This is suoh of samurai's hitatare full dress in Edo-meiji period (upper part). The material is hemp of the handspun & natural indigo dye.Textile seems to be hand spun and woven, and has soft touch. Since this was used from the Edo to the Meiji period, there are many fading and small holes as shown in the image.This is the family crest of kikusui. However, it is overall good. size:Length 80cm /31.4inch Width 170cm / 66.92inch

A superb example of the mastery of Bizen Saiku-mono sculptures by Nishimura Shunko dating to the pre-war era. The musculature and bone structure of the creature is clearly visible, and it wears a cloak of ash glaze like fur, the tail actually covered in dry “goma” textured ash, and the lower extremities showing a fine assortment of Hi-iro flame colors on the raw clay. Stylistically there appears to be some influence of the pottery technique of Okinawan Shisa (lions)...

A pair of antique Japanese folding keyaki doors with iron mounts. The door is constructed with mortise and tenon joints. The panels are divided into 7 parts framed with carved decoration and hinged with iron mounts. The carved decoration is finely painted with polychrome mineral pigment with gold gilt accents. The subject matter of the temple doors is a scrolling lotus motif and 8 phoenixes.
The phoenix represents power sent from the heavens to the Empress...

Takahashi Shotei (Hiroaki)
Cold Winter Wind.
Size: Mitsugiri-ban. Approximately 15.0 x 6.5 inches.
Date: pre-1936 (Mid-1920s).
Publisher: Watanabe Shozaburo. No. 204 in 1936 Watanabe catalog. M-4 in Shotei catalog.
Medium: Japanese woodblock print.
Condition: Excellent. On the back, there is clear tape along the top edge.

A fabulous large porcelain vase by Daimaru Hoppo (Hokuho) enclosed in the original signed and compartmentalized wooden box complete with a rosewood base. The vase is a perfect example of the Sinophile aesthetic that permeated Japanese art in the early 20th century. The simplified form rises from to frets decorated with stylized cicada under a belt of archaic figures and yotsu-domoe (yin-yang) symbols. It is 14 inches (35 cm) tall plus the base and is in excellent condition...

Japanese sosaku hanga woodblock print by Onchi Koshiro (1891-1955) titled "Portrait of the Poet Hagiwara Sakutaro" dated 1943. Memorial edition printed by Koichi Hirai. The print is stamped on the back and dated in pencil September 1956. Red seal at the lower left. Paper size: 21 7/8" x nearly 17 1/4" (image: 20 1/2" x 16 1/2"). The print might have been loosely rolled at one time and is not completely flat. The back is lightly browned and has a short pen mark...

Japanese shin hanga woodblock print titled "Kansai District: Seta Bridge" by Hiroshi Yoshida (1876-1950) dated Showa 8 (1933). 1st edition impression with "jizure" (self-printed) seal in the upper left margin. The artist's black ink brush signature and red seal are at the lower right. The print is pencil-signed in the lower right margin. Illustrated in "The Complete Woodblock Prints of Yoshida Hiroshi," Abe Publications, color plate #182...

Furoshiki (wrapping cloth) with owner's name, made of asa (hemp) whose warps and wefts are hand-plied. It has 4 mending patches with same cloth as the ground. It has un-dyed cotton cloth for reinforcement in the middle and has sashiko. Used but in excellent condition. The first half of the 20th century. 132cm x 138cm

A Nihon Matsu tansu with beautiful reddish brown lacquered keyaki wood front face with hinoki (cypress) wood drawers. The round lock plates on each drawer feature a crane and turtle motif, signifying a wish for happiness and long life. There are 4 large drawers with spacious interiors and on the right lower side is a safe box door with two interior drawers. Traditionally used for storing folded kimonos...

A very unusual vase by Teishitsu Gigei-In (Imperial Art Academy Member) Ito Tozan I enclosed in the original signed wooden box showing decidedly Art Nouveau styling. It is 20 x 8 x 32 cm (8 x 3 x 12-1/2 inches) and is in excellent condition.
Ito Tozan I (1846-1920) began as a painter in the Maruyama school studying under Koizumi Togaku...

”Old Memories A”, framed woodblock print by Hiroyuki Tajima. Original print, number 13 of 50, signed and dated 1966, in pencil. The abstract and balanced compositions of Tajima Hiroyuki (1911 – 1984) was a member of the sosaku hanga, an art movement in Japan, stressing the role of the artist as the sole creator. His works radiate a meditative concentration and tranquility often found in Japanese art...

Occupation era original Japanese shin hanga woodblock print titled "Moonlit Night at Miyajima" by Kawase Hasui (1883-1957) dated in the lower left margin Showa 22 (1947). The artist's black ink signature and red seal are at the lower right corner of the image. The 6mm circular seal of the publisher Watanabe (used 1946-1957) is at the lower left corner. Paper size: 15 1/4" x 10 1/2" (image size: 14 1/8" x 9 1/2"). Very good overall condition...

LOTUS PEDESTAL FOR BUDDHA

Powerful and profound wood carving sacred-lotus pedestal. Edo period, 19th century, Japan. approx. W 43 x D 35 x H 14cm (16.92 x 13.77 x 5.51in)


selected by Jinta




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The Japanese Norimono Palanquin is completely covered in a rich chestnut woven bamboo. The roof has a slight curve and a section of the roof can lift up for entry. The sedan is trimmed in black lacquered wood in a double lined grid pattern contrasting with the woven material. The three outer window openings provide shade covering of reeded sudaris with black wool borders and copper mounts. The sudari is held erect with copper L-shaped hooks. The sliding doors open to the interior of latticed wor...

Occupation era original Japanese shin hanga woodblock print titled "Carp Flag at Toyohama, Kagawa Prefecture" by Kawase Hasui (1883-1957) dated in the lower left margin Showa 23 (1948). The artist's black ink signature and red seal are at the lower left corner of the image. The 6mm circular seal of the publisher Watanabe (used 1946-1957) is at the lower right corner. An additional Watanabe seal is on the back at the lower right corner. Paper size: 15 3/4" x 10 1/2" (image size: 14 3/8" x 9 1/2...

A pair of Chinese antique monochrome Clair de Lune glaze porcelain vases set on a decorative hardwood stands. A small gold leaf repair is done to the lip of the vases in the Kintsugi style. The vases are a pale blue with tall rounded shoulders and the unglazed bases and recessed footing with Kangxi inscription.

Provenance: NY Collection Bradley

Date: Kangxi 1661-1722

Dimensions: 9" tall w/stand, 7.25" w/o stand X 2.73 wide

According to Kei Wakao, the artist who crafted this extraordinary work, it took him years of trial-and-error to perfect the unique rice-porcelain glaze covering this finely shaped tea vessel. Not only was it a challenge to achieve the demure milky translucence of the glaze—similar to the appearance of a grain of rice when held to the light—but also to get the right flowing consistency and pooling effect around the base.

Born in 1974 as the eldest son to a well-established kiln i...

An exquisite hand-crafted Japanese cinnabar lacquered Inro with five compartments and Manju. It has a meticulously carved scene with 2 scholars or sages on one side and the other with two sages. The scholars are on a bridge surrounded by fronds in a garden setting. The Inro shows a beautiful style, the entire surface of the lacquer Inro boasts fine incised patterns incorporating various plant decors and geometric shapes. The Inro has a cinnabar lacquered Manju incised with a dragon image in clou...