An impressive Kuro Raku Chawan made by the legendary 12th generation Kichizaemon Kônyû (1857-1932). The name of the Chawan is „Akebono“ - Sunrise.

His childhood name was Kozaburo, later became Kicho (or, Yoshinaga). He was the eldest son of Keinyu, the eleventh generation master. In 1871, he succeeded the family business and became the generation master. In 1919 he retired and took the name as Kônyû. He enjoyed his retirement in practicing tea ceremony and writing haiku...

Antique solitary Awara-yaki chawan by great artist Kuze Tensei 久世天声 (1878 - 1933) around 1915 (Meiji Period).

He studied art under Yamada Kei while working as a teacher at Ishikawa Technical Senior High School. In 1914, he moved to Awara Onsen in Fukui Prefecture (a classic hot spring town) where he set up a studio and kiln and created Awara-yaki using clay from the area to produce Kyo-ware style ceramics, which often won prizes in exhibitions...

Antique Japanese tall stone sekitō (pagoda) with five tiers. Made of granite and carved in 9 stacking pieces. The central square section is carved with a seated Buddha on four sides. The top spire is carved with 9 tiers between lotus petals. The surface has a beautiful patina and is covered with areas lichen and moss.

Age: Meiji Period (1868-1912)

Dimensions: 101 1/2" (8ft, 5in) high x 26" wide x 26" deep

Fantastic Seto Chawan made by greatest Kitaoji Ronanjin 70-80 years ago.

Rosanjin (1883-1959) They say adversity is the mother of invention, and Rosanjin can be said to epitomize that expression. Born during the tumultuous first half of the Meiji period in the cultural center of Kyoto, he was adopted at age six by a woodblock carver...

Utagawa Kunisada (Toyokuni III)
Title: Tokaido Numazu (Numazu, from the Processional Tokaido, a series on the arrival of the 14th shogun)
Date: 1863. First edition.
Size: 14.75 x 10 inches.
Publisher: Iseya Kanekichi (Isekane)
Medium: Japanese woodblock print.
Condition: Right margin has holes and pen mark. Light soling.

A Japanese extraordinary polychrome ivory netsuke depicting a lively monkey. The monkey is shown holding a giant peach branch with its right hand, with a strong expression of satisfaction on its face. With its other hand, it scratches its back, adding a touch of realism to the scene. Himotoshi holes under the belly. Origin: Japan Period: Edo 19th century Dimensions: 3 x 4 x 4 cm. State of preservation: Very good

This cup is covered yellow glaze by ashes and green glaze by oxide copper, amazing color. YouTube movie: https://www.youtube.com/watch?v=hgo8DbZbxnw Size: 6.8cm(D)5.5cm(H) Accessary: wooden box signed by artist

Brilliant green "Oribe glaze" sake cup. YouTube movie: https://www.youtube.com/watch?v=0OfaOxZKfkw Size: 7.0cm(D) 5.0cm(H) Accessary: wooden box signed by artist

This sake cup is made as a miniature of red raku chawan made by Honami Koetsu in 17th century. YouTube movie: https://www.youtube.com/watch?v=DkIc18gBIkk Size: 6.7cm(D)5.3cm(H) Accessary: wooden box signed by artist

Sadamitsu Sugimoto recently has completed new raku technique not to use lead for glaze, so he can make a black raku sake cup. It's seemed just like a miniature of black raku chawan. YouTube movie: https://www.youtube.com/watch?v=noTNWuglDHI Size: 7.7cm(D) 5.5cm(H) Accessary: wooden box signed by artist

The size of Kutani Dog: 7" High x 4 1/4" Wide x 5" Deep.
This is beautiful and adorable Japanese Kutani Dog
from 1970's to 1980's about 50 years old
vintage Okimono. It has flowers, butterfly and ribbon on neck design.
The Dog is made from crackle glazing semi porcelain body.
Bottom of Dog Okimono has some kind stain. It has four felt circles,
preventing scratch when placing on the wooden top.
The condition of dog excellent...

Japanese sosaku hanga woodblock print titled in pencil at the lower margin "Haniwa (7)" by Kiyoshi Saito (1907-1997). Signed in white ink and with the artist's red seal at the lower right corner on the back. Circa 1950s. Paper size: 14 3/4" x 9 3/8” (image size: 11 1/8" x 5 7/8”). Very good overall condition. There are some horizontal soft creases in the paper, primarily within the margins, that are visible in the main image...

Seto Kuro Oribe (black oribe) kutsugata (shoe-shaped) chawan with a rounded brim, made in the late Edo Period around 1850. This rare type of tea bowl was made from light, coarse, unrefined Mino clay which contains some iron oxide and and a rich black glaze (made from ground up Kamagawa stones) which partially obscures the white designs on the side. The Chawan fits nicely in your hands and looks great filled with bright green matcha...

Antique Japanese ranma (transom). Carved from hinoki wood on both sides with a scene of a twisting pine tree. Framed in natural, unfinished hinoki wood. The carving is unusually detailed. This architectural detail would have been built into a Japanese home usually over a door or window.

Age: Meiji/Taisho Period (earl 20th century)

Dimensions: 84 1/2" long x 17" high x 2 1/4" deep

Antique Japanese ranma (transom). Carved from sugi wood on both sides with a scene of a twisting pine tree and stalks of bamboo. Framed in black lacquered hinoki wood. This architectural detail would have been built into a Japanese home usually over a door or window.

Age: Meiji/Taisho Period (earl 20th century)

Dimensions: 65" long x 14 3/4" high x 1 1/2" deep

Antique Japanese ranma (transom). Carved from sugi wood on both sides with a scene of a blossoming plum tree and stalks of bamboo. Framed in black lacquered hinoki wood. This architectural detail would have been built into a Japanese home usually over a door or window.

Age: Meiji/Taisho Period (earl 20th century)

Dimensions: 65" long x 14 3/4" high x 1 1/2" deep

Ohara Shoson (Koson)
Egret on Snow-covered Willow Tree at Night
Size: Koban. Approximately 7.25 x 5.0 inches.
Date: 1930s.
Shoson seal lower right.
Made in Japan stamped on verso.
Reference: AS.10 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Medium: Japanese woodblock print.
Condition: Excellent. Paper at top back corner.

Japanese woodblock Shunga print. Good condition. Unsigned like most Shunga but confidently ascribed to SHUNCHO active 1780-1800. Paper size 25.5x34.5. Can be viewed in central London and shipped worldwide.