage...

An antique Japanese Kuruma Tansu known as a storage chest on wheels made of Keyaki (Zelkova), Kiri (Chestnut) and Suginoki (Cryptomeria) woods. Hidden behind the two sliding doors are two small drawers and a split level shelf. Situated below the doors are two side by side drawers for added storage. The sides of the chest feature cross rib supports and through mortise and tenon joinery for additional strength and support.

The Kuruma tansu has become a rare chest over the years...

Ohara Koson (Shoson)
Group of Egrets
Size: Oban. Approximately 15.5 x 10.25 inches.
Date: 1927. This edition 1946-1957.
Publisher: Watanabe Shozaburo. Watanabe 6 mm in lower right corner of image.
Shoson signature and seal.
Medium: Japanese woodblock print.
Reference: S14.5 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Features gauffrage embossing on the birds' bodies...

Japanese Woodblock by Tomio Kinoshita, "Red" 1971, 21/150. Large abstract square head over a square body with hands done in a curved space...

Woodblock print "Face" 1978 signed Tomio Kinoshita, printing 1/50, three oval heads over cylindrical necks with faint rounded shoulders, each inscribed with interior lines over a quite orange/gray, exterior surrounded by a dark somber color.
Tomio Kinoshita has a distinct contemporary stye of abstract heads done in line images of angular, square, and oval shapes. He was born 1923in the Mie Prefecture, Japan. Started print making in 1955, exhibited at Nihon Hanga Kyokai in 1957, winning Ass...